Characterize Quotes (22 quotes)
[About mathematicians’ writings] Extreme external elegance, sometimes a somewhat weak skeleton of conclusions characterizes the French; the English, above all Maxwell, are distinguished by the greatest dramatic bulk.
[Reading a cartoon story,] the boy favored reading over reality. Adults might have characterized him in any number of negative ways—as uninquisitive, uninvolved, apathetic about the world around him and his place in it. I’ve often wondered: Are many adults much different when they read the scriptures of their respective faiths?
Ultima se tangunt. How expressive, how nicely characterizing withal is mathematics! As the musician recognizes Mozart, Beethoven, Schubert in the first chords, so the mathematician would distinguish his Cauchy, Gauss, Jacobi, Helmholtz in a few pages.
An example of such emergent phenomena is the origin of life from non-living chemical compounds in the oldest, lifeless oceans of the earth. Here, aided by the radiation energy received from the sun, countless chemical materials were synthesized and accumulated in such a way that they constituted, as it were, a primeval “soup.” In this primeval soup, by infinite variations of lifeless growth and decay of substances during some billions of years, the way of life was ultimately reached, with its metabolism characterized by selective assimilation and dissimilation as end stations of a sluiced and canalized flow of free chemical energy.
Geology is part of that remarkable dynamic process of the human mind which is generally called science and to which man is driven by an inquisitive urge. By noticing relationships in the results of his observations, he attempts to order and to explain the infinite variety of phenomena that at first sight may appear to be chaotic. In the history of civilization this type of progressive scientist has been characterized by Prometheus stealing the heavenly fire, by Adam eating from the tree of knowledge, by the Faustian ache for wisdom.
I have always felt that astronomical hypotheses should not be regarded as articles of faith, but should only serve as a framework for astronomical calculations, so that it does not matter whether they were right or wrong, as long as the phenomena can be characterized precisely. For who could possibly be certain as to whether the uneven movement of the sun, if we follow the hypotheses of Ptolemy, can be explained by assuming an epicycle or eccentricity. Both assumptions are plausible. That’s why I would consider it quite desirable for you to tell something about that in the preface. In this way you would appease the Aristotelians and the theologians, whose opposition you dread.
Is evolution a theory, a system or a hypothesis? It is much more: it is a general condition to which all theories, all hypotheses, all systems must bow and which they must satisfy henceforth if they are to be thinkable and true. Evolution is a light illuminating all facts, a curve that all lines must follow. ... The consciousness of each of us is evolution looking at itself and reflecting upon itself....Man is not the center of the universe as once we thought in our simplicity, but something much more wonderful—the arrow pointing the way to the final unification of the world in terms of life. Man alone constitutes the last-born, the freshest, the most complicated, the most subtle of all the successive layers of life. ... The universe has always been in motion and at this moment continues to be in motion. But will it still be in motion tomorrow? ... What makes the world in which we live specifically modern is our discovery in it and around it of evolution. ... Thus in all probability, between our modern earth and the ultimate earth, there stretches an immense period, characterized not by a slowing-down but a speeding up and by the definitive florescence of the forces of evolution along the line of the human shoot.
It is a serious question whether America, following England’s lead, has not gone into problem-solving too extensively. Certain it is that we are producing no text-books in which the theory is presented in the delightful style which characterizes many of the French works … , or those of the recent Italian school, or, indeed, those of the continental writers in general.
It is not knowing, but the love of learning, that characterizes the scientific man.
It is not merely as an investigator and discoverer, but as a high-principled and unassuming man, that Scheele merits our warmest admiration. His aim and object was the discovery of truth. The letters of the man reveal to us in the most pleasant way his high scientific ideal, his genuinely philosophic temper, and his simple mode of thought. “It is the truth alone that we desire to know, and what joy there is in discovering it!” With these words he himself characterizes his own efforts.
Kirchhoff’s whole tendency, and its true counterpart, the form of his presentation, was different [from Maxwell’s “dramatic bulk”]. … He is characterized by the extreme precision of his hypotheses, minute execution, a quiet rather than epic development with utmost rigor, never concealing a difficulty, always dispelling the faintest obscurity. … he resembled Beethoven, the thinker in tones. — He who doubts that mathematical compositions can be beautiful, let him read his memoir on Absorption and Emission … or the chapter of his mechanics devoted to Hydrodynamics.
