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Who said: “Dangerous... to take shelter under a tree, during a thunder-gust. It has been fatal to many, both men and beasts.”
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Home > Category Index for Science Quotations > Category Index C > Category: Curve

Curve Quotes (49 quotes)

[On mediocrity] What we have today is a retreat into low-level goodness. Men are all working hard building barbecues, being devoted to their wives and spending time with their children. Many of us feel, “We never had it so good!” After three wars and a depression, we’re impressed by the rising curve. All we want is it not to blow up.
As quoted in interview with Frances Glennon, 'Student and Teacher of Human Ways', Life (14 Sep 1959), 147.
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Conclusions
I. A curve has been found representing the frequency distribution of standard deviations of samples drawn from a normal population.
II. A curve has been found representing the frequency distribution of values of the means of such samples, when these values are measured from the mean of the population in terms of the standard deviation of the sample…
IV. Tables are given by which it can be judged whether a series of experiments, however short, have given a result which conforms to any required standard of accuracy or whether it is necessary to continue the investigation.
'The Probable Error of a Mean', Biometrika, 1908, 6, 25.
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La vérité est sur une courbe dont notre ésprit suit éternellement l'asymptote. (Oct 1879)
Truth is on a curve whose asymptote our spirit follows eternally.
In Recueil d'Œuvres de Léo Errera: Botanique Générale (1908), 193. As translated in John Arthur Thomson, Introduction to Science (1911), 57,
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Thomasina: Every week I plot your equations dot for dot, x’s against y’s in all manner of algebraical relation, and every week they draw themselves as commonplace geometry, as if the world of forms were nothing but arcs and angles. God’s truth, Septimus, if there is an equation for a curve like a bell, there must be an equation for one like a bluebell, and if a bluebell, why not a rose? Do we believe nature is written in numbers?
Septimus: We do.
Thomasina: Then why do your shapes describe only the shapes of manufacture?
Septimus: I do not know.
Thomasina: Armed thus, God could only make a cabinet.
In the play, Acadia (1993), Scene 3, 37.
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Toutes les fois que dans une équation finale on trouve deux quantités inconnues, on a un lieu, l'extrémité de l'une d’elles décrivant une ligne droite ou courbe. La ligne droite est simple et unique dans son genre; les espèces des courbes sont en nombre indéfini, cercle, parabole, hyperbole, ellipse, etc.
Whenever two unknown magnitudes appear in a final equation, we have a locus, the extremity of one of the unknown magnitudes describing a straight line or a curve. The straight line is simple and unique; the classes of curves are indefinitely many,—circle, parabola, hyperbola, ellipse, etc.
Introduction aux Lieux Plans et Solides (1679) collected in OEuvres de Fermat (1896), Vol. 3, 85. Introduction to Plane and Solid Loci, as translated by Joseph Seidlin in David E. Smith(ed.)A Source Book in Mathematics (1959), 389. Alternate translation using Google Translate: “Whenever in a final equation there are two unknown quantities, there is a locus, the end of one of them describing a straight line or curve. The line is simple and unique in its kind, species curves are indefinite in number,—circle, parabola, hyperbola, ellipse, etc.”
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A bird maintains itself in the air by imperceptible balancing, when near to the mountains or lofty ocean crags; it does this by means of the curves of the winds which as they strike against these projections, being forced to preserve their first impetus bend their straight course towards the sky with divers revolutions, at the beginning of which the birds come to a stop with their wings open, receiving underneath themselves the continual buffetings of the reflex courses of the winds.
'Flight', in The Notebooks of Leonardo da Vinci, trans. E. MacCurdy (1938), Vol. 1, 471.
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A tree nowhere offers a straight line or a regular curve, but who doubts that root, trunk, boughs, and leaves embody geometry?
From chapter 'Jottings from a Note-Book', in Canadian Stories (1918), 172.
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Adapting from the earlier book Gravitation, I wrote, “Spacetime tells matter how to move; matter tells spacetime how to curve.” In other words, a bit of matter (or mass, or energy) moves in accordance with the dictates of the curved spacetime where it is located. … At the same time, that bit of mass or energy is itself contributing to the curvature of spacetime everywhere.
With co-author Kenneth William Ford Geons, Black Holes, and Quantum Foam: A Life in Physics (1998, 2010), 235. Adapted from his earlier book, co-authored with Charles W. Misner and Kip S. Thorne, Gravitation (1970, 1973), 5, in which one of the ideas in Einstein’s geometric theory of gravity was summarized as, “Space acts on matter, telling it how to move. In turn, matter reacts back on space, telling it how to curve”.
