Architecture Quotes (20 quotes)
A box is more a coffin for the human spirit than an inspiration.
Quoted in Aline B. Louchheim, 'Wright Analyzes Architect's Need', New York Times (26 May 1953), 23. Wright was interviewed at age 83 for the opening of a small exhibition of his work at the gallery of the National Institute and the American Academy of Arts and Letters, New York.
Architecture aims at Eternity
Quoted in The Architectural Magazine (1834), Vol. 1, 328.
Architecture has its political Use; publick Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth…. Architecture aims at Eternity.
In Charles Henry Bellenden Ker, Sir Christopher Wren (1828), 1.
Architecture is of all the arts the one nearest to a science, for every architectural design is at its inception dominated by scientific considerations. The inexorable laws of gravitation and of statics must be obeyed by even the most imaginative artist in building.
In 'The Message of Greek Architecture', The Chautauquan (Apr 1906), 43, 110.
For many parts of Nature can neither be invented with sufficient subtlety, nor demonstrated with sufficient perspicuity, nor accommodated unto use with sufficient dexterity, without the aid and intervening of the mathematics, of which sort are perspective, music, astronomy, cosmography, architecture, engineery, and divers others.
The Advancement of Learning (1605), Book 2. Reprinted in The Two Books of Francis Bacon: Of the Proficience and Advancement of Learning, Divine and Human (2009), 97.
Forests were the first temples of the Divinity, and it is in the forests that men have grasped the first idea of architecture.
F.A. de Chateaubriand and Frederic Shoberl (trans.) The Beauties of Christianity (1813), Vol. 1, 251.
How much does your building weigh?
A question often used to challenge architects to consider how efficiently materials were used for the space enclosed.
A question often used to challenge architects to consider how efficiently materials were used for the space enclosed.
In Thomas T. K. Zung, Buckminster Fuller (2002), 5.
In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.
Increased knowledge of heredity means increased power of control over the living thing, and as we come to understand more and more the architecture of the plant or animal we realize what can and what cannot be done towards modification or improvement.
Reginald C. Punnett, in article 'Mendelism', from Hugh Chisholm (ed.) The Encyclopædia Britannica (1911), Vol. 18, 120.
It is good to recall that three centuries ago, around the year 1660, two of the greatest monuments of modern history were erected, one in the West and one in the East; St. Paul's Cathedral in London and the Taj Mahal in Agra. Between them, the two symbolize, perhaps better than words can describe, the comparative level of architectural technology, the comparative level of craftsmanship and the comparative level of affluence and sophistication the two cultures had attained at that epoch of history. But about the same time there was also created—and this time only in the West—a third monument, a monument still greater in its eventual import for humanity. This was Newton's Principia, published in 1687. Newton's work had no counterpart in the India of the Mughuls.
'Ideals and Realities' (1975). Reprinted in Ideals and Realities (1984), 48.
Life is order, death is disorder. A fundamental law of Nature states that spontaneous chemical changes in the universe tend toward chaos. But life has, during milliards of years of evolution, seemingly contradicted this law. With the aid of energy derived from the sun it has built up the most complicated systems to be found in the universe—living organisms. Living matter is characterized by a high degree of chemical organisation on all levels, from the organs of large organisms to the smallest constituents of the cell. The beauty we experience when we enjoy the exquisite form of a flower or a bird is a reflection of a microscopic beauty in the architecture of molecules.
The Nobel Prize for Chemistry: Introductory Address'. Nobel Lectures: Chemistry 1981-1990 (1992), 69.
Scientists like myself merely use their gifts to show up that which already exists, and we look small compared to the artists who create works of beauty out of themselves. If a good fairy came and offered me back my youth, asking me which gifts I would rather have, those to make visible a thing which exists but which no man has ever seen before, or the genius needed to create, in a style of architecture never imagined before, the great Town Hall in which we are dining tonight, I might be tempted to choose the latter.
Nobel Banquet Speech (10 Dec 1962).
The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.
Quoted in J. Harriss, The Tallest Tower: Eiffel and the Belle Epoque (1975), 20. Cited by David P. Billington, 'Bridges and the New Art of Structural Engineering,' in National Research Council (U.S.). Transportation Research Board Subcommittee on Bridge Aesthetics, Bridge Aesthetics Around the World (1991), 67.
