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Home > Category Index for Science Quotations > Category Index E > Category: Emotion

Emotion Quotes (106 quotes)


... I think the guys who are really controlling their emotions... are going to win; the guy who is controlling his emotions is going to win!
…...
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...an idea is no more an even relatively constant thing than is a feeling or emotion or volitional process. There exist only changing and transient ideational processes; there are no permanent ideas that return again and disappear again.
An Introduction to Psychology (1912)
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'Tis certain that a serious attention to the sciences and liberal arts softens and humanizes the temper, and cherishes those fine emotions in which true virtue and honor consist. It rarely, very rarely happens that a man of taste and learning is not, at least, an honest man, whatever frailties may attend him.
Essay XVIII, 'The Sceptic', Essays and Treatises on Several Subjects (1742, New ed. 1767), Vol. 1, 193.
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“Advance, ye mates! Cross your lances full before me. Well done! Let me touch the axis.” So saying, with extended arm, he grasped the three level, radiating lances at their crossed centre; while so doing, suddenly and nervously twitched them; meanwhile, glancing intently from Starbuck to Stubb; from Stubb to Flask. It seemed as though, by some nameless, interior volition, he would fain have shocked into them the same fiery emotion accumulated within the Leyden jar of his own magnetic life. The three mates quailed before his strong, sustained, and mystic aspect. Stubb and Flask looked sideways from him; the honest eye of Starbuck fell downright.
“In vain!&rsdquo; cried Ahab; “but, maybe, ’tis well. For did ye three but once take the full-forced shock, then mine own electric thing, that had perhaps expired from out me. Perchance, too, it would have dropped ye dead.…”
[Commentary by Henry Schlesinger: Electricity—mysterious and powerful as it seemed at the time—served as a perfect metaphor for Captain Ahab’s primal obsession and madness, which he transmits through the crew as if through an electrical circuit in Moby-Dick.]
Extract from Herman Melville, Moby-Dick and comment by Henry Schlesinger from his The Battery: How Portable Power Sparked a Technological Revolution (2010), 64.
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[Certain students] suppose that because science has penetrated the structure of the atom it can solve all the problems of the universe. ... They are known in every ... college as the most insufferable, cocksure know-it-alls. If you want to talk to them about poetry, they are likely to reply that the "emotive response" to poetry is only a conditioned reflex .... If they go on to be professional scientists, their sharp corners are rubbed down, but they undergo no fundamental change. They most decidedly are not set apart from the others by their intellectual integrity and faith, and their patient humility in front of the facts of nature.... They are uneducated, in the fullest sense of the word, and they certainly are no advertisement for the claims of science teachers.
In Science is a Sacred Cow (1950), 18-19.
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[Science doesn’t deal with facts; indeed] fact is an emotion-loaded word for which there is little place in scientific debate.
Talk on BBC Radio 3, shortened and printed in 'Science As An Education', Nature (27 Jan 1977), 265, 286. Bondi, (then Chief Scientific Adviser to the Ministry of Defence), argues for a view of science as an education of the mind, rather than as professional training, saying “My thesis is that science should be taught like the classics”.
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[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.
Creative Writers and Day-Dreaming (1906), In James Strachey (ed.), The Standard Edition of the Complete Psychcological Works of Sigmund Freud (1959), Vol 9, 144.
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[Vikram Sarabhai] said that the performer must have emotional attachment with the project along with the physical: otherwise one can’t attain dedication and devotion for it.
As given in narrative form by Mahesh Sharma, P. Bhalla and P.K. Das, in 'Prof. Vikram Sarabhai in the Opinion of Dr. Kalam', Pride Of The Nation: Dr. A.P.J. Abdul Kalam (2004), 46.
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Clarke's First Law - Corollary: When, however, the lay public rallies round an idea that is denounced by distinguished but elderly scientists and supports that idea with great fervor and emotion—the distinguished but elderly scientists are then, after all, probably right.
'Asimov's Corollary', Fantasy & Science Fiction (Feb 1977). In collection Quasar, Quasar, Burning Bright (1978), 231.
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A common fallacy in much of the adverse criticism to which science is subjected today is that it claims certainty, infallibility and complete emotional objectivity. It would be more nearly true to say that it is based upon wonder, adventure and hope.
Quoted in E. J. Bowen's obituary of Hinshelwood, Chemistry in Britain (1967), Vol. 3, 536.
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A mathematical truth is timeless, it does not come into being when we discover it. Yet its discovery is a very real event, it may be an emotion like a great gift from a fairy.
…...
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All sensitive people agree that there is a peculiar emotion provoked by works of art.
In Art (1913), 6.
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All true science must aim at objective truth, and that means that the human observer must never allow himself to get emotionally mixed up with his subject-matter. His concern is to understand the universe, not to improve it. Detachment is obligatory.
From transcript of BBC radio Reith Lecture (12 Nov 1967), 'A Runaway World', on the bbc.co.uk website.
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An intimate friend and a hated enemy have always been indispensable requirements for my emotional life; I have always been able to create them anew, and not infrequently my childish ideal has been so closely approached that friend and enemy coincided in the same person.
The Interpretation of Dreams (1913), 385. Sigmund Freud - 1913
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Astonishment is the only realistic emotion.
In The Decline and Fall of Science (1976), 1.
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Biophilia, if it exists, and I believe it exists, is the innately emotional affiliation of human beings to other living organisms.
