Basically Quotes (4 quotes)
Of what significance is one’s one existence, one is basically unaware. What does a fish know about the water in which he swims all his life? The bitter and the sweet come from outside. The hard from within, from one’s own efforts. For the most part I do what my own nature drives me to do. It is embarrassing to earn such respect and love for it.
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The individual on his own is stable only so long as he is possessed of self-esteem. The maintenance of self-esteem is a continuous task which taxes all of the individual’s powers and inner resources. We have to prove our worth and justify our existence anew each day. When, for whatever reason, self-esteem is unattainable, the autonomous individual becomes a highly explosive entity. He turns away from an unpromising self and plunges into the pursuit of pride—the explosive substitute for self-esteem. All social disturbances and upheavals have their roots in crises of individual self-esteem, and the great endeavor in which the masses most readily unite is basically a search for pride.
In The Passionate State of Mind (1955), 18
To preach conservation at such a time, when all our resources, national and otherwise are being sacrificed in unprecedented measure, might seem to some anomalous, even ironical. ... But we firmly believe, and now are more acutely aware than ever, that conservation is basically related to the peace of the world and the future of the race.
Breaking New Ground
Well, basically, there was this little dot, right? And the dot went bang and the bang expanded. Energy formed into matter, matter cooled, matter lived, the amoeba to fish, to fish to fowl, to fowl to frog, to frog to mammal, the mammal to monkey, to monkey to man, amo amas amat, quid pro quo, memento mori, ad infinitum, sprinkle on a little bit of grated cheese and leave under the grill till Doomsday.
— Movie
Fictional characters, Johnny, replying to Louise’s question “How did you get here?” in the movie Naked (1993), written and directed by Mike Leigh. As quoted in Wendy Ellen Everett and Axel Goodbody (eds.), Revisiting Space: Space and Place in European Cinema (2005), 51.