Swirl Quotes (10 quotes)
Art gallery? Who needs it? Look up at the swirling silver-lined clouds in the magnificent blue sky or at the silently blazing stars at midnight. How could indoor art be any more masterfully created than God’s museum of nature?
Firefly meteorites blazed against a dark background, and sometimes the lightning was frighteningly brilliant. Like a boy, I gazed open-mouthed at the fireworks, and suddenly, before my eyes, something magical occurred. A greenish radiance poured from Earth directly up to the station, a radiance resembling gigantic phosphorescent organ pipes, whose ends were glowing crimson, and overlapped by waves of swirling green mist.
“Consider yourself very lucky, Vladimir,” I said to myself, “to have watched the northern lights.”
“Consider yourself very lucky, Vladimir,” I said to myself, “to have watched the northern lights.”
It [mathematics] is in the inner world of pure thought, where all entia dwell, where is every type of order and manner of correlation and variety of relationship, it is in this infinite ensemble of eternal verities whence, if there be one cosmos or many of them, each derives its character and mode of being,—it is there that the spirit of mathesis has its home and its life.
Is it a restricted home, a narrow life, static and cold and grey with logic, without artistic interest, devoid of emotion and mood and sentiment? That world, it is true, is not a world of solar light, not clad in the colours that liven and glorify the things of sense, but it is an illuminated world, and over it all and everywhere throughout are hues and tints transcending sense, painted there by radiant pencils of psychic light, the light in which it lies. It is a silent world, and, nevertheless, in respect to the highest principle of art—the interpenetration of content and form, the perfect fusion of mode and meaning—it even surpasses music. In a sense, it is a static world, but so, too, are the worlds of the sculptor and the architect. The figures, however, which reason constructs and the mathematic vision beholds, transcend the temple and the statue, alike in simplicity and in intricacy, in delicacy and in grace, in symmetry and in poise. Not only are this home and this life thus rich in aesthetic interests, really controlled and sustained by motives of a sublimed and supersensuous art, but the religious aspiration, too, finds there, especially in the beautiful doctrine of invariants, the most perfect symbols of what it seeks—the changeless in the midst of change, abiding things hi a world of flux, configurations that remain the same despite the swirl and stress of countless hosts of curious transformations.
Is it a restricted home, a narrow life, static and cold and grey with logic, without artistic interest, devoid of emotion and mood and sentiment? That world, it is true, is not a world of solar light, not clad in the colours that liven and glorify the things of sense, but it is an illuminated world, and over it all and everywhere throughout are hues and tints transcending sense, painted there by radiant pencils of psychic light, the light in which it lies. It is a silent world, and, nevertheless, in respect to the highest principle of art—the interpenetration of content and form, the perfect fusion of mode and meaning—it even surpasses music. In a sense, it is a static world, but so, too, are the worlds of the sculptor and the architect. The figures, however, which reason constructs and the mathematic vision beholds, transcend the temple and the statue, alike in simplicity and in intricacy, in delicacy and in grace, in symmetry and in poise. Not only are this home and this life thus rich in aesthetic interests, really controlled and sustained by motives of a sublimed and supersensuous art, but the religious aspiration, too, finds there, especially in the beautiful doctrine of invariants, the most perfect symbols of what it seeks—the changeless in the midst of change, abiding things hi a world of flux, configurations that remain the same despite the swirl and stress of countless hosts of curious transformations.
Jupiter is the largest of all the solar system’s planets, more than ten times bigger and three hundred times as massive as Earth. Jupiter is so immense it could swallow all the other planets easily. Its Great Red Spot, a storm that has raged for centuries, is itself wider than Earth. And the Spot is merely one feature visible among the innumerable vortexes and streams of Jupiter’s frenetically racing cloud tops. Yet Jupiter is composed mainly of the lightest elements, hydrogen and helium, more like a star than a planet. All that size and mass, yet Jupiter spins on its axis in less than ten hours, so fast that the planet is clearly not spherical: Its poles are noticeably flattened. Jupiter looks like a big, colorfully striped beach ball that’s squashed down as if some invisible child were sitting on it. Spinning that fast, Jupiter’s deep, deep atmosphere is swirled into bands and ribbons of multihued clouds: pale yellow, saffron orange, white, tawny yellow-brown, dark brown, bluish, pink and red. Titanic winds push the clouds across the face of Jupiter at hundreds of kilometers per hour.
— Ben Bova
Standing beside each other, we feasted our eyes. Above us the cerulean sky deepened to an inky black as the remnants of the atmosphere gave way to the depths of space. The mighty Himalaya were now a sparkling relief map spread out before us and garnished with a gleaming lattice work of swirling glaciers. Even Cho Oyu, Lhotse and Makalu, all 8,000-meter giants, were dwarfed. To the east and west, Kanchenjunga and Shishapangma, two more great sentinels of the Himalaya, stood crystal clear over 100 kilometers away. To the north were the burnished plains of Tibet, and to the south the majestic peaks and lush foothills of Nepal. We stood on the crown jewel of the earth, the curved horizon spinning endlessly around us.
— Jo Gambi
Suddenly, from behind the rim of the moon, in long, slow-motion moments of immense majesty, there emerges a sparkling blue and white jewel, a light, delicate sky-blue sphere laced with slowly swirling veils of white, rising gradually like a small pearl in a thick sea of black mystery. It takes more than a moment to fully realize this is Earth . . . home.
Suppose that we are wise enough to learn and know—and yet not wise enough to control our learning and knowledge, so that we use it to destroy ourselves? Even if that is so, knowledge remains better than ignorance. It is better to know—even if the knowledge endures only for the moment that comes before destruction—than to gain eternal life at the price of a dull and swinish lack of comprehension of a universe that swirls unseen before us in all its wonder. That was the choice of Achilles, and it is mine, too.
There was no instant when a mist of plankton … was not swirling in the path of the beam [of the bathysphere].
They were in orbit around the planet now, and its giant curving bulk loomed so huge that he could see nothing else, nothing but the bands and swirls of clouds that raced fiercely across Jupiter’s face. The clouds shifted and flowed before his eyes, spun into eddies the size of Asia, moved and throbbed and pulsed like living creatures. Lightning flashed down there, sudden explosions of light that flickered back and forth across the clouds, like signalling lamps.
— Ben Bova
Winter opened its vaults last night, flinging fistfuls of crystalline diamonds into the darkening sky. Like white-tulled ballerinas dancing gracefully on heaven’s stage, silent stars stood entranced by their intricate beauty. Motionless, I watched each lacy gem drift softly by my upturned face, as winter’s icy hands guided them gently on their swirling lazy way, and blanketed the waiting earth in cold splendor. The shivering rustling of reeds, the restless fingers of the trees snapping in the frosty air, broke the silent stillness, as winter quietly pulled up its white coverlet over the sleepy earth.