'Biophilia and the Conservation Ethic', essay in The Biophilia Hypothesis, editted by Stephen R. Kellert (1997), 31.
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But most of us, however strict we may be, are apt to apply the epithet “beautiful” to objects that do not provoke that peculiar emotion produced by works of art.
In Art (1913), 12.
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Clearly it is not reason that has failed. What has failed—as it has always failed—is the attempt to achieve certainty, to reach an absolute, to find the course of human events to a final end. ... It is not reason that has promised to eliminate risk in human undertakings; it is the emotional needs of men.
In The Quest For Identity (1958), 135.
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Doctors have been exposed—you always will be exposed—to the attacks of those persons who consider their own undisciplined emotions more important than the world's most bitter agonies—the people who would limit and cripple and hamper research because they fear research may be accompanied by a little pain and suffering.
Doctors (1908), 28-9.
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EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  84.
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Emotions are among the toughest things in the world to manufacture out of whole cloth; it is easier to manufacture seven facts than one emotion.
In Life on the Mississippi (1883), 199
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Flowers are restful to look at. They have neither emotions nor conflicts.
Unverified despite trying. Please contact webmaster if you can identify a primary source.
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From time immemorial, the infinite has stirred men's emotions more than any other question. Hardly any other idea has stimulated the mind so fruitfully. Yet, no other concept needs clarification more than it does.
In address (4 Jun 1925), at a congress of the Westphalian Mathematical Society in Munster, in honor of Karl Weierstrass. First published in Mathematische Annalen (1926), 95, 161-190. Translated by Erna Putnam and Gerald J. Massey as 'On the Infinite', collected in Paul Benacerraf (ed.) Philosophy of Mathematics: Selected Readings (1983), 185. Compare another translation elsewhere on this page, beginning, “The Infinite!…”.
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HEART, n. An automatic, muscular blood- pump. Figuratively, this useful organ is said to be the seat of emotions and sentiments—a very pretty fancy which, however, is nothing but a survival of a once universal belief. It is now known that the sentiments and emotions reside in the stomach, being evolved from food by chemical action of the gastric fluid. The exact process by which a beefsteak becomes a feeling—tender or not, according to the age of the animal from which it was cut; the successive stages of elaboration through which a caviar sandwich is transmuted to a quaint fancy and reappears as a pungent epigram; the marvelous functional methods of converting a hard-boiled egg into religious contrition, or a cream-puff into a sigh of sensibility—these things have been patiently ascertained by M. Pasteur, and by him expounded with convincing lucidity. 
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  133-134.
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Histology is an exotic meal, but can be as repulsive as a dose of medicine for students who are obliged to study it, and little loved by doctors who have finished their study of it all too hastily. Taken compulsorily in large doses it is impossible to digest, but after repeated tastings in small draughts it becomes completely agreeable and even addictive. Whoever possesses a refined sensitivity for artistic manifestations will appreciate that, in the science of histology, there exists an inherent focus of aesthetic emotions.
Opening remarks of paper, 'Art and Artifice in the Science of Histology' (1933), reprinted in Histopathology (1993), 22, 515-525. Quoted in Ross, Pawlina and Barnash, Atlas of Descriptive Histology (2009).
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How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
'Prometheus.' The Roving Mind (1983), Chap 25.
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However, all scientific statements and laws have one characteristic in common: they are “true or false” (adequate or inadequate). Roughly speaking, our reaction to them is “yes” or “no.” The scientific way of thinking has a further characteristic. The concepts which it uses to build up its coherent systems are not expressing emotions. For the scientist, there is only “being,” but no wishing, no valuing, no good, no evil; no goal. As long as we remain within the realm of science proper, we can never meet with a sentence of the type: “Thou shalt not lie.” There is something like a Puritan's restraint in the scientist who seeks truth: he keeps away from everything voluntaristic or emotional.
Essays in Physics (1950), 68.
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Husserl has shown that man’s prejudices go a great deal deeper than his intellect or his emotions. Consciousness itself is “prejudiced”—that is to say, intentional.
In Introduction to the New Existentialism (1966), 54.
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I am an atheist, out and out. It took me a long time to say it. I’ve been an atheist for years and years, but somehow I felt it was intellectually unrespectable to say one was an atheist, because it assumed knowledge that one didn't have. Somehow, it was better to say one was a humanist or an agnostic. I finally decided that I’m a creature of emotion as well as of reason. Emotionally, I am an atheist. I don't have the evidence to prove that God doesn’t exist, but I so strongly suspect he doesn’t that I don’t want to waste my time.
'Isaac Asimov on Science and the Bible'. In Sidney Hook, et. al. On the Barricades: Religion and Free Inquiry in Conflict (1989), 329.
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I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success... Such emotions make a man forget food, sleep, friends, love, everything.
Quoted by Cleveland Moffitt, 'A Talk With Tesla', Atlanta Constitution (7 Jun 1896)
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I recall my own emotions: I had just been initiated into the mysteries of the complex number. I remember my bewilderment: here were magnitudes patently impossible and yet susceptible of manipulations which lead to concrete results. It was a feeling of dissatisfaction, of restlessness, a desire to fill these illusory creatures, these empty symbols, with substance. Then I was taught to interpret these beings in a concrete geometrical way. There came then an immediate feeling of relief, as though I had solved an enigma, as though a ghost which had been causing me apprehension turned out to be no ghost at all, but a familiar part of my environment.
