Hie locus est ubi mars gaudet succurere vitae.
This place is where death rejoices to come to the aid of life.

Toutes les fois que dans une équation finale on trouve deux quantités inconnues, on a un lieu, l'extrémité de l'une d’elles décrivant une ligne droite ou courbe. La ligne droite est simple et unique dans son genre; les espèces des courbes sont en nombre indéfini, cercle, parabole, hyperbole, ellipse, etc.
Whenever two unknown magnitudes appear in a final equation, we have a locus, the extremity of one of the unknown magnitudes describing a straight line or a curve. The straight line is simple and unique; the classes of curves are indefinitely many,—circle, parabola, hyperbola, ellipse, etc.

All of our experience indicates that life can manifest itself only in a concrete form, and that it is bound to certain substantial loci. These loci are cells and cell formations. But we are far from seeking the last and highest level of understanding in the morphology of these loci of life. Anatomy does not exclude physiology, but physiology certainly presupposes anatomy. The phenomena that the physiologist investigates occur in special organs with quite characteristic anatomical arrangements; the various morphological parts disclosed by the anatomist are the bearers of properties or, if you will, of forces probed by the physiologist; when the physiologist has established a law, whether through physical or chemical investigation, the anatomist can still proudly state: This is the structure in which the law becomes manifest.

I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how power fully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right ... The exuberance is all of one piece–organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation–a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.

If a mathematician wishes to disparage the work of one of his colleagues, say, A, the most effective method he finds for doing this is to ask where the results can be applied. The hard pressed man, with his back against the wall, finally unearths the researches of another mathematician B as the locus of the application of his own results. If next B is plagued with a similar question, he will refer to another mathematician C. After a few steps of this kind we find ourselves referred back to the researches of A, and in this way the chain closes.