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All the different classes of beings which taken together make up the universe are, in the ideas of God who knows distinctly their essential gradations, only so many ordinates of a single curve so closely united that it would be impossible to place others between any two of them, since that would imply disorder and imperfection. Thus men are linked with the animals, these with the plants and these with the fossils which in turn merge with those bodies which our senses and our imagination represent to us as absolutely inanimate. And, since the law of continuity requires that when the essential attributes of one being approximate those of another all the properties of the one must likewise gradually approximate those of the other, it is necessary that all the orders of natural beings form but a single chain, in which the various classes, like so many rings, are so closely linked one to another that it is impossible for the senses or the imagination to determine precisely the point at which one ends and the next begins?all the species which, so to say, lie near the borderlands being equivocal, at endowed with characters which might equally well be assigned to either of the neighboring species. Thus there is nothing monstrous in the existence zoophytes, or plant-animals, as Budaeus calls them; on the contrary, it is wholly in keeping with the order of nature that they should exist. And so great is the force of the principle of continuity, to my thinking, that not only should I not be surprised to hear that such beings had been discovered?creatures which in some of their properties, such as nutrition or reproduction, might pass equally well for animals or for plants, and which thus overturn the current laws based upon the supposition of a perfect and absolute separation of the different orders of coexistent beings which fill the universe;?not only, I say, should I not be surprised to hear that they had been discovered, but, in fact, I am convinced that there must be such creatures, and that natural history will perhaps some day become acquainted with them, when it has further studied that infinity of living things whose small size conceals them for ordinary observation and which are hidden in the bowels of the earth and the depth of the sea.
Lettre Prétendue de M. De Leibnitz, à M. Hermann dont M. Koenig a Cité le Fragment (1753), cxi-cxii, trans. in A. O. Lovejoy, Great Chain of Being: A Study of the History of an Idea (1936), 144-5.
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Among the social sciences, economists are the snobs. Economics, with its numbers and graphs and curves, at least has the coloration and paraphernalia of a hard science. It's not just putting on sandals and trekking out to take notes on some tribe.
'A Cuba Policy That's Stuck On Plan A', opinion column in Washington Post (17 April 2009).
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Come, see the north-wind’s masonry, Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, naught cares he For number or proportion.
…...
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Curves that have no tangents are the rule. … Those who hear of curves without tangents, or of functions without derivatives, often think at first that Nature presents no such complications. … The contrary however is true. … Consider, for instance, one of the white flakes that are obtained by salting a solution of soap. At a distance its contour may appear sharply defined, but as we draw nearer its sharpness disappears. The eye can no longer draw a tangent at any point. … The use of a magnifying glass or microscope leaves us just as uncertain, for fresh irregularities appear every time we increase the magnification. … An essential characteristic of our flake … is that we suspect … that any scale involves details that absolutely prohibit the fixing of a tangent.
(1906). As quoted “in free translation” in Benoit B. Mandelbrot, The Fractal Geometry of Nature (1977, 1983), 7.
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Following the example of Archimedes who wished his tomb decorated with his most beautiful discovery in geometry and ordered it inscribed with a cylinder circumscribed by a sphere, James Bernoulli requested that his tomb be inscribed with his logarithmic spiral together with the words, “Eadem mutata resurgo,” a happy allusion to the hope of the Christians, which is in a way symbolized by the properties of that curve.
From 'Eloge de M. Bernoulli', Oeuvres de Fontenelle, t. 5 (1768), 112. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-Book (1914), 143-144. [The Latin phrase, Eadem numero mutata resurgo means as “Though changed, I arise again exactly the same”. —Webmaster]
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For the first time in my life I saw the horizon as a curved line. It was accentuated by a thin seam of dark blue light - our atmosphere. Obviously this was not the ocean of air I had been told it was so many times in my life. I was terrified by its fragile appearance.
…...
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Fractal is a word invented by Mandelbrot to bring together under one heading a large class of objects that have [played] … an historical role … in the development of pure mathematics. A great revolution of ideas separates the classical mathematics of the 19th century from the modern mathematics of the 20th. Classical mathematics had its roots in the regular geometric structures of Euclid and the continuously evolving dynamics of Newton. Modern mathematics began with Cantor’s set theory and Peano’s space-filling curve. Historically, the revolution was forced by the discovery of mathematical structures that did not fit the patterns of Euclid and Newton. These new structures were regarded … as “pathological,” .… as a “gallery of monsters,” akin to the cubist paintings and atonal music that were upsetting established standards of taste in the arts at about the same time. The mathematicians who created the monsters regarded them as important in showing that the world of pure mathematics contains a richness of possibilities going far beyond the simple structures that they saw in Nature. Twentieth-century mathematics flowered in the belief that it had transcended completely the limitations imposed by its natural origins.
Now, as Mandelbrot points out, … Nature has played a joke on the mathematicians. The 19th-century mathematicians may not have been lacking in imagination, but Nature was not. The same pathological structures that the mathematicians invented to break loose from 19th-century naturalism turn out to be inherent in familiar objects all around us.
From 'Characterizing Irregularity', Science (12 May 1978), 200, No. 4342, 677-678. Quoted in Benoit Mandelbrot, The Fractal Geometry of Nature (1977, 1983), 3-4.
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He seemed to approach the grave as an hyperbolic curve approaches a line, less directly as he got nearer, till it was doubtful if he would ever reach it at all.
In Far from the Madding Crowd (1874, 1909), Chap. 15, 117. In the 1874 edition, “—sheering off” were the original words, replaced by “less directly” by the 1909 edition.