In Tobias Dantzig and Joseph Mazur (ed.), 'The Two Realities', Number: The Language of Science (1930, ed. by Joseph Mazur 2007), 254.
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I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.
In Art (1913), 169.
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If a person cannot love a plant after he has pruned it, then he has either done a poor job or is devoid of emotion.
In The Pruning-Book: A Monograph of the Pruning and Training of Plants (1898), 134.
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If entropy must constantly and continuously increase, then the universe is remorselessly running down, thus setting a limit (a long one, to be sure) on the existence of humanity. To some human beings, this ultimate end poses itself almost as a threat to their personal immortality, or as a denial of the omnipotence of God. There is, therefore, a strong emotional urge to deny that entropy must increase.
In Asimov on Physics (1976), 141. Also in Isaac Asimov’s Book of Science and Nature Quotations (1988), 279.
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If we work, it is less to obtain those positive results the common people think are our only interest, than to feel that aesthetic emotion and communicate it to those able to experience it.
From the original French, “Si nous travaillons, c’est moins pour obtenir ces résultats auxquels le vulgaire nous croit uniquement attachés, que pour ressentir cette émotion esthétique et la communiquer à ceux qui sont capables de l’éprouver,” quoted in Henri Poincaré,'Notice sur Halphen', Journal de l’École Polytechnique (1890), 60, 143, cited in Oeuvres de G.H. Halphen (1916), Vol. 1, xxiv. As translated in Armand Borel, 'On the Place of Mathematics in Culture', in Armand Borel: Œvres: Collected Papers (1983), Vol. 4, 421.
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If, again with the light of science, we trace forward into the future the condition of our globe, we are compelled to admit that it cannot always remain in its present condition; that in time, the store of potential energy which now exists in the sun and in the bodies of celestial space which may fall into it will be dissipated in radiant heat, and consequently the earth, from being the theatre of life, intelligence, of moral emotions, must become a barren waste.
Address (Jul 1874) at the grave of Joseph Priestley, in Joseph Henry and Arthur P. Molella, et al. (eds.), A Scientist in American Life: Essays and Lectures of Joseph Henry (1980), 120.
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In Science the paramount appeal is to the Intellect—its purpose being instruction; in Art, the paramount appeal is to the Emotions—its purpose being pleasure.
In The Principles of Success in Literature (1901), 63.
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In this world [of art] the emotions of life find no place.
In Art (1913), 27.
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It [mathematics] is in the inner world of pure thought, where all entia dwell, where is every type of order and manner of correlation and variety of relationship, it is in this infinite ensemble of eternal verities whence, if there be one cosmos or many of them, each derives its character and mode of being,—it is there that the spirit of mathesis has its home and its life.
Is it a restricted home, a narrow life, static and cold and grey with logic, without artistic interest, devoid of emotion and mood and sentiment? That world, it is true, is not a world of solar light, not clad in the colours that liven and glorify the things of sense, but it is an illuminated world, and over it all and everywhere throughout are hues and tints transcending sense, painted there by radiant pencils of psychic light, the light in which it lies. It is a silent world, and, nevertheless, in respect to the highest principle of art—the interpenetration of content and form, the perfect fusion of mode and meaning—it even surpasses music. In a sense, it is a static world, but so, too, are the worlds of the sculptor and the architect. The figures, however, which reason constructs and the mathematic vision beholds, transcend the temple and the statue, alike in simplicity and in intricacy, in delicacy and in grace, in symmetry and in poise. Not only are this home and this life thus rich in aesthetic interests, really controlled and sustained by motives of a sublimed and supersensuous art, but the religious aspiration, too, finds there, especially in the beautiful doctrine of invariants, the most perfect symbols of what it seeks—the changeless in the midst of change, abiding things hi a world of flux, configurations that remain the same despite the swirl and stress of countless hosts of curious transformations.
In 'The Universe and Beyond', Hibbert Journal (1904-1906), 3, 314.
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It has become a cheap intellectual pastime to contrast the infinitesimal pettiness of man with the vastnesses of the stellar universes. Yet all such comparisons are illicit. We cannot compare existence and meaning; they are disparate. The characteristic life of a man is itself the meaning of vast stretches of existences, and without it the latter have no value or significance. There is no common measure of physical existence and conscious experience because the latter is the only measure there is of the former. The significance of being, though not its existence, is the emotion it stirs, the thought it sustains.
Philosophy and Civilization (1931), reprinted in David Sidorsky (ed.), John Dewey: The Essential Writings (1977), 7.
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It is impossible not to feel stirred at the thought of the emotions of man at certain historic moments of adventure and discovery—Columbus when he first saw the Western shore, Pizarro when he stared at the Pacific Ocean, Franklin when the electric spark came from the string of his kite, Galileo when he first turned his telescope to the heavens. Such moments are also granted to students in the abstract regions of thought, and high among them must be placed the morning when Descartes lay in bed and invented the method of co-ordinate geometry.
Quoted in James Roy Newman, The World of Mathematics (2000), Vol. 1, 239.
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It is not clear to anyone, least of all the practitioners, how science and technology in their headlong course do or should influence ethics and law, education and government, art and social philosophy, religion and the life of the affections. Yet science is an all-pervasive energy, for it is at once a mode of thought, a source of strong emotion, and a faith as fanatical as any in history.
Science: The Glorious Entertainment (1964), 3.
