Motive Quotes (19 quotes)
Ardent desire for knowledge, in fact, is the one motive attracting and supporting investigators in their efforts; and just this knowledge, really grasped and yet always flying before them, becomes at once their sole torment and their sole happiness. Those who do not know the torment of the unknown cannot have the joy of discovery which is certainly the liveliest that the mind of man can ever feel.
Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelingsmuch harder than to say something fine about them which is not the exact truth.
Fractals are patterns which occur on many levels. This concept can be applied to any musical parameter. I make melodic fractals, where the pitches of a theme I dream up are used to determine a melodic shape on several levels, in space and time. I make rhythmic fractals, where a set of durations associated with a motive get stretched and compressed and maybe layered on top of each other. I make loudness fractals, where the characteristic loudness of a sound, its envelope shape, is found on several time scales. I even make fractals with the form of a piece, its instrumentation, density, range, and so on. Here Ive separated the parameters of music, but in a real piece, all of these things are combined, so you might call it a fractal of fractals.
Heart and Brain are the two lords of life. In the metaphors of ordinary speech and in the stricter language of science, we use these terms to indicate two central powers, from which all motives radiate, to which all influences converge.
However absurd it may seem, I do in all seriousness hereby declare that I am animated mainly by philanthropic motives. I desire to do good to my fellow creatures, even to the Cui bonos.
I agree with Schopenhauer that one of the most powerful motives that attracts people to science and art is the longing to escape from everyday life.
I believe with Schopenhauer that one of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of ones own ever shifting desires. A finely tempered nature longs to escape from personal life into the world of objective perception and thought; this desire may be compared with the townsmans irresistible longing to escape from his noisy, cramped surroundings into the silence of high mountains, where the eye ranges freely through the still, pure air and fondly traces out the restful contours apparently built for eternity.
I have from my childhood, in conformity with the precepts of a mother void of all imaginary fear, been in the constant habit of taking toads in my hand, and applying them to my nose and face as it may happen. My motive for doing this very frequently is to inculcate the opinion I have held, since I was told by my mother, that the toad is actually a harmless animal; and to whose manner of life man is certainly under some obligation as its food is chiefly those insects which devour his crops and annoy him in various ways.
If the Weismann idea triumphs, it will be in a sense a triumph of fatalism; for, according to it, while we may indefinitely improve the forces of our education and surroundings, and this civilizing nurture will improve the individuals of each generation, its actual effects will not be cumulative as regards the race itself, but only as regards the environment of the race; each new generation must start de novo, receiving no increment of the moral and intellectual advance made during the lifetime of its predecessors. It would follow that one deep, almost instinctive motive for a higher life would be removed if the race were only superficially benefited by its nurture, and the only possible channel of actual improvement were in the selection of the fittest chains of race plasma.
In the higher walks of politics the same sort of thing occurs. The statesman who has gradually concentrated all power within himself may have had anything but a public motive The phrases which are customary on the platform and in the Party Press have gradually come to him to seem to express truths, and he mistakes the rhetoric of partisanship for a genuine analysis of motives He retires from the world after the world has retired from him.
In the temple of science are many mansions, and various indeed are they that dwell therein and the motives that have led them thither. Many take to science out of a joyful sense of superior intellectual power; science is their own special sport to which they look for vivid experience and the satisfaction of ambition; many others are to be found in the temple who have offered the products of their brains on this altar for purely utilitarian purposes. Were an angel of the Lord to come and drive all the people belonging to these two categories out of the temple, the assemblage would be seriously depleted, but there would still be some men, of both present and past times, left inside. Our Planck is one of them, and that is why we love him.
Marxism: The theory that all the important things in history are rooted in an economic motive, that history is a science, a science of the search for food.
One of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of one's own ever-shifting desires. A finely tempered nature longs to escape from the personal life into the world of objective perception and thought.
One should guard against preaching to the young man success in the customary sense as the aim in life. ... The most important motive for work in school and in life is pleasure in work, pleasure in its result, and the knowledge of the value of the result to the community.
The fundamental characteristic of the scientific method is honesty. In dealing with any question, science asks no favors. ... I believe that constant use of the scientific method must in the end leave its impress upon him who uses it. ... A life spent in accordance with scientific teachings would be of a high order. It would practically conform to the teachings of the highest types of religion. The motives would be different, but so far as conduct is concerned the results would be practically identical.
The private motives of scientists are not the trend of science. The trend of science is made by the needs of society: navigation before the eighteenth century, manufacture thereafter; and in our age I believe the liberation of personality. Whatever the part which scientists like to act, or for that matter which painters like to dress, science shares the aims of our society just as art does.
The Unexpected stalks a farm in big boots like a vagrant bent on havoc. Not every farmer is an inventor, but the good ones have the seeds of invention within them. Economy and efficiency move their relentless tinkering and yet the real motive often seems to be aesthetic. The mind that first designed a cutter bar is not far different from a mind that can take the intractable steel of an outsized sickle blade and make it hum in the end. The question is how to reduce the simplicity that constitutes a problem (“It's simple; it's broke.”) to the greater simplicity that constitutes a solution.
Underneath his sweetness and gentleness was the heat of a volcano. [Michael Faraday] was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion.
You may perceive something of the distinction which I think necessary to keep in view between art and science, between the artist and the man of knowledge, or the philosopher. The man of knowledge, the philosopher, is he who studies and acquires knowledge in order to improve his own mind; and with a desire of extending the department of knowledge to which he turns his attention, or to render it useful to the world, by discoveries, or by inventions, which may be the foundation of new arts, or of improvements in those already established. Excited by one or more of these motives, the philosopher employs himself in acquiring knowledge and in communicating it. The artist only executes and practises what the philosopher or man of invention has discovered or contrived, while the business of the trader is to retail the productions of the artist, exchange some of them for others, and transport them to distant places for that purpose.