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I asked Fermi whether he was not impressed by the agreement between our calculated numbers and his measured numbers. He replied, “How many arbitrary parameters did you use for your calculations?" I thought for a moment about our cut-off procedures and said, “Four." He said, “I remember my friend Johnny von Neumann used to say, with four parameters I can fit an elephant, and with five I can make him wiggle his trunk.” With that, the conversation was over.
As given in 'A Meeting with Enrico Fermi', Nature (22 Jan 2004), 427, 297. As quoted in Steven A. Frank, Dynamics of Cancer: Incidence, Inheritance, and Evolution (2007), 87. Von Neumann meant nobody need be impressed when a complex model fits a data set well, because if manipulated with enough flexible parameters, any data set can be fitted to an incorrect model, even one that plots a curve on a graph shaped like an elephant!
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I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.…
And out again I curve and flow
To join the brimming river;
For men may come and men may go,
But I go on forever.
From 'Song of the Brook' (1842), collected in The Poetical Works of Alfred Tennyson (1873), 142.
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I shall explain a System of the World differing in many particulars from any yet known, answering in all things to the common Rules of Mechanical Motions: This depends upon three Suppositions. First, That all Cœlestial Bodies whatsoever, have an attraction or gravitating power towards their own Centers, whereby they attract not only their own parts, and keep them from flying from them, as we may observe the Earth to do, but that they do also attract all the other Cœlestial bodies that are within the sphere of their activity; and consequently that not only the Sun and Moon have an influence upon the body and motion the Earth, and the Earth upon them, but that Mercury also Venus, Mars, Saturn and Jupiter by their attractive powers, have a considerable influence upon its motion in the same manner the corresponding attractive power of the Earth hath a considerable influence upon every one of their motions also. The second supposition is this, That all bodies whatsoever that are put into a direct and simple motion, will continue to move forward in a streight line, till they are by some other effectual powers deflected and bent into a Motion, describing a Circle, Ellipse, or some other more compounded Curve Line. The third supposition is, That these attractive powers are so much the more powerful in operating, by how much the nearer the body wrought upon is to their own Centers. Now what these several degrees are I have not yet experimentally verified; but it is a notion, which if fully prosecuted as it ought to be, will mightily assist the Astronomer to reduce all the Cœlestial Motions to a certain rule, which I doubt will never be done true without it. He that understands the nature of the Circular Pendulum and Circular Motion, will easily understand the whole ground of this Principle, and will know where to find direction in Nature for the true stating thereof. This I only hint at present to such as have ability and opportunity of prosecuting this Inquiry, and are not wanting of Industry for observing and calculating, wishing heartily such may be found, having myself many other things in hand which I would first compleat and therefore cannot so well attend it. But this I durst promise the Undertaker, that he will find all the Great Motions of the World to be influenced by this Principle, and that the true understanding thereof will be the true perfection of Astronomy.
An Attempt to Prove the Motion of the Earth from Observations (1674), 27-8. Based on a Cutlerian Lecture delivered by Hooke at the Royal Society four years earlier.
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If one of these people, in whom the chance-worship of our remoter ancestors thus strangely survives, should be within reach of the sea when a heavy gale is blowing, let him betake himself to the shore and watch the scene. Let him note the infinite variety of form and size of the tossing waves out at sea; or against the curves of their foam-crested breakers, as they dash against the rocks; let him listen to the roar and scream of the shingle as it is cast up and torn down the beach; or look at the flakes of foam as they drive hither and thither before the wind: or note the play of colours, which answers a gleam of sunshine as it falls upon their myriad bubbles. Surely here, if anywhere, he will say that chance is supreme, and bend the knee as one who has entered the very penetralia of his divinity. But the man of science knows that here, as everywhere, perfect order is manifested; that there is not a curve of the waves, not a note in the howling chorus, not a rainbow-glint on a bubble, which is other than a necessary consequence of the ascertained laws of nature; and that with a sufficient knowledge of the conditions, competent physico-mathematical skill could account for, and indeed predict, every one of these 'chance' events.
In 'On the Reception of the Origin of Species'. In Francis Darwin (ed.), The Life and Letters of Charles Darwin, Including an Autobiographical Chapter (1888), Vol. 2, 200-1.
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In 1684 Dr Halley came to visit him at Cambridge, after they had been some time together, the Dr asked him what he thought the Curve would be that would be described by the Planets supposing the force of attraction towards the Sun to be reciprocal to the square of their distance from it. Sr Isaac replied immediately that it would be an Ellipsis, the Doctor struck with joy & amazement asked him how he knew it, why saith he I have calculated it, whereupon Dr Halley asked him for his calculation without any farther delay. Sr Isaac looked among his papers but could not find it, but he promised him to renew it, & then to send it him.
[Recollecting Newton's account of the meeting after which Halley prompted Newton to write The Principia. When asking Newton this question, Halley was aware, without revealing it to Newton that Robert Hooke had made this hypothesis of plantary motion a decade earlier.]
Quoted in Richard Westfall, Never at Rest: A Biography of Isaac Newton (1980), 403.
