Musician Quotes (23 quotes)
[Adams] supposed that, except musicians, everyone thought Beethoven a bore, as every one except mathematicians thought mathematics a bore.
The Education of Henry Brooks Adams: An Autobiography (1918), 80.
Ultima se tangunt. How expressive, how nicely characterizing withal is mathematics! As the musician recognizes Mozart, Beethoven, Schubert in the first chords, so the mathematician would distinguish his Cauchy, Gauss, Jacobi, Helmholtz in a few pages.
In Ceremonial Speech (15 Nov 1887) celebrating the 301st anniversary of the Karl-Franzens-University Graz. Published as Gustav Robert Kirchhoff: Festrede zur Feier des 301. Gründungstages der Karl-Franzens-Universität zu Graz (1888), 29, as translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 186-187. From the original German, “Ultima se tangunt. Und wie ausdrucksfähig, wie fein charakterisirend ist dabei die Mathematik. Wie der Musiker bei den ersten Tacten Mozart, Beethoven, Schubert erkennt, so würde der Mathematiker nach wenig Seiten, seinen Cauchy, Gauss, Jacobi, Helmholtz unterscheiden.” [The Latin words translate as “the final touch”. —Webmaster]
A man cannot be professor of zoölogy on one day and of chemistry on the next, and do good work in both. As in a concert all are musicians,—one plays one instrument, and one another, but none all in perfection.
Lecture at a teaching laboratory on Penikese Island, Buzzard's Bay. Quoted from the lecture notes by David Starr Jordan, Science Sketches (1911), 146.
A mathematician will recognise Cauchy, Gauss, Jacobi or Helmholtz after reading a few pages, just as musicians recognise, from the first few bars, Mozart, Beethoven or Schubert.
As quoted in A. Koestler, The Act of Creation (1961), 265.
A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?
In 'Introduction' contributed to Donald J. Albers and Gerald L. Alexanderson, More Mathematical People: Contemporary Conversations (1990), xi.
An evolution is a series of events that in itself as series is purely physical, — a set of necessary occurrences in the world of space and time. An egg develops into a chick; … a planet condenses from the fluid state, and develops the life that for millions of years makes it so wondrous a place. Look upon all these things descriptively, and you shall see nothing but matter moving instant after instant, each instant containing in its full description the necessity of passing over into the next. … But look at the whole appreciatively, historically, synthetically, as a musician listens to a symphony, as a spectator watches a drama. Now you shall seem to have seen, in phenomenal form, a story.
In The Spirit of Modern Philosophy: An Essay in the Form of Lectures (1892), 425.
As plants convert the minerals into food for animals, so each man converts some raw material in nature to human use. The inventors of fire, electricity, magnetism, iron, lead, glass, linen, silk, cotton; the makers of tools; the inventor of decimal notation, the geometer, the engineer, the musician, severally make an easy way for all, through unknown and impossible confusions.
In 'Uses of Great Men', Representative Men (1850), 5-6.
As we cannot use physician for a cultivator of physics, I have called him a physicist. We need very much a name to describe a cultivator of science in general. I should incline to call him a Scientist. Thus we might say, that as an Artist is a Musician, Painter or Poet, a Scientist is a Mathematician, Physicist, or Naturalist.
The Philosophy of the Inductive Sciences (1840), Vol. I, cxiii.
Euler’s Tentamen novae theorae musicae had no great success, as it contained too much geometry for musicians, and too much music for geometers.
Paraphrase by Brewster to describe Fuss’ opinion of Euler’s 'Attempt at a New Theory of Music' (1739). In David Brewster, Letters of Euler on Different Subjects in Natural Philosophy (1872), Vol. 1, 26. The remark by Fuss appears in his eulogy, read at the Imperial Academy of Sciences of Saint Petersburg (23 Oct 1783). Published in the original French in 'Éloge de Léonard Euler, Prononcé en Français par Nicolas Fuss'. Collected in Leonard Euler, Oeuvres Complètes en Français de L. Euler (1839), Vol. 1, xii.
He was an admirable marksman, an expert swimmer, a clever rider, possessed of great activity [and] prodigious strength, and was notable for the elegance of his figure and the beauty of his features, and he aided nature by a careful attendance to his dress. Besides other accomplishments he was musical, a good fencer, danced well, and had some acquaintance with legerdemain tricks, worked in hair, and could plait willow baskets.
In Richard Rhodes, John James Audubon: The Making of an American (2004), 36.
If I were not a physicist, I would probably be a musician. I often think in music. I live my dreams in music. I see my life in terms of music... I get most joy in life out of music.
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If offered reincarnation, I would choose the career of a performing musician with exceptional talent, preferably, in a string quartet. One life-time as a scientist is enough–great fun, but enough.
In 'J. Michael Bishop: Biographical', website of nobelprize.org.
It is with mathematics not otherwise than it is with music, painting or poetry. Anyone can become a lawyer, doctor or chemist, and as such may succeed well, provided he is clever and industrious, but not every one can become a painter, or a musician, or a mathematician: general cleverness and industry alone count here for nothing.
In Ueber die Anlage zur Mathematik (1900), 5. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-Book (1914), 184.
Just as the musician is able to form an acoustic image of a composition which he has never heard played by merely looking at its score, so the equation of a curve, which he has never seen, furnishes the mathematician with a complete picture of its course. Yea, even more: as the score frequently reveals to the musician niceties which would escape his ear because of the complication and rapid change of the auditory impressions, so the insight which the mathematician gains from the equation of a curve is much deeper than that which is brought about by a mere inspection of the curve.