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It is not the conscience which raises a blush, for a man may sincerely regret some slight fault committed in solitude, or he may suffer the deepest remorse for an undetected crime, but he will not blush... It is not the sense of guilt, but the thought that others think or know us to be guilty which crimsons the face.
The Expression of Emotions in Man and Animals
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It is therefore easy to see why the churches have always fought science and persecuted its devotees. On the other hand, I maintain that the cosmic religious feeling is the strongest and noblest motive for scientific research. Only those who realize the immense efforts and, above all, the devotion without which pioneer work in theoretical science cannot be achieved are able to grasp the strength of the emotion out of which alone such work, remote as it is from the immediate realities of life, can issue. What a deep conviction of the rationality of the universe and what a yearning to understand, were it but a feeble reflection of the mind revealed in this world, Kepler and Newton must have had to enable them to spend years of solitary labor in disentangling the principles of celestial mechanics! Those whose acquaintance with scientific research is derived chiefly from its practical results easily develop a completely false notion of the mentality of the men who, surrounded by a skeptical world, have shown the way to kindred spirits scattered wide through the world and through the centuries. Only one who has devoted his life to similar ends can have a vivid realization of what has inspired these men and given them the strength to remain true to their purpose in spite of countless failures. It is cosmic religious feeling that gives a man such strength. A contemporary has said, not unjustly, that in this materialistic age of ours the serious scientific workers are the only profoundly religious people.
…...
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It is well-known that those who have charge of young infants, that it is difficult to feel sure when certain movements about their mouths are really expressive; that is when they really smile. Hence I carefully watched my own infants. One of them at the age of forty-five days, and being in a happy frame of mind, smiled... I observed the same thing on the following day: but on the third day the child was not quite well and there was no trace of a smile, and this renders it probable that the previous smiles were real.
The Expression of Emotions in Man and Animals
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It’s tempting to go to the throat of the volcano to get the data, because if you do you’re a hero … It’s a battle between your mind and your emotions. If your emotions win out, you can get yourself in a lot of trouble.
Quoted by Ron Russell in 'Column One: In pursuit of Deadly Volcanoes', Los Angeles Times (25 Jun 1991), an article about for three scientists that had died in a volcano eruption.
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Jealousy was plainly exhibited when I fondled a large doll, and when I weighed his infant sister, he being then 15? months old. Seeing how strong a feeling of jealousy is in dogs, it would probably be exhibited by infants at any earlier age than just specified if they were tried in a fitting manner
Mind
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Just as in the animal and vegetable kingdoms, an individual comes into being, so to speak, grows, remains in being, declines and passes on, will it not be the same for entire species? If our faith did not teach us that animals left the Creator's hands just as they now appear and, if it were permitted to entertain the slightest doubt as to their beginning and their end, may not a philosopher, left to his own conjectures, suspect that, from time immemorial, animal life had its own constituent elements, scattered and intermingled with the general body of matter, and that it happened when these constituent elements came together because it was possible for them to do so; that the embryo formed from these elements went through innumerable arrangements and developments, successively acquiring movement, feeling, ideas, thought, reflection, consciousness, feelings, emotions, signs, gestures, sounds, articulate sounds, language, laws, arts and sciences; that millions of years passed between each of these developments, and there may be other developments or kinds of growth still to come of which we know nothing; that a stationary point either has been or will be reached; that the embryo either is, or will be, moving away from this point through a process of everlasting decay, during which its faculties will leave it in the same way as they arrived; that it will disappear for ever from nature-or rather, that it will continue to exist there, but in a form and with faculties very different from those it displays at this present point in time? Religion saves us from many deviations, and a good deal of work. Had religion not enlightened us on the origin of the world and the universal system of being, what a multitude of different hypotheses we would have been tempted to take as nature's secret! Since these hypotheses are all equally wrong, they would all have seemed almost equally plausible. The question of why anything exists is the most awkward that philosophy can raise- and Revelation alone provides the answer.
Thoughts on the Interpretation of Nature and Other Philosophical Works (1753/4), ed. D. Adams (1999), Section LVIII, 75-6.
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Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity. By day, space is one with the earth and with man - it is his sun that is shining, his clouds that are floating past; at night, space is his no more. When the great earth, abandoning day, rolls up the deeps of the heavens and the universe, a new door opens for the human spirit, and there are few so clownish that some awareness of the mystery of being does not touch them as they gaze. For a moment of night we have a glimpse of ourselves and of our world islanded in its stream of stars - pilgrims of mortality, voyaging between horizons across eternal seas of space and time. Fugitive though the instant be, the spirit of man is, during it, ennobled by a genuine moment of emotional dignity, and poetry makes its own both the human spirit and experience.
…...
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LIVER, n. A large red organ thoughtfully provided by nature to be bilious with. The sentiments and emotions which every literary anatomist now knows to haunt the heart were anciently believed to infest the liver; and even Gascoygne, speaking of the emotional side of human nature, calls it "our hepaticall parte." It was at one time considered the seat of life; hence its name— liver, the thing we live with. 
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  195.
