Musician Quotes (23 quotes)
Ultima se tangunt. How expressive, how nicely characterizing withal is mathematics! As the musician recognizes Mozart, Beethoven, Schubert in the first chords, so the mathematician would distinguish his Cauchy, Gauss, Jacobi, Helmholtz in a few pages.
A man cannot be professor of zoölogy on one day and of chemistry on the next, and do good work in both. As in a concert all are musicians,—one plays one instrument, and one another, but none all in perfection.
A mathematician will recognise Cauchy, Gauss, Jacobi or Helmholtz after reading a few pages, just as musicians recognise, from the first few bars, Mozart, Beethoven or Schubert.
A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?
An evolution is a series of events that in itself as series is purely physical, — a set of necessary occurrences in the world of space and time. An egg develops into a chick; … a planet condenses from the fluid state, and develops the life that for millions of years makes it so wondrous a place. Look upon all these things descriptively, and you shall see nothing but matter moving instant after instant, each instant containing in its full description the necessity of passing over into the next. … But look at the whole appreciatively, historically, synthetically, as a musician listens to a symphony, as a spectator watches a drama. Now you shall seem to have seen, in phenomenal form, a story.
As plants convert the minerals into food for animals, so each man converts some raw material in nature to human use. The inventors of fire, electricity, magnetism, iron, lead, glass, linen, silk, cotton; the makers of tools; the inventor of decimal notation, the geometer, the engineer, the musician, severally make an easy way for all, through unknown and impossible confusions.
As we cannot use physician for a cultivator of physics, I have called him a physicist. We need very much a name to describe a cultivator of science in general. I should incline to call him a Scientist. Thus we might say, that as an Artist is a Musician, Painter or Poet, a Scientist is a Mathematician, Physicist, or Naturalist.
Euler’s Tentamen novae theorae musicae had no great success, as it contained too much geometry for musicians, and too much music for geometers.
He was an admirable marksman, an expert swimmer, a clever rider, possessed of great activity [and] prodigious strength, and was notable for the elegance of his figure and the beauty of his features, and he aided nature by a careful attendance to his dress. Besides other accomplishments he was musical, a good fencer, danced well, and had some acquaintance with legerdemain tricks, worked in hair, and could plait willow baskets.
If I were not a physicist, I would probably be a musician. I often think in music. I live my dreams in music. I see my life in terms of music... I get most joy in life out of music.
If offered reincarnation, I would choose the career of a performing musician with exceptional talent, preferably, in a string quartet. One life-time as a scientist is enough–great fun, but enough.
It is with mathematics not otherwise than it is with music, painting or poetry. Anyone can become a lawyer, doctor or chemist, and as such may succeed well, provided he is clever and industrious, but not every one can become a painter, or a musician, or a mathematician: general cleverness and industry alone count here for nothing.
Just as the musician is able to form an acoustic image of a composition which he has never heard played by merely looking at its score, so the equation of a curve, which he has never seen, furnishes the mathematician with a complete picture of its course. Yea, even more: as the score frequently reveals to the musician niceties which would escape his ear because of the complication and rapid change of the auditory impressions, so the insight which the mathematician gains from the equation of a curve is much deeper than that which is brought about by a mere inspection of the curve.
May not Music be described as the Mathematic of sense, Mathematic as Music of the reason? the soul of each the same! Thus the musician feels Mathematic, the mathematician thinks Music, Music the dream, Mathematic the working life each to receive its consummation from the other when the human intelligence, elevated to its perfect type, shall shine forth glorified in some future Mozart-Dirichlet or Beethoven-Gauss a union already not indistinctly foreshadowed in the genius and labours of a Helmholtz!
One of Euler’s main recreations was music, and by cultivating it he brought with it all his geometrical spirit; … he rested his serious researches and composed his Essay of a New Theory of Music, published in 1739; a book full of new ideas presented in a new point of view, but that did not have a great success, apparently for the sole reason that it contains too much of geometry for the musician and too much music for the geometer.
The growth of a naturalist is like the growth of a musician or athlete: excellence for the talented, lifelong enjoyment for the rest, benefit for humanity.
The pure mathematician, like the musician, is a free creator of his world of ordered beauty.
There is beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All illiterate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan, and the musician.
We have to keep in practice like musicians. Besides, there are still potentialities to be realized in color film. To us, it’s just like bringing up a child. You don’t stop after you’ve had it.
Who does not know Maxwell’s dynamic theory of gases? At first there is the majestic development of the variations of velocities, then enter from one side the equations of condition and from the other the equations of central motions, higher and higher surges the chaos of formulas, suddenly four words burst forth: “Put n = 5.” The evil demon V disappears like the sudden ceasing of the basso parts in music, which hitherto wildly permeated the piece; what before seemed beyond control is now ordered as by magic. There is no time to state why this or that substitution was made, he who cannot feel the reason may as well lay the book aside; Maxwell is no program-musician who explains the notes of his composition. Forthwith the formulas yield obediently result after result, until the temperature-equilibrium of a heavy gas is reached as a surprising final climax and the curtain drops.
You can prepare yourself for work. The paintings of the great masters, the compositions of great musicians, the sermons of great preachers, the policies of great statesmen, and the campaigns of great generals, do not spring full bloom from barren rock. … If you are a true student you will be more dissatisfied with yourself when you graduate than you are now.
Your true inventor has a yen to invent, just as a painter or musician is impelled to create something in his art. I began wanting to invent when I was in short pants. At the age of eight—and that was forty years ago—I invented a rock-thrower. Later I found that the Romans had done a much better job some two thousand years before me.
[Adams] supposed that, except musicians, everyone thought Beethoven a bore, as every one except mathematicians thought mathematics a bore.