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In the beginning there was an explosion. Not an explosion like those familiar on earth, starting from a definite center and spreading out to engulf more and more of the circumambient air, but an explosion which occurred simultaneously everywhere, filling all space from the beginning, with every particle of matter rushing apart from every other particle. ‘All space’ in this context may mean either all of an infinite universe, or all of a finite universe which curves back on itself like the surface of a sphere. Neither possibility is easy to comprehend, but this will not get in our way; it matters hardly at all in the early universe whether space is finite or infinite. At about one-hundredth of a second, the earliest time about which we can speak with any confidence, the temperature of the universe was about a hundred thousand million (1011) degrees Centigrade. This is much hotter than in the center of even the hottest star, so hot, in fact, that none of the components of ordinary matter, molecules, or atoms, or even the nuclei of atoms, could have held together. Instead, the matter rushing apart in this explosion consisted of various types of the so-called elementary particles, which are the subject of modern high­energy nuclear physics.
The First Three Minutes: A Modern View of the Origin of the Universe (1977), 5.
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Is evolution a theory, a system or a hypothesis? It is much more: it is a general condition to which all theories, all hypotheses, all systems must bow and which they must satisfy henceforth if they are to be thinkable and true. Evolution is a light illuminating all facts, a curve that all lines must follow. ... The consciousness of each of us is evolution looking at itself and reflecting upon itself....Man is not the center of the universe as once we thought in our simplicity, but something much more wonderful—the arrow pointing the way to the final unification of the world in terms of life. Man alone constitutes the last-born, the freshest, the most complicated, the most subtle of all the successive layers of life. ... The universe has always been in motion and at this moment continues to be in motion. But will it still be in motion tomorrow? ... What makes the world in which we live specifically modern is our discovery in it and around it of evolution. ... Thus in all probability, between our modern earth and the ultimate earth, there stretches an immense period, characterized not by a slowing-down but a speeding up and by the definitive florescence of the forces of evolution along the line of the human shoot.
In The Phenomenon of Man (1975), pp 218, 220, 223, 227, 228, 277.
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It has been asserted … that the power of observation is not developed by mathematical studies; while the truth is, that; from the most elementary mathematical notion that arises in the mind of a child to the farthest verge to which mathematical investigation has been pushed and applied, this power is in constant exercise. By observation, as here used, can only be meant the fixing of the attention upon objects (physical or mental) so as to note distinctive peculiarities—to recognize resemblances, differences, and other relations. Now the first mental act of the child recognizing the distinction between one and more than one, between one and two, two and three, etc., is exactly this. So, again, the first geometrical notions are as pure an exercise of this power as can be given. To know a straight line, to distinguish it from a curve; to recognize a triangle and distinguish the several forms—what are these, and all perception of form, but a series of observations? Nor is it alone in securing these fundamental conceptions of number and form that observation plays so important a part. The very genius of the common geometry as a method of reasoning—a system of investigation—is, that it is but a series of observations. The figure being before the eye in actual representation, or before the mind in conception, is so closely scrutinized, that all its distinctive features are perceived; auxiliary lines are drawn (the imagination leading in this), and a new series of inspections is made; and thus, by means of direct, simple observations, the investigation proceeds. So characteristic of common geometry is this method of investigation, that Comte, perhaps the ablest of all writers upon the philosophy of mathematics, is disposed to class geometry, as to its method, with the natural sciences, being based upon observation. Moreover, when we consider applied mathematics, we need only to notice that the exercise of this faculty is so essential, that the basis of all such reasoning, the very material with which we build, have received the name observations. Thus we might proceed to consider the whole range of the human faculties, and find for the most of them ample scope for exercise in mathematical studies. Certainly, the memory will not be found to be neglected. The very first steps in number—counting, the multiplication table, etc., make heavy demands on this power; while the higher branches require the memorizing of formulas which are simply appalling to the uninitiated. So the imagination, the creative faculty of the mind, has constant exercise in all original mathematical investigations, from the solution of the simplest problems to the discovery of the most recondite principle; for it is not by sure, consecutive steps, as many suppose, that we advance from the known to the unknown. The imagination, not the logical faculty, leads in this advance. In fact, practical observation is often in advance of logical exposition. Thus, in the discovery of truth, the imagination habitually presents hypotheses, and observation supplies facts, which it may require ages for the tardy reason to connect logically with the known. Of this truth, mathematics, as well as all other sciences, affords abundant illustrations. So remarkably true is this, that today it is seriously questioned by the majority of thinkers, whether the sublimest branch of mathematics,—the infinitesimal calculus—has anything more than an empirical foundation, mathematicians themselves not being agreed as to its logical basis. That the imagination, and not the logical faculty, leads in all original investigation, no one who has ever succeeded in producing an original demonstration of one of the simpler propositions of geometry, can have any doubt. Nor are induction, analogy, the scrutinization of premises or the search for them, or the balancing of probabilities, spheres of mental operations foreign to mathematics. No one, indeed, can claim preeminence for mathematical studies in all these departments of intellectual culture, but it may, perhaps, be claimed that scarcely any department of science affords discipline to so great a number of faculties, and that none presents so complete a gradation in the exercise of these faculties, from the first principles of the science to the farthest extent of its applications, as mathematics.
