Have you ever observed a humming-bird moving about in an aerial dance among the flowers—a living prismatic gem that changes its colour with every change of position— … its exquisite form, its changeful splendour, its swift motions and intervals of aërial suspension, it is a creature of such fairy-like loveliness as to mock all description.

I often get letters … from people who say … I never give credit to the almighty power that created nature. … I reply … “Well, it’s funny that the people, when they say that this is evidence of the Almighty, always quote beautiful things … orchids and hummingbirds and butterflies and roses.” But I always have to think too of a little boy sitting on the banks of a river in west Africa who has a worm boring through his eyeball, turning him blind before he’s five years old. And I … say, “Well, presumably the God you speak about created the worm as well,” and now, I find that baffling to credit a merciful God with that action. And therefore it seems to me safer to show things that I know to be truth, truthful and factual, and allow people to make up their own minds about the moralities of this thing, or indeed the theology of this thing.

It is perhaps a law of nature that when a species (or group) fits itself to a place not previously occupied, and in which it is subject to no opposition from beings of its own class, or where it attains so great a perfection as to be able easily to overcome all opposition, the character eventually loses its original plasticity, or tendency to vary, since improvement in such a case would be superfluous, and becomes, so to speak, crystallized in that form which continues thereafter unaltered. … [Such as] the humming-bird.

Why do we study insects? Because, together with man, hummingbirds and the bristlecone pine, they are among the great achievements of organic evolution.