Communicate Quotes (17 quotes)
A short, broad man of tremendous vitality, the physical type of Hereward, the last of the English, and his brother-in-arms, Winter, Sylvester’s capacious head was ever lost in the highest cloud-lands of pure mathematics. Often in the dead of night he would get his favorite pupil, that he might communicate the very last product of his creative thought. Everything he saw suggested to him something new in the higher algebra. This transmutation of everything into new mathematics was a revelation to those who knew him intimately. They began to do it themselves. His ease and fertility of invention proved a constant encouragement, while his contempt for provincial stupidities, such as the American hieroglyphics for π and e, which have even found their way into Webster’s Dictionary, made each young worker apply to himself the strictest tests.
Homo sapiens is a compulsive communicator. Look at the number of people you see walking around talking on mobile phones. We seem to have an infinite capacity for communicating and being communicated with. I’m not sure how admirable it is, but it certainly demonstrates that we are social organisms.
How can cosmic religious feeling be communicated from one person to another, if it can give rise to no definite notion of a God and no theology? In my view, it is the most important function of art and science to awaken this feeling and keep it alive in those who are receptive to it.
If we work, it is less to obtain those positive results the common people think are our only interest, than to feel that aesthetic emotion and communicate it to those able to experience it.
Leibnitz believed he saw the image of creation in his binary arithmetic in which he employed only two characters, unity and zero. Since God may be represented by unity, and nothing by zero, he imagined that the Supreme Being might have drawn all things from nothing, just as in the binary arithmetic all numbers are expressed by unity with zero. This idea was so pleasing to Leibnitz, that he communicated it to the Jesuit Grimaldi, President of the Mathematical Board of China, with the hope that this emblem of the creation might convert to Christianity the reigning emperor who was particularly attached to the sciences.
That form of popular science which merely recites the results of investigations, which merely communicates useful knowledge, is from this standpoint bad science, or no science at all. … Apply this test to every work professing to give a popular account of any branch of science. If any such work gives a description of phenomena that appeals to his imagination rather than to his reason, then it is bad science.
The advance of science has enabled man to communicate at twice the speed of sound while he still acts at half the speed of sense.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist.... When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
To communicate wonder, we must have a spirit of wonder. A leader who’s filled with wonder, joy and love for the natural world draws these good feelings out of others.
We are like the inhabitants of an isolated valley in New Guinea who communicate with societies in neighboring valleys (quite different societies, I might add) by runner and by drum. When asked how a very advanced society will communicate, they might guess by an extremely rapid runner or by an improbably large drum. They might not guess a technology beyond their ken. And yet, all the while, a vast international cable and radio traffic passes over them, around them, and through them... We will listen for the interstellar drums, but we will miss the interstellar cables. We are likely to receive our first messages from the drummers of the neighboring galactic valleys - from civilizations only somewhat in our future. The civilizations vastly more advanced than we, will be, for a long time, remote both in distance and in accessibility. At a future time of vigorous interstellar radio traffic, the very advanced civilizations may be, for us, still insubstantial legends.
We do not belong to this material world that science constructs for us. We are not in it; we are outside. We are only spectators. The reason why we believe that we are in it, that we belong to the picture, is that our bodies are in the picture. Our bodies belong to it. Not only my own body, but those of my friends, also of my dog and cat and horse, and of all the other people and animals. And this is my only means of communicating with them.
When we survey our lives and endeavours we soon observe that almost the whole of our actions and desires are bound up with the existence of other human beings. We see that our whole nature resembles that of the social animals. We eat food that others have grown, wear clothes that others have made, live in houses that others have built. The greater part of our knowledge and beliefs has been communicated to us by other people through the medium of a language which others have created. Without language our mental capacities would be poor indeed, comparable to those of the higher animals; we have, therefore, to admit that we owe our principal advantage over the beasts to the fact of living in human society. The individual, if left alone from birth would remain primitive and beast-like in his thoughts and feelings to a degree that we can hardly conceive. The individual is what he is and has the significance that he has not so much in virtue of his individuality, but rather as a member of a great human society, which directs his material and spiritual existence from the cradle to the grave.
When wireless is perfectly applied the whole earth will be converted into a huge brain, which in fact it is, all things being particles of a real and rhythmic whole. We shall be able to communicate with one another instantly, irrespective of distance. Not
Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking and observing, there we enter the realm of Art and Science. If what is seen is seen and experienced is portrayed in the language of logic, we are engaged in science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively as meaningful, then we are engaged in art.
Whoever limits his exertions to the gratification of others, whether by personal exhibition, as in the case of the actor and of the mimic, or by those kinds of literary composition which are calculated for no end but to please or to entertain, renders himself, in some measure, dependent on their caprices and humours. The diversity among men, in their judgments concerning the objects of taste, is incomparably greater than in their speculative conclusions; and accordingly, a mathematician will publish to the world a geometrical demonstration, or a philosopher, a process of abstract reasoning, with a confidence very different from what a poet would feel, in communicating one of his productions even to a friend.
You may perceive something of the distinction which I think necessary to keep in view between art and science, between the artist and the man of knowledge, or the philosopher. The man of knowledge, the philosopher, is he who studies and acquires knowledge in order to improve his own mind; and with a desire of extending the department of knowledge to which he turns his attention, or to render it useful to the world, by discoveries, or by inventions, which may be the foundation of new arts, or of improvements in those already established. Excited by one or more of these motives, the philosopher employs himself in acquiring knowledge and in communicating it. The artist only executes and practises what the philosopher or man of invention has discovered or contrived, while the business of the trader is to retail the productions of the artist, exchange some of them for others, and transport them to distant places for that purpose.
[Isaac Newton] regarded the Universe as a cryptogram set by the Almighty—just as he himself wrapt the discovery of the calculus in a cryptogram when he communicated with Leibniz. By pure thought, by concentration of mind, the riddle, he believed, would be revealed to the initiate.