In 'Mathematics', in Henry Kiddle and Alexander J. Schem, The Cyclopedia of Education, (1877.) As quoted and cited in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 27-29.
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It is not only a decided preference for synthesis and a complete denial of general methods which characterizes the ancient mathematics as against our newer Science [modern mathematics]: besides this extemal formal difference there is another real, more deeply seated, contrast, which arises from the different attitudes which the two assumed relative to the use of the concept of variability. For while the ancients, on account of considerations which had been transmitted to them from the Philosophie school of the Eleatics, never employed the concept of motion, the spatial expression for variability, in their rigorous system, and made incidental use of it only in the treatment of phonoromically generated curves, modern geometry dates from the instant that Descartes left the purely algebraic treatment of equations and proceeded to investigate the variations which an algebraic expression undergoes when one of its variables assumes a continuous succession of values.
In 'Untersuchungen über die unendlich oft oszillierenden und unstetigen Functionen', Ostwald’s Klassiker der exacten Wissenschaften (1905), No. 153, 44-45. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 115. From the original German, “Nicht allein entschiedene Vorliebe für die Synthese und gänzliche Verleugnung allgemeiner Methoden charakterisiert die antike Mathematik gegenüber unserer neueren Wissenschaft; es gibt neben diesem mehr äußeren, formalen, noch einen tiefliegenden realen Gegensatz, welcher aus der verschiedenen Stellung entspringt, in welche sich beide zu der wissenschaftlichen Verwendung des Begriffes der Veränderlichkeit gesetzt haben. Denn während die Alten den Begriff der Bewegung, des räumlichen Ausdruckes der Veränderlichkeit, aus Bedenken, die aus der philosophischen Schule der Eleaten auf sie übergegangen waren, in ihrem strengen Systeme niemals und auch in der Behandlung phoronomisch erzeugter Kurven nur vorübergehend verwenden, so datiert die neuere Mathematik von dem Augenblicke, als Descartes von der rein algebraischen Behandlung der Gleichungen dazu fortschritt, die Größenveränderungen zu untersuchen, welche ein algebraischer Ausdruck erleidet, indem eine in ihm allgemein bezeichnete Größe eine stetige Folge von Werten durchläuft.”
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Just as the musician is able to form an acoustic image of a composition which he has never heard played by merely looking at its score, so the equation of a curve, which he has never seen, furnishes the mathematician with a complete picture of its course. Yea, even more: as the score frequently reveals to the musician niceties which would escape his ear because of the complication and rapid change of the auditory impressions, so the insight which the mathematician gains from the equation of a curve is much deeper than that which is brought about by a mere inspection of the curve.
In Jahresbericht der Deutschen Mathematiker Vereiningung, 13, 864. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 190
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My first view - a panorama of brilliant deep blue ocean, shot with shades of green and gray and white - was of atolls and clouds. Close to the window I could see that this Pacific scene in motion was rimmed by the great curved limb of the Earth. It had a thin halo of blue held close, and beyond, black space. I held my breath, but something was missing - I felt strangely unfulfilled. Here was a tremendous visual spectacle, but viewed in silence. There was no grand musical accompaniment; no triumphant, inspired sonata or symphony. Each one of us must write the music of this sphere for ourselves.
…...
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October 9, 1863
Always, however great the height of the balloon, when I have seen the horizon it has roughly appeared to be on the level of the car though of course the dip of the horizon is a very appreciable quantity or the same height as the eye. From this one might infer that, could the earth be seen without a cloud or anything to obscure it, and the boundary line of the plane approximately the same height as the eye, the general appearance would be that of a slight concavity; but I have never seen any part of the surface of the earth other than as a plane.
Towns and cities, when viewed from the balloon are like models in motion. I shall always remember the ascent of 9th October, 1863, when we passed over London about sunset. At the time when we were 7,000 feet high, and directly over London Bridge, the scene around was one that cannot probably be equalled in the world. We were still so low as not to have lost sight of the details of the spectacle which presented itself to our eyes; and with one glance the homes of 3,000,000 people could be seen, and so distinct was the view, that every large building was easily distinguishable. In fact, the whole of London was visible, and some parts most clearly. All round, the suburbs were also very distinct, with their lines of detached villas, imbedded as it were in a mass of shrubs; beyond, the country was like a garden, its fields, well marked, becoming smaller and smaller as the eye wandered farther and farther away.
Again looking down, there was the Thames, throughout its whole length, without the slightest mist, dotted over its winding course with innumerable ships and steamboats, like moving toys. Gravesend was visible, also the mouth of the Thames, and the coast around as far as Norfolk. The southern shore of the mouth of the Thames was not so clear, but the sea beyond was seen for many miles; when at a higher elevation, I looked for the coast of France, but was unable to see it. On looking round, the eye was arrested by the garden-like appearance of the county of Kent, till again London claimed yet more careful attention.
