A work of genius is something like the pie in the nursery song, in which the four and twenty blackbirds are baked. When the pie is opened, the birds begin to sing. Hereupon three fourths of the company run away in a fright; and then after a time, feeling ashamed, they would fain excuse themselves by declaring, the pie stank so, they could not sit near it. Those who stay behind, the men of taste and epicures, say one to another, We came here to eat. What business have birds, after they have been baked, to be alive and singing? This will never do. We must put a stop to so dangerous an innovation: for who will send a pie to an oven, if the birds come to life there? We must stand up to defend the rights of all the ovens in England. Let us have dead birds..dead birds for our money. So each sticks his fork into a bird, and hacks and mangles it a while, and then holds it up and cries, Who will dare assert that there is any music in this bird’s song?

Archimedes was not free from the prevailing notion that geometry was degraded by being employed to produce anything useful. It was with difficulty that he was induced to stoop from speculation to practice. He was half ashamed of those inventions which were the wonder of hostile nations, and always spoke of them slightingly as mere amusements, as trifles in which a mathematician might be suffered to relax his mind after intense application to the higher parts of his science.

One ought to be ashamed to make use of the wonders of science embodied in a radio set, while appreciating them as little as a cow appreciates the botanical marvels in the plant she munches.