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MAGNITUDE, n. Size. Magnitude being purely relative, nothing is large and nothing small. If everything in the universe were increased in bulk one thousand diameters nothing would be any larger than it was before, but if one thing remained unchanged all the others would be larger than they had been. To an understanding familiar with the relativity of magnitude and distance the spaces and masses of the astronomer would be no more impressive than those of the microscopist. For anything we know to the contrary, the visible universe may be a small part of an atom, with its component ions, floating in the life-fluid (luminiferous ether) of some animal. Possibly the wee creatures peopling the corpuscles of our own blood are overcome with the proper emotion when contemplating the unthinkable distance from one of these to another.
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  209.
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Man cannot live by milk alone. Love is an emotion that does not need to be bottle- or spoon-fed.
From Presidential Address (31 Aug 1958), 66th Annual Convention of the American Psychological Association, Washington, D.C., published in In 'The Nature of Love', American Psychologist, 13, 673-685.
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Mathematics has beauties of its own—a symmetry and proportion in its results, a lack of superfluity, an exact adaptation of means to ends, which is exceedingly remarkable and to be found only in the works of the greatest beauty. … When this subject is properly and concretely presented, the mental emotion should be that of enjoyment of beauty, not that of repulsion from the ugly and the unpleasant.
In The Teaching of Mathematics in the Elementary and the Secondary School (1906), 44-45.
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May we not suspect that the vague but very real fears of children, which are quite independent of experience, are the inherited effects of real dangers and abject superstitions during ancient savage times?
Mind, 1877
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Modern music, headstrong, wayward, tragically confused as to what to say and how to say it, has mounted its horse, as the joke goes, and ridden off in all directions. If we require of an art that it be unified as a whole and expressed in a universal language known to all, if it must be a consistent symbolization of the era, then modern music is a disastrous failure. It has many voices, many symbolizations. It it known to one, unknown to another. But if an art may be as variable and polyvocal as the different individuals and emotional regions from which it comes in this heterogeneous modern world, then the diversity and contradiction of modern music may be acceptable.
In Art Is Action: A Discussion of Nine Arts in a Modern World (1939), 81.
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Most of the arts, as painting, sculpture, and music, have emotional appeal to the general public. This is because these arts can be experienced by some one or more of our senses. Such is not true of the art of mathematics; this art can be appreciated only by mathematicians, and to become a mathematician requires a long period of intensive training. The community of mathematicians is similar to an imaginary community of musical composers whose only satisfaction is obtained by the interchange among themselves of the musical scores they compose.
In Anton Z. Capri, Quips, Quotes and Quanta: An Anecdotal History of Physics (2007), 151. The author described Lanczos invited up on the platform at the Trieste Conference to celebrate Dirac’s 70th birthday, and gave an impromptu quote by Lanczos speaking about Pauli. The author followed that unrelated topic with another beginning, “Here is a comment by Lanczos…” followed by the subject quote above.
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Most people assume that meditation is all about stopping thoughts, getting rid of emotions, somehow controlling the mind. But actually it’s … about stepping back, seeing the thought clearly, witnessing it coming and going.
Quoted in Kim Lim (ed.), 1,001 Pearls of Spiritual Wisdom: Words to Enrich, Inspire, and Guide Your Life (2014), 184
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My own emotional feeling is that life has a purpose—ultimately, I’d guess that purpose it has is the purpose that we’ve given it and not a purpose that come out of any cosmic design.
Alan Guth
As quoted in Michio Kaku, Parallel Worlds: A Journey Through Creation, Higher Dimensions, and the Future of the Cosmos (2006), 359.
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My whole life is devoted unreservedly to the service of my sex. The study and practice of medicine is in my thought but one means to a great end, for which my very soul yearns with intensest passionate emotion, of which I have dreamed day and night, from my earliest childhood, for which I would offer up my life with triumphant thanksgiving, if martyrdom could secure that glorious end:— the true ennoblement of woman, the full harmonious development of her unknown nature, and the consequent redemption of the whole human race.
From letter (12 Aug 1848) replying to Emily Collins, reproduced in Elizabeth Cady Stanton, Susan Brownell Anthony and Matilda Joslyn Gage, History of Woman Suffrage (1881), Vol. 1, 91. Blackwell was at the time a student at the medical college of Geneva, N.Y.
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Natural knowledge has not forgone emotion. It has simply taken for itself new ground of emotion, under impulsion from and in sacrifice to that one of its 'values', Truth.
Man on His Nature (1940), 404.
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Now any dogma, based primarily on faith and emotionalism, is a dangerous weapon to use on others, since it is almost impossible to guarantee that the weapon will never be turned on the user.
In The Foundation Trilogy (1951), 155.
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On coming down the stairs at dinner Tris [Trismegistus = Frankland] who walked before me seemed impressed by a mechanical impulse which impelled him along the corridor with a fervid velocity. On reaching the stair bottom I discovered the cause of the attraction. Miss Edmondson, like a pure planet, had checked his gravitating tendencies and lo! He stood radiant with smiles dropping joysparkes from his eyes as he clasped her hand. His countenance became a transparency through which the full proportions of his soul shone manifest; his blood tingled from his eyebrows to his finger ends, and wealthy with rich emotions his face became the avenue of what he felt.
Journals of John Tyndall, 18 Jan 1848. Royal Institution Archives.
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On opening the incubator I experienced one of those rare moments of intense emotion which reward the research worker for all his pains: at first glance I saw that the broth culture, which the night before had been very turbid was perfectly clear: all the bacteria had vanished…as for my agar spread it was devoid of all growth and what caused my emotion was that in a flash I understood: what causes my spots was in fact an invisible microbe, a filterable virus, but a virus parasitic on bacteria. Another thought came to me also, If this is true, the same thing will have probably occurred in the sick man. In his intestine, as in my test-tube, the dysentery bacilli will have dissolved away under the action of their parasite. He should now be cured.