In Jahresbericht der Deutschen Mathematiker Vereiningung, 13, 864. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 190
May not Music be described as the Mathematic of sense, Mathematic as Music of the reason? the soul of each the same! Thus the musician feels Mathematic, the mathematician thinks Music, Music the dream, Mathematic the working life each to receive its consummation from the other when the human intelligence, elevated to its perfect type, shall shine forth glorified in some future Mozart-Dirichlet or Beethoven-Gauss a union already not indistinctly foreshadowed in the genius and labours of a Helmholtz!
In paper read 7 Apr 1864, printed in 'Algebraical Researches Containing a Disquisition On Newton’s Rule for the Discovery of Imaginary Roots', Philosophical Transactions of the Royal Society of London (1865), 154, 613, footnote. Also in Collected Mathematical Papers, Vol. 2, 419.
One of Euler’s main recreations was music, and by cultivating it he brought with it all his geometrical spirit; … he rested his serious researches and composed his Essay of a New Theory of Music, published in 1739; a book full of new ideas presented in a new point of view, but that did not have a great success, apparently for the sole reason that it contains too much of geometry for the musician and too much music for the geometer.
From his Eulogy of Leonhard Euler, read at the Imperial Academy of Sciences of Saint Petersburg (23 Oct 1783). Published in 'Éloge de Léonard Euler, Prononcé en Français par Nicolas Fuss'. Collected in Leonard Euler, Oeuvres Complètes en Français de L. Euler (1839), Vol. 1, xii. From the original French, “Un des principaux délassements d'Euler était la musique, et en la cultivant il y apporta tout son esprit géométrique; … il accordait à ses recherches profondes, il composa son Essai d'une nouvelle théorie de la musique, publié en 1739; ouvrage rempli d'idées neuves ou présentées sous un nouveau point de vue, mais qui n’eut pas un grand succès, apparemment par la seule raison qu’il renferme trop de géométrie pour le musicien et trop de musique pour le géomètre.” English version by Webmaster using Google translate.
The growth of a naturalist is like the growth of a musician or athlete: excellence for the talented, lifelong enjoyment for the rest, benefit for humanity.
In The Creation: An Appeal to Save Life on Earth (2010), 147.
The pure mathematician, like the musician, is a free creator of his world of ordered beauty.
In A History of Western Philosophy (1945), 33.
There is beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All illiterate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan, and the musician.
From address (1958), upon being appointed Chancellor of the University of California.
We have to keep in practice like musicians. Besides, there are still potentialities to be realized in color film. To us, it’s just like bringing up a child. You don’t stop after you’ve had it.
On product improvement research. As Quoted in Alix Kerr, 'What It Took: Intuition, Goo,' Life (25 Jan 1963), 54, No. 4, 86.
Who does not know Maxwell’s dynamic theory of gases? At first there is the majestic development of the variations of velocities, then enter from one side the equations of condition and from the other the equations of central motions, higher and higher surges the chaos of formulas, suddenly four words burst forth: “Put n = 5.” The evil demon V disappears like the sudden ceasing of the basso parts in music, which hitherto wildly permeated the piece; what before seemed beyond control is now ordered as by magic. There is no time to state why this or that substitution was made, he who cannot feel the reason may as well lay the book aside; Maxwell is no program-musician who explains the notes of his composition. Forthwith the formulas yield obediently result after result, until the temperature-equilibrium of a heavy gas is reached as a surprising final climax and the curtain drops.
In Ceremonial Speech (15 Nov 1887) celebrating the 301st anniversary of the Karl-Franzens-University Graz. Published as Gustav Robert Kirchhoff: Festrede zur Feier des 301. Gründungstages der Karl-Franzens-Universität zu Graz (1888), 29-30, as translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 187. From the original German, “Wer kennt nicht seine dynamische Gastheorie? – Zuerst entwickeln sich majestätisch die Variationen der Geschwindigkeiten, dann setzen von der einen Seite die Zustands-Gleichungen, von der anderen die Gleichungen der Centralbewegung ein, immer höher wogt das Chaos der Formeln; plötzlich ertönen die vier Worte: „Put n=5.“Der böse Dämon V verschwindet, wie in der Musik eine wilde, bisher alles unterwühlende Figur der Bässe plötzlich verstummt; wie mit einem Zauberschlage ordnet sich, was früher unbezwingbar schien. Da ist keine Zeit zu sagen, warum diese oder jene Substitution gemacht wird; wer das nicht fühlt, lege das Buch weg; Maxwell ist kein Programmmusiker, der über die Noten deren Erklärung setzen muss. Gefügig speien nun die Formeln Resultat auf Resultat aus, bis überraschend als Schlusseffect noch das Wärme-Gleichgewicht eines schweren Gases gewonnen wird und der Vorhang sinkt.” A condensed alternate translation also appears on the Ludwig Boltzmann Quotes page of this website.
You can prepare yourself for work. The paintings of the great masters, the compositions of great musicians, the sermons of great preachers, the policies of great statesmen, and the campaigns of great generals, do not spring full bloom from barren rock. … If you are a true student you will be more dissatisfied with yourself when you graduate than you are now.
From Cameron Prize Lecture (1928), delivered before the University of Edinburgh. As quoted in J.B. Collip 'Frederick Grant Banting, Discoverer of Insulin', The Scientific Monthly (May 1941), 52, No. 5, 473-474.
Your true inventor has a yen to invent, just as a painter or musician is impelled to create something in his art. I began wanting to invent when I was in short pants. At the age of eight—and that was forty years ago—I invented a rock-thrower. Later I found that the Romans had done a much better job some two thousand years before me.
Attributed to an unnamed “holder of many patents,” as quoted by Stacy V. Jones, in You Ought to Patent That (1962), 21.
In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion.
(1987) -- 