The laws of nature are the rules according to which the effects are produced; but there must be a cause which operates according to these rules. The laws of navigation never navigated a ship. The rules of architecture never built a house.
'Essay I On the Phenomena of Nature', Essays on the Active Powers of Man (1785), 47.
The science of government is my duty. ... I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain.
Letter to Abigail Adams, (1780). In John Adams and Charles Francis Adams, Letters of John Adams, Addressed to His Wife (1841), 68.
There are many arts and sciences of which a miner should not be ignorant. First there is Philosophy, that he may discern the origin, cause, and nature of subterranean things; for then he will be able to dig out the veins easily and advantageously, and to obtain more abundant results from his mining. Secondly there is Medicine, that he may be able to look after his diggers and other workman ... Thirdly follows astronomy, that he may know the divisions of the heavens and from them judge the directions of the veins. Fourthly, there is the science of Surveying that he may be able to estimate how deep a shaft should be sunk ... Fifthly, his knowledge of Arithmetical Science should be such that he may calculate the cost to be incurred in the machinery and the working of the mine. Sixthly, his learning must comprise Architecture, that he himself may construct the various machines and timber work required underground ... Next, he must have knowledge of Drawing, that he can draw plans of his machinery. Lastly, there is the Law, especially that dealing with metals, that he may claim his own rights, that he may undertake the duty of giving others his opinion on legal matters, that he may not take another man's property and so make trouble for himself, and that he may fulfil his obligations to others according to the law.
De Re Metallica (1556), trans. H. C. and L. H. Hoover (1950), 3-4.
There are those who say that the human kidney was created to keep the blood pure, or more precisely, to keep our internal environment in an ideal balanced state. This I must deny. I grant that the human kidney is a marvelous organ, but I cannot grant that it was purposefully designed to excrete urine or to regulate the composition of the blood or to subserve the physiological welfare of Homo sapiens in any sense. Rather I contend that the human kidney manufactures the kind of urine that it does, and it maintains the blood in the composition which that fluid has, because this kidney has a certain functional architecture; and it owes that architecture not to design or foresight or to any plan, but to the fact that the earth is an unstable sphere with a fragile crust, to the geologic revolutions that for six hundred million years have raised and lowered continents and seas, to the predacious enemies, and heat and cold, and storms and droughts; to the unending succession of vicissitudes that have driven the mutant vertebrates from sea into fresh water, into desiccated swamps, out upon the dry land, from one habitation to another, perpetually in search of the free and independent life, perpetually failing, for one reason or another, to find it.
From Fish to Philosopher (1953), 210-1.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity—architecture of democracy.
Quoted in Aline B. Louchheim, 'Wright Analyzes Architect's Need', New York Times (26 May 1953), 23. Wright was interviewed at age 83 for the opening of a small exhibition of his work at the gallery of the National Institute and the American Academy of Arts and Letters, New York.
What is wanted in architecture, as in so many things, is a man. ... One suggestion might be made—no profession in England has done its duty until it has furnished a victim. ... Even our boasted navy never achieved a great victory until we shot an admiral. Suppose an architect were hanged? Terror has its inspiration, as well as competition.
Tancred: Or, The New Crusade (1907), 112.
[Mathematics] is security. Certainty. Truth. Beauty. Insight. Structure. Architecture. I see mathematics, the part of human knowledge that I call mathematics, as one thing—one great, glorious thing. Whether it is differential topology, or functional analysis, or homological algebra, it is all one thing. ... They are intimately interconnected, they are all facets of the same thing. That interconnection, that architecture, is secure truth and is beauty. That's what mathematics is to me.
From interview with Donald J. Albers. In John H. Ewing and Frederick W. Gehring, Paul Halmos Celebrating 50 Years of Mathematics (1991), 13.
At the heart of science is an essential balance between two seemingly contradictory attitudes--an openness to new ideas, no matter how bizarre or counterintuitive they may be, and the most ruthless skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense. -- Carl Sagan