In Allan Chase, Magic Shots: A Human and Scientific Account of the Long and Continuing Struggle to Eradicated Infectious Diseases by Vaccination (1982), 249-250. Also in Allan J. Tobin and Jennie Dusheck, Asking About Life (2005), 206.
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One may not regard the world as a sort of metaphysical brothel for emotions.
In Arthur Koestler and Daphne Hardy (trans.), Darkness at Noon (1941), 152.
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One strength of the communist system of the East is that it has some of the character of a religion and inspires the emotions of a religion.
…...
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Our contemporary culture, primed by population growth and driven by technology, has created problems of environmental degradation that directly affect all of our senses: noise, odors and toxins which bring physical pain and suffering, and ugliness, barrenness, and homogeneity of experience which bring emotional and psychological suffering and emptiness. In short, we are jeopardizing our human qualities by pursuing technology as an end rather than a means. Too often we have failed to ask two necessary questions: First, what human purpose will a given technology or development serve? Second, what human and environmental effects will it have?
Report of the Subcommittee on Air and Water Pollution (7 Aug 1969). 'Environmental Quality: Summary and Discussion of Major Provisions', U.S. Environmental Protection Agency, Legal Compilation, (Jan 1973), Water, Vol. 3, 1365. EPA website.
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Our natural way of thinking about these coarser emotions is that the mental perception of some fact excites the mental affection called the emotion, and that this latter state of mind gives rise to the bodily expression. My theory, on the contrary, is that the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur IS the emotion. Common-sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run; we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect, that the one mental state is not immediately induced by the other, that the bodily manifestations must first be interposed between, and that the more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth. We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we should not actually feel afraid or angry.
The Principles or Psychology (1890), Vol. 2, 449-50.
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Philosophy begins in wonder. And, at the end, when philosophic thought has done its best, the wonder remains. There have been added, however, some grasp of the immensity of things, some purification of emotion by understanding.
In Modes of Thought: Six Lectures Delivered in Wellesley College, Massachusetts, and Two Lectures in the University of Chicago (1908, 1938), 168
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Physicists are not regular fellows—and neither are poets. Anyone engaged in an activity that makes considerable demands on both the intellect and the emotions is not unlikely to be a little bit odd.
In Physics for Poets (1978).
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Science, philosophy, religion and art are forms of knowledge. The method of science is experiment; the method of philosophy is speculation; the method of religion and art is moral or esthetic emotional inspiration.
In 'Forms of Knowledge', Tertium Organum: The Third Canon of Thought; a Key to the Enigmas of the World (1922), 231.
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Sexual instinct—as emotion, idea, and impulse—is a function of the cerebral cortex. Thus far no definite region of the cortex has been proved to be exclusively the seat of sexual sensations and impulses.
Psychopathia Sexualis: With Special Reference to Contrary Sexual Instinct: A Medico-Legal Study (1886), trans. Charles Gilbert Chaddock (1892), 24.
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Oscar Wilde quote: The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emo
The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional.
In The Picture of Dorian Gray (1891), 60.
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The degree of one’s emotions varies inversely with one’s knowledge of the facts—the less you know the hotter you get.
…...
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The elements of human nature are the learning rules, emotional reinforcers, and hormonal feedback loops that guide the development of social behaviour into certain channels as opposed to others. Human nature is not just the array of outcomes attained in existing societies. It is also the potential array that might be achieved through conscious design by future societies. By looking over the realized social systems of hundreds of animal species and deriving the principles by which these systems have evolved, we can be certain that all human choices represent only a tiny subset of those theoretically possible. Human nature is, moreover, a hodgepodge of special genetic adaptations to an environment largely vanished, the world of the Ice­Age hunter-gatherer.
In On Human Nature (1978), 196.
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The fact is that there are few more “popular” subjects than mathematics. Most people have some appreciation of mathematics, just as most people can enjoy a pleasant tune; and there are probably more people really interested in mathematics than in music. Appearances may suggest the contrary, but there are easy explanations. Music can be used to stimulate mass emotion, while mathematics cannot; and musical incapacity is recognized (no doubt rightly) as mildly discreditable, whereas most people are so frightened of the name of mathematics that they are ready, quite unaffectedly, to exaggerate their own mathematical stupidity.
In A Mathematician's Apology (1940, reprint with Foreward by C.P. Snow 1992), 86.
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The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery–even if mixed with fear–that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms–it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
From 'What I Believe: Living Philosophies XIII', Forum and Century (Oct 1930), 84, No. 4, 193-194. Alan Harris (trans.), The World as I See It (1956, 1993), 5.
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The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true science. He who knows it not, and can no longer wonder, no longer feel amazement, is as good as dead. We all had this priceless talent when we were young. But as time goes by, many of us lose it. The true scientist never loses the faculty of amazement. It is the essence of his being.
Newsweek (31 Mar 1958).
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The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science.
Quoted in Kim Lim (ed.), 1,001 Pearls of Spiritual Wisdom: Words to Enrich, Inspire, and Guide Your Life (2014), 16
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The forms of art are inexhaustible; but all lead by the same road of aesthetic emotion to the same world of aesthetic ecstasy.
