Cabinet Quotes (5 quotes)
…cabinet naturalists [who] of nature saw almost nothing but what [that] is conserved in museums.
Arduino had an aversion to those authors inclined to empiricism and speculation, instead of field research. From Due Lettere del Sig Giovanni Arduino, lvi, 61. As quoted and cited by Francesco Luzzini, Lettere di Giovanni Arduino (edited by Ezio Vaccari) - Book Review (Jan 2011), published in Studi Veneziani (2010), LX, 294. As given by Google Translate, from the original: “naturalisti da gabinetto”, che “della naturaquasi altro non viddero che ciò [che] conservasi ne’ musei.”
Thomasina: Every week I plot your equations dot for dot, x’s against y’s in all manner of algebraical relation, and every week they draw themselves as commonplace geometry, as if the world of forms were nothing but arcs and angles. God’s truth, Septimus, if there is an equation for a curve like a bell, there must be an equation for one like a bluebell, and if a bluebell, why not a rose? Do we believe nature is written in numbers?
Septimus: We do.
Thomasina: Then why do your shapes describe only the shapes of manufacture?
Septimus: I do not know.
Thomasina: Armed thus, God could only make a cabinet.
Septimus: We do.
Thomasina: Then why do your shapes describe only the shapes of manufacture?
Septimus: I do not know.
Thomasina: Armed thus, God could only make a cabinet.
In the play, Acadia (1993), Scene 3, 37.
A physician ought to have his shop provided with plenty of all necessary things, as lint, rollers, splinters: let there be likewise in readiness at all times another small cabinet of such things as may serve for occasions of going far from home; let him have also all sorts of plasters, potions, and purging medicines, so contrived that they may keep some considerable time, and likewise such as may be had and used whilst they are fresh.
In Prose Quotations from Socrates to Macaulay (1876), 536.
I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how power fully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right ... The exuberance is all of one piece–organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation–a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.
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True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights–and I am not against supplying such lures if they draw children into even a transient concern with science. But every classroom has one [Oliver] Sacks, one [Eric] Korn, or one [Jonathan] Miller, usually a lonely child with a passionate curiosity about nature, and a zeal that overcomes pressures for conformity. Do not the one in fifty deserve their institutions as well–magic places, like cabinet museums, that can spark the rare flames of genius?
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