Plaster Quotes (5 quotes)
A physician ought to have his shop provided with plenty of all necessary things, as lint, rollers, splinters: let there be likewise in readiness at all times another small cabinet of such things as may serve for occasions of going far from home; let him have also all sorts of plasters, potions, and purging medicines, so contrived that they may keep some considerable time, and likewise such as may be had and used whilst they are fresh.
Consider the hateful brew compounded with gleaming, deadly white lead whose fresh colour is like milk…. Over the victim’s jaws and in the grooves of the gums is plastered an astringent froth, and the furrow of the tongue turns rough on either side, and the depth of the throat grows somewhat dry, and from the pernicious venom follows a dry retching and hawking, for this affliction is severe; meanwhile his spirit sickens and he is worn out with mortal suffering. His body too grows chill, while sometimes his eyes behold strange illusions or else he drowses; nor can he bestir his limbs as heretofore, and he succumbs to the overmastering fatigue.
Medicine is not only a science; it is also an art. It does not consist of compounding pills and plasters; it deals with the very processes of life, which must be understood before they may be guided.
Physicians get neither name nor fame by the pricking of wheals or the picking out thistles, or by laying of plaisters to the scratch of a pin; every old woman can do this. But if they would have a name and a fame, if they will have it quickly, they must do some great and desperate cures. Let them fetch one to life that was dead; let them recover one to his wits that was mad; let them make one that was born blind to see; or let them give ripe wits to a fool: these are notable cures, and he that can do thus, if he doth thus first, he shall have the name and fame he deserves; he may lie abed till noon.
There are many different styles of composition. I characterize them always as Mozart versus Beethoven. When Mozart began to write at that time he had the composition ready in his mind. He wrote the manuscript and it was ‘aus einem Guss’ (casted as one). And it was also written very beautiful. Beethoven was an indecisive and a tinkerer and wrote down before he had the composition ready and plastered parts over to change them. There was a certain place where he plastered over nine times and one did remove that carefully to see what happened and it turned out the last version was the same as the first one.