In Art (1913), 37.
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The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right.
In Nature: An Essay, to Which is Added, Orations, Lectures, and Addresses (1845), 5.
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The mathematician can afford to leave to his clients, the engineers, or perhaps the popular philosophers, the emotion of belief: for himself he keeps the lyrical pleasure of metre and of evolving equations: and it is a pleasant surprise to him and an added problem if he finds that the arts can use his calculations, or that the senses can verify them, much as if a composer found that sailors could heave better when singing his songs.
In 'Revolution in Science', Some Turns of Thought in Modern Philosophy (1933), 81.
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The moment after, I began to respire 20 quarts of unmingled nitrous oxide. A thrilling, extending from the chest to the extremities, was almost immediately produced. I felt a sense of tangible extension highly pleasurable in every limb; my visible impressions were dazzling, and apparently magnified, I heard distinctly every sound in the room and was perfectly aware of my situation. By degrees, as the pleasurable sensations increased, I last all connection with external things; trains of vivid visible images rapidly passed through my mind, and were connected with words in such a manner, as to produce perceptions perfectly novel. I existed in a world of newly connected and newly modified ideas. I theorised—I imagined that I made discoveries. When I was awakened from this semi-delirious trance by Dr. Kinglake, who took the bag from my mouth, indignation and pride were the first feelings produced by the sight of the persons about me. My emotions were enthusiastic and sublime; and for a minute I walked round the room, perfectly regardless of what was said to me. As I recovered my former state of mind, I felt an inclination to communicate the discoveries I had made during the experiment. I endeavoured to recall the ideas, they were feeble and indistinct; one collection of terms, however, presented itself: and with the most intense belief and prophetic manner, I exclaimed to Dr Kinglake, 'Nothing exists but thoughts!—the universe is composed of impressions, ideas, pleasures and pains!'
Researches, Chemical and Philosophical (1800), in J. Davy (ed.), The Collected Works of Sir Humphry Davy (1839-40), Vol 3, 289-90.
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The most beautiful emotion we can experience is the mystical. It is the power of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead. To know that what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms — this knowledge, this feeling, is at the center of true religiousness. In this sense, and in this sense only, I belong to the rank of devoutly religious men.
As quoted in Philip Frank, Einstein: His Life and Times (1947), chap. 12, sec. 5 - “Einstein’s Attitude Toward Religion.”
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The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
'The World As I See It', Forum and Century Oct 1930), 84, 193-194. Albert Einstein and Carl Seelig. Ideas and Opinions, based on Mein Weltbild (1954), 11.
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The motive for the study of mathematics is insight into the nature of the universe. Stars and strata, heat and electricity, the laws and processes of becoming and being, incorporate mathematical truths. If language imitates the voice of the Creator, revealing His heart, mathematics discloses His intellect, repeating the story of how things came into being. And Value of Mathematics, appealing as it does to our energy and to our honor, to our desire to know the truth and thereby to live as of right in the household of God, is that it establishes us in larger and larger certainties. As literature develops emotion, understanding, and sympathy, so mathematics develops observation, imagination, and reason.
In A Theory of Motives, Ideals and Values in Education (1907), 406.
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The Native writer and educator Greg Cajete has written that we humans have the gifts of using mind, body, emotion, and spirit to understand the world—and that we cannot claim to truly understand unless we learn to use all four.
From interview with Stephanie Muise (19 May 2015) published on web site of Northland College.
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The starting-point for all systems of æsthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we call works of art.
In Art (1913), 8.
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The teens are emotionally unstable and pathic. It is a natural impulse to experience hot and perfervid psychic states, and it is characterized by emotionalism. We see here the instability and fluctuations now so characteristic. The emotions develop by contrast and reaction into the opposite.
Hall, GS (1904b). Adolescence: Its psychology and its relations to physiology, anthropology, sociology, sex, crime, religion and education (1904), Vol. 2, 74-75.
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The young blush much more freely than the old but not during infancy, which is remarkable, as we know that infants at a very early age redden from passion.
Expression of the Emotions in Man and Animals
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There are few enough people with sufficient independence to see the weaknesses and follies of their contemporaries and remain themselves untouched by them. And these isolated few usually soon lose their zeal for putting things to rights when they have come face to face with human obduracy. Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted–and educated–us all.
…...
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There are few humanities that could surpass in discipline, in beauty, in emotional and aesthetic satisfaction, those humanities which are called mathematics, and the natural sciences.
'Scientist and Citizen', Speech to the Empire Club of Canada (29 Jan 1948), The Empire Club of Canada Speeches (29 Jan 1948), 209-221.
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There can be no doubt that science is in many ways the natural enemy of language. Language, either literary or colloquial, demands a rich store of living and vivid words—words that are “thoughtpictures,” and appeal to the senses, and also embody our feelings about the objects they describe. But science cares nothing about emotion or vivid presentation; her ideal is a kind of algebraic notation, to be used simply as an instrument of analysis; and for this she rightly prefers dry and abstract terms, taken from some dead language, and deprived of all life and personality.
In The English Language (1912), 124-125.
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There is a great deal of emotional satisfaction in the elegant demonstration, in the elegant ordering of facts into theories, and in the still more satisfactory, still more emotionally exciting discovery that the theory is not quite right and has to be worked over again, very much as any other work of art—a painting, a sculpture has to be worked over in the interests of aesthetic perfection. So there is no scientist who is not to some extent worthy of being described as artist or poet.