Smoke, thin and blue, was curling from it, and slowly moving away in beautiful curves, from all except one part, south of the Thames, where it was less blue and seemed more dense, till the cause became evident; it was mixed with mist rising from the ground, the southern limit of which was bounded by an even line, doubtless indicating the meeting of the subsoils of gravel and clay. The whole scene was surmounted by a canopy of blue, everywhere free from cloud, except near the horizon, where a band of cumulus and stratus extended all round, forming a fitting boundary to such a glorious view.
As seen from the earth, the sunset this evening was described as fine, the air being clear and the shadows well defined; but, as we rose to view it and its effects, the golden hues increased in intensity; their richness decreased as the distance from the sun increased, both right and left; but still as far as 90º from the sun, rose-coloured clouds extended. The remainder of the circle was completed, for the most part, by pure white cumulus of well-rounded and symmetrical forms.
I have seen London by night. I have crossed it during the day at the height of four miles. I have often admired the splendour of sky scenery, but never have I seen anything which surpassed this spectacle. The roar of the town heard at this elevation was a deep, rich, continuous sound the voice of labour. At four miles above London, all was hushed; no sound reached our ears.
Travels in the Air (1871), 99-100.
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Of all the conceptions of the human mind from unicorns to gargoyles to the hydrogen bomb perhaps the most fantastic is the black hole: a hole in space with a definite edge over which anything can fall and nothing can escape; a hole with a gravitational field so strong that even light is caught and held in its grip; a hole that curves space and warps time.
In Cosmology + I: Readings from Scientific American (1977), 63.
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Painting the desert, sun-setting the tone
Starving backstage, morning-stars are jaded
The moonshine murmur still shivers alone
Curved slice of sliver, shear breath shadows stone
Suspending twilight shiny and shaded
Painting the desert, sun-setting the tone
Carving solace into silver in June
On horizons’ glow from forgotten gold
The moonshine’s’ shilling delivers alone
Gleaming duels of knights, pierce deathly silence
Steel tines of starlight, clashing swords they hold
Painting the desert, sun-setting the tone
Dimples aware, sparkle sand on the dune
Winking at comets, after tails are told
The moon-sand whispers, sift rivers alone
Sharpness they hone, filing skills onto stone
Starlight dazzles, its own space created
Painting the desert, sun-setting the tone
From owls’ talon, moonlight shimmers alone
…...
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Quietly, like a night bird, floating, soaring, wingless.
We glide from shore to shore, curving and falling
but not quite touching;
Earth: a distant memory seen in an instant of repose,
crescent shaped, ethereal, beautiful,
I wonder which part is home, but I know it doesn’t matter . . .
the bond is there in my mind and memory;
Earth: a small, bubbly balloon hanging delicately
in the nothingness of space.
…...
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Spacetime tells matter how to move; matter tells spacetime how to curve.
With co-author Kenneth William Ford Geons, Black Holes, and Quantum Foam: A Life in Physics (1998, 2010), 235. Adapted from his earlier book, co-authored with Charles W. Misner and Kip S. Thorne, Gravitation (1970, 1973), 5, in which one of the ideas in Einstein’s geometric theory of gravity was summarized as, “Space acts on matter, telling it how to move. In turn, matter reacts back on space, telling it how to curve”.
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Standing beside each other, we feasted our eyes. Above us the cerulean sky deepened to an inky black as the remnants of the atmosphere gave way to the depths of space. The mighty Himalaya were now a sparkling relief map spread out before us and garnished with a gleaming lattice work of swirling glaciers. Even Cho Oyu, Lhotse and Makalu, all 8,000-meter giants, were dwarfed. To the east and west, Kanchenjunga and Shishapangma, two more great sentinels of the Himalaya, stood crystal clear over 100 kilometers away. To the north were the burnished plains of Tibet, and to the south the majestic peaks and lush foothills of Nepal. We stood on the crown jewel of the earth, the curved horizon spinning endlessly around us.
…...
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Suppose then I want to give myself a little training in the art of reasoning; suppose I want to get out of the region of conjecture and probability, free myself from the difficult task of weighing evidence, and putting instances together to arrive at general propositions, and simply desire to know how to deal with my general propositions when I get them, and how to deduce right inferences from them; it is clear that I shall obtain this sort of discipline best in those departments of thought in which the first principles are unquestionably true. For in all our thinking, if we come to erroneous conclusions, we come to them either by accepting false premises to start with—in which case our reasoning, however good, will not save us from error; or by reasoning badly, in which case the data we start from may be perfectly sound, and yet our conclusions may be false. But in the mathematical or pure sciences,—geometry, arithmetic, algebra, trigonometry, the calculus of variations or of curves,— we know at least that there is not, and cannot be, error in our first principles, and we may therefore fasten our whole attention upon the processes. As mere exercises in logic, therefore, these sciences, based as they all are on primary truths relating to space and number, have always been supposed to furnish the most exact discipline. When Plato wrote over the portal of his school. “Let no one ignorant of geometry enter here,” he did not mean that questions relating to lines and surfaces would be discussed by his disciples. On the contrary, the topics to which he directed their attention were some of the deepest problems,— social, political, moral,—on which the mind could exercise itself. Plato and his followers tried to think out together conclusions respecting the being, the duty, and the destiny of man, and the relation in which he stood to the gods and to the unseen world. What had geometry to do with these things? Simply this: That a man whose mind has not undergone a rigorous training in systematic thinking, and in the art of drawing legitimate inferences from premises, was unfitted to enter on the discussion of these high topics; and that the sort of logical discipline which he needed was most likely to be obtained from geometry—the only mathematical science which in Plato’s time had been formulated and reduced to a system. And we in this country [England] have long acted on the same principle. Our future lawyers, clergy, and statesmen are expected at the University to learn a good deal about curves, and angles, and numbers and proportions; not because these subjects have the smallest relation to the needs of their lives, but because in the very act of learning them they are likely to acquire that habit of steadfast and accurate thinking, which is indispensable to success in all the pursuits of life.