Most, if not all, of the great ideas of modern mathematics have had their origin in observation. Take, for instance, the arithmetical theory of forms, of which the foundation was laid in the diophantine theorems of Fermat, left without proof by their author, which resisted all efforts of the myriad-minded Euler to reduce to demonstration, and only yielded up their cause of being when turned over in the blow-pipe flame of Gauss’s transcendent genius; or the doctrine of double periodicity, which resulted from the observation of Jacobi of a purely analytical fact of transformation; or Legendre’s law of reciprocity; or Sturm’s theorem about the roots of equations, which, as he informed me with his own lips, stared him in the face in the midst of some mechanical investigations connected (if my memory serves me right) with the motion of compound pendulums; or Huyghen’s method of continued fractions, characterized by Lagrange as one of the principal discoveries of that great mathematician, and to which he appears to have been led by the construction of his Planetary Automaton; or the new algebra, speaking of which one of my predecessors (Mr. Spottiswoode) has said, not without just reason and authority, from this chair, “that it reaches out and indissolubly connects itself each year with fresh branches of mathematics, that the theory of equations has become almost new through it, algebraic geometry transfigured in its light, that the calculus of variations, molecular physics, and mechanics” (he might, if speaking at the present moment, go on to add the theory of elasticity and the development of the integral calculus) “have all felt its influence”.
No video, no photographs, no verbal descriptions, no lectures can provide the enchantment that a few minutes out-of-doors can: watch a spider construct a web; observe a caterpillar systematically ravaging the edge of a leaf; close your eyes, cup your hands behind your ears, and listen to aspen leaves rustle or a stream muse about its pools and eddies. Nothing can replace plucking a cluster of pine needles and rolling them in your fingers to feel how they’re put together, or discovering that “sedges have edges and grasses are round,” The firsthand, right-and-left-brain experience of being in the out-of-doors involves all the senses including some we’ve forgotten about, like smelling water a mile away. No teacher, no student, can help but sense and absorb the larger ecological rhythms at work here, and the intertwining of intricate, varied and complex strands that characterize a rich, healthy natural world.
Perfection of means and confusion of ends seems to characterize our age.
Research programmes, besides their negative heuristic, are also characterized by their positive heuristic.
The Grand Cañon of the Colorado is a great innovation in modern ideas of scenery, and in our conceptions of the grandeur, beauty, and power of nature. As with all great innovations it is not to be comprehended in a day or a week, nor even in a month. It must be dwelt upon and studied, and the study must comprise the slow acquisition of the meaning and spirit of that marvelous scenery which characterizes the Plateau Country, and of which the great chasm is the superlative manifestation.
The invention of the differential calculus marks a crisis in the history of mathematics. The progress of science is divided between periods characterized by a slow accumulation of ideas and periods, when, owing to the new material for thought thus patiently collected, some genius by the invention of a new method or a new point of view, suddenly transforms the whole subject on to a higher level.
The kingdom is not an amorphous jumble of regions, but a closely organized state in which the character of one region is close to that of its neighbor. There are few sharp boundaries. Rather, the landscape is largely characterized by transitions…
The mathematical talent of Cayley was characterized by clearness and extreme elegance of analytical form; it was re-enforced by an incomparable capacity for work which has caused the distinguished scholar to be compared with Cauchy.
The name of Sir Isaac Newton has by general consent been placed at the head of those great men who have been the ornaments of their species. … The philosopher [Laplace], indeed, to whom posterity will probably assign a place next to Newton, has characterized the Principia as pre-eminent above all the productions of human intellect.
There are many different styles of composition. I characterize them always as Mozart versus Beethoven. When Mozart began to write at that time he had the composition ready in his mind. He wrote the manuscript and it was ‘aus einem Guss’ (casted as one). And it was also written very beautiful. Beethoven was an indecisive and a tinkerer and wrote down before he had the composition ready and plastered parts over to change them. There was a certain place where he plastered over nine times and one did remove that carefully to see what happened and it turned out the last version was the same as the first one.
To characterize the import of pure geometry, we might use the standard form of a movie-disclaimer: No portrayal of the characteristics of geometrical figures or of the spatial properties of relationships of actual bodies is intended, and any similarities between the primitive concepts and their customary geometrical connotations are purely coincidental.