'Scientist and Citizen', Speech to the Empire Club of Canada (29 Jan 1948), The Empire Club of Canada Speeches (29 Jan 1948), 209-221.
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There is another approach to the extraterrestrial hypothesis of UFO origins. This assessment depends on a large number of factors about which we know little, and a few about which we know literally nothing. I want to make some crude numerical estimate of the probability that we are frequently visited by extraterrestrial beings.
Now, there is a range of hypotheses that can be examined in such a way. Let me give a simple example: Consider the Santa Claus hypothesis, which maintains that, in a period of eight hours or so on December 24-25 of each year, an outsized elf visits one hundred million homes in the United States. This is an interesting and widely discussed hypothesis. Some strong emotions ride on it, and it is argued that at least it does no harm.
We can do some calculations. Suppose that the elf in question spends one second per house. This isn't quite the usual picture—“Ho, Ho, Ho,” and so on—but imagine that he is terribly efficient and very speedy; that would explain why nobody ever sees him very much-only one second per house, after all. With a hundred million houses he has to spend three years just filling stockings. I have assumed he spends no time at all in going from house to house. Even with relativistic reindeer, the time spent in a hundred million houses is three years and not eight hours. This is an example of hypothesis-testing independent of reindeer propulsion mechanisms or debates on the origins of elves. We examine the hypothesis itself, making very straightforward assumptions, and derive a result inconsistent with the hypothesis by many orders of magnitude. We would then suggest that the hypothesis is untenable.
We can make a similar examination, but with greater uncertainty, of the extraterrestrial hypothesis that holds that a wide range of UFOs viewed on the planet Earth are space vehicles from planets of other stars.
The Cosmic Connection: An Extraterrestrial Perspective (1973), 200.
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This sense of the unfathomable beautiful ocean of existence drew me into science. I am awed by the universe, puzzled by it and sometimes angry at a natural order that brings such pain and suffering, Yet an emotion or feeling I have toward the cosmos seems to be reciprocated by neither benevolence nor hostility but just by silence. The universe appears to be a perfectly neutral screen unto which I can project any passion or attitude, and it supports them all.
…...
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To appreciate a work of art we need bring with us nothing from life, no knowledge of its ideas and affairs, no familiarity with its emotions. Art transports us from the world of man’s activity to a world of æsthetic exaltation. For a moment we are shut off from human interests; our anticipations and memories are arrested; we are lifted above the stream of life. The pure mathematician rapt in his studies knows a state of mind which I take to be similar, if not identical. He feels an emotion for his speculations which arises from no perceived relation between them and the lives of men, but springs, inhuman or super-human, from the heart of an abstract science. I wonder, sometimes, whether the appreciators of art and of mathematical solutions are not even more closely allied.
In Art (1913), 25.
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To be creative, scientists need libraries and laboratories and the company of other scientists; certainly a quiet and untroubled life is a help. A scientist's work is in no way deepened or made more cogent by privation, anxiety, distress, or emotional harassment. To be sure, the private lives of scientists may be strangely and even comically mixed up, but not in ways that have any special bearing on the nature and quality of their work. If a scientist were to cut off an ear, no one would interpret such an action as evidence of an unhappy torment of creativity; nor will a scientist be excused any bizarrerie, however extravagant, on the grounds that he is a scientist, however brilliant.
In Advice to a Young Scientist (1979), 40.
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To make “beauty” the objects of the æsthetic emotion, we must give to the word an over-strict and unfamiliar definition.
In Art (1913), 14.
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True science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion.
…...
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We live at a time when emotions and feelings count more than truth, and there is a vast ignorance of science.
In The Revenge of Gaia: Earth’s Climate Crisis & The Fate of Humanity (2006, 2007), 16.
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What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible—significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colours, these æsthetically moving forms, I call “Significant Form”; and “Significant Form” is the one quality common to all works of visual art.
In Art (1913), 8.
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When students hear the story of Andrew J. Wiles’ proof of Fermat’s Last Theorem, it is not the result itself that stirs their emotions, but the revelation that a mathematician was driven by the same passion as any creative artist.
In 'Loving Math Infinitely', The Chronicle of Higher Education (19 Jan 2001).
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When the intensity of emotional conviction subsides, a man who is in the habit of reasoning will search for logical grounds in favor of the belief which he finds in himself.
In Mysticism and Logic (2004), 15.
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When we reflect that all the aspects of Nature, all the emotions of the soul, and all the events of life, have been the subjects of poetry for hundreds and thousands of years, we can hardly wonder that there should be so many resemblances and coincidences of expression among poets, but rather that they are not more numerous and more striking.
In 'Table-Talk', The Poetical Works of Henry Wadsworth Longfellow: Volume 3 (1883), 1355.
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Why does man regret, even though he may endeavour to banish any such regret, that he has followed the one natural impulse, rather than the other; and why does he further feel that he ought to regret his conduct? Man in this respect differs profoundly from the lower animals.
Descent of Man
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Would not [an] uncluttered mind also see the attempts to reconcile science and religion by disparaging the reduction of the complex to the simple as attempts guided by muddle-headed sentiment and intellectually dishonest emotion?
Essay collected in John Cornwell (ed.), 'The Limitless Power of Science', Nature's Imagination: The Frontiers of Scientific Vision (1995), 123.
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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- 90 -
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- 40 -
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