In Lectures on Teaching (1906), 891-92.
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The discovery of an interaction among the four hemes made it obvious that they must be touching, but in science what is obvious is not necessarily true. When the structure of hemoglobin was finally solved, the hemes were found to lie in isolated pockets on the surface of the subunits. Without contact between them how could one of them sense whether the others had combined with oxygen? And how could as heterogeneous a collection of chemical agents as protons, chloride ions, carbon dioxide, and diphosphoglycerate influence the oxygen equilibrium curve in a similar way? It did not seem plausible that any of them could bind directly to the hemes or that all of them could bind at any other common site, although there again it turned out we were wrong. To add to the mystery, none of these agents affected the oxygen equilibrium of myoglobin or of isolated subunits of hemoglobin. We now know that all the cooperative effects disappear if the hemoglobin molecule is merely split in half, but this vital clue was missed. Like Agatha Christie, Nature kept it to the last to make the story more exciting. There are two ways out of an impasse in science: to experiment or to think. By temperament, perhaps, I experimented, whereas Jacques Monod thought.
From essay 'The Second Secret of Life', collected in I Wish I'd Made You Angry Earlier (1998), 263-5.
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The fundamental idea of these pylons, or great archways, is based on a method of construction peculiar to me, of which the principle consists in giving to the edges of the pyramid a curve of such a nature that this pyramid shall be capable of resisting the force of the wind without necessitating the junction of the edges by diagonals as is usually done.
Writing of his tower after its completion in 1889. As quoted (translated) in 'Eiffel’s Monument His Famous Tower', New York Times (6 Jan 1924), X8.
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The Greeks in the first vigour of their pursuit of mathematical truth, at the time of Plato and soon after, had by no means confined themselves to those propositions which had a visible bearing on the phenomena of nature; but had followed out many beautiful trains of research concerning various kinds of figures, for the sake of their beauty alone; as for instance in their doctrine of Conic Sections, of which curves they had discovered all the principal properties. But it is curious to remark, that these investigations, thus pursued at first as mere matters of curiosity and intellectual gratification, were destined, two thousand years later, to play a very important part in establishing that system of celestial motions which succeeded the Platonic scheme of cycles and epicycles. If the properties of conic sections had not been demonstrated by the Greeks and thus rendered familiar to the mathematicians of succeeding ages, Kepler would probably not have been able to discover those laws respecting the orbits and motions of planets which were the occasion of the greatest revolution that ever happened in the history of science.
In History of Scientific Ideas, Bk. 9, chap. 14, sect. 3.
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The growth curves of the famous Hopkins' rats are familiar to anyone who has ever opened a textbook of physiology. One recalls the proud ascendant curve of the milk-fed group which suddenly turns downwards as the milk supplement is removed, and the waning curve of the other group taking its sudden milk-assisted upward spring, until it passes its fellow now abruptly on the decline. 'Feeding experiments illustrating the importance of accessory factors in normal dietaries', Jour. Physiol., 1912, xliv, 425, ranks aesthetically beside the best stories of H. G. Wells.
Vitamins and Other Dietary Essentials (1933), 46.
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The history of men of science has one peculiar advantage, as it shows the importance of little things in producing great results. Smeaton learned his principle of constructing a lighthouse, by noticing the trunk of a tree to be diminished from a curve to a cyclinder ... and Newton, turning an old box into a water-clock, or the yard of a house into a sundial, are examples of those habits of patient observation which scientific biography attractively recommends.
Pleasures, Objects, and Advantages of Literature (1855), 129.
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The photons which constitute a ray of light behave like intelligent human beings: out of all possible curves they always select the one which will take them most quickly to their goal.
In Scientific Autobiography and Other Papers (1968), 186.
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The scientist knows very well that he is approaching ultimate truth only in an asymptotic curve and is barred from ever reaching it; but at the same time he is proudly aware of being indeed able to determine whether a statement is a nearer or a less near approach to the truth.
In On Aggression (1966, 2002), 279.
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The vast outpourings of publications by Professor Djerassi and his cohorts marks him as one of the most prolific scientific writers of our day... a plot of N, the papers published by Professor Djerassi in a given year, against T, the year (starting with 1945, T = 0) gives a good straight-line relationship. This line follows the equation N = 2.413T + 1.690 ... Assuming that the inevitable inflection point on the logistic curve is still some 10 years away, this equation predicts (a) a total of about 444 papers by the end of this year, (b) the average production of one paper per week or more every year beginning in 1966, and (c) the winning of the all-time productivity world championship in 10 years from now, in 1973. In that year Professor Djerassi should surpass the record of 995 items held by ...
Steroids Made it Possible (1990), 11-12.
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These machines [used in the defense of the Syracusans against the Romans under Marcellus] he [Archimedes] had designed and contrived, not as matters of any importance, but as mere amusements in geometry; in compliance with king Hiero’s desire and request, some time before, that he should reduce to practice some part of his admirable speculation in science, and by accommodating the theoretic truth to sensation and ordinary use, bring it more within the appreciation of people in general. Eudoxus and Archytas had been the first originators of this far-famed and highly-prized art of mechanics, which they employed as an elegant illustration of geometrical truths, and as means of sustaining experimentally, to the satisfaction of the senses, conclusions too intricate for proof by words and diagrams. As, for example, to solve the problem, so often required in constructing geometrical figures, given the two extremes, to find the two mean lines of a proportion, both these mathematicians had recourse to the aid of instruments, adapting to their purpose certain curves and sections of lines. But what with Plato’s indignation at it, and his invectives against it as the mere corruption and annihilation of the one good of geometry,—which was thus shamefully turning its back upon the unembodied objects of pure intelligence to recur to sensation, and to ask help (not to be obtained without base supervisions and depravation) from matter; so it was that mechanics came to be separated from geometry, and, repudiated and neglected by philosophers, took its place as a military art.
Plutarch
In John Dryden (trans.), Life of Marcellus.
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They were in orbit around the planet now, and its giant curving bulk loomed so huge that he could see nothing else, nothing but the bands and swirls of clouds that raced fiercely across Jupiter’s face. The clouds shifted and flowed before his eyes, spun into eddies the size of Asia, moved and throbbed and pulsed like living creatures. Lightning flashed down there, sudden explosions of light that flickered back and forth across the clouds, like signalling lamps.
Ben Bova
Jupiter
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We can see that, the constant in the law of gravitation being fixed, there may be some upper limit to the amount of matter possible; as more and more matter is added in the distant parts, space curves round and ultimately closes; the process of adding more matter must stop, because there is no more space, and we can only return to the region already dealt with. But there seems nothing to prevent a defect of matter, leaving space unclosed. Some mechanism seems to be needed, whereby either gravitation creates matter, or all the matter in the universe conspires to define a law of gravitation.
In Space, Time and Gravitation: An Outline of the General Relativity Theory (1920, 1921), 163.
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Well, I think the curves of the four pillars of the monument, as the calculations have provided them,… give it a great sense of force and beauty.
From the original French, “Eh bien! je prétends que les courbes des quatre arêtes du monument, telles que le calcul les a fournies,… donneront une grand impression de force et de beauté,” in interview with Paul Bourde, in the newspaper Le Temps (14 Feb 1887), rebutting the protestations of many artists against the tower. Reprinted in 'Au Jour le Jour: Les Artistes Contre la Tour Eiffel', Gazette Anecdotique, Littéraire, Artistique et Bibliographique (Feb 1887), 126, and in Gustave Eiffel, Travaux Scientifiques Exécutés à la Tour de 300 Mètres de 1889 à 1900 (1900), 13-14. Also an epigraph, in French and with English translation, in Horst Hamann, Paris Vertical, (2004, 2006), 26.
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What distinguishes the straight line and circle more than anything else, and properly separates them for the purpose of elementary geometry? Their self-similarity. Every inch of a straight line coincides with every other inch, and of a circle with every other of the same circle. Where, then, did Euclid fail? In not introducing the third curve, which has the same property—the screw. The right line, the circle, the screw—the representations of translation, rotation, and the two combined—ought to have been the instruments of geometry. With a screw we should never have heard of the impossibility of trisecting an angle, squaring the circle, etc.
From Letter (15 Feb 1852) to W.R. Hamilton, collected in Robert Perceval Graves, Life of W.R. Hamilton (1889), Vol. 3, 343.
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What renders a problem definite, and what leaves it indefinite, may best be understood from mathematics. The very important idea of solving a problem within limits of error is an element of rational culture, coming from the same source. The art of totalizing fluctuations by curves is capable of being carried, in conception, far beyond the mathematical domain, where it is first learnt. The distinction between laws and co-efficients applies in every department of causation. The theory of Probable Evidence is the mathematical contribution to Logic, and is of paramount importance.
In Education as a Science (1879), 151-152.
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You don't think progress goes in a straight line, do you? Do you recognize that it is an ascending, accelerating, maybe even exponential curve? It takes hell's own time to get started, but when it goes it goes like a bomb.
Day Million (1966)
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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- 90 -
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- 70 -
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- 40 -
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