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Who said: “I seem to have been only like a boy playing on the seashore, ... finding a smoother pebble or a prettier shell ... whilst the great ocean of truth lay all undiscovered before me.”
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Home > Category Index for Science Quotations > Category Index E > Category: Emotion

Emotion Quotes (62 quotes)


...on opening the incubator I experienced one of those rare moments of intense emotion which reward the research worker for all his pains: at first glance I saw that the broth culture, which the night before had been very turbid was perfectly clear: all the bacteria had vanished... as for my agar spread it was devoid of all growth and what caused my emotion was that in a flash I understood: what causes my spots was in fact an invisible microbe, a filterable virus, but a virus parasitic on bacteria. Another thought came to me also, If this is true, the same thing will have probably occurred in the sick man. In his intestine, as in my test-tube, the dysentery bacilli will have dissolved away under the action of their parasite. He should now be cured.
In Allan Chase, Magic Shots: A Human and Scientific Account of the Long and Continuing Struggle to Eradicated Infectious Diseases by Vaccination (1982), 249-250. Also in Allan J. Tobin and Jennie Dusheck, Asking About Life (2005), 206.
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A common fallacy in much of the adverse criticism to which science is subjected today is that it claims certainty, infallibility and complete emotional objectivity. It would be more nearly true to say that it is based upon wonder, adventure and hope.
Quoted in E. J. Bowen's obituary of Hinshelwood, Chemistry in Britain (1967), Vol. 3, 536.
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A mathematical truth is timeless, it does not come into being when we discover it. Yet its discovery is a very real event, it may be an emotion like a great gift from a fairy.
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All sensitive people agree that there is a peculiar emotion provoked by works of art.
In Art (1913), 6.
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An intimate friend and a hated enemy have always been indispensable requirements for my emotional life; I have always been able to create them anew, and not infrequently my childish ideal has been so closely approached that friend and enemy coincided in the same person.
The Interpretation of Dreams (1913), 385. Sigmund Freud - 1913
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Biophilia, if it exists, and I believe it exists, is the innately emotional affiliation of human beings to other living organisms.
'Biophilia and the Conservation Ethic', essay in The Biophilia Hypothesis, editted by Stephen R. Kellert (1997), 31.
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But most of us, however strict we may be, are apt to apply the epithet “beautiful” to objects that do not provoke that peculiar emotion produced by works of art.
In Art (1913), 12.
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Clearly it is not reason that has failed. What has failed—as it has always failed—is the attempt to achieve certainty, to reach an absolute, to find the course of human events to a final end. ... It is not reason that has promised to eliminate risk in human undertakings; it is the emotional needs of men.
In The Quest For Identity (1958), 135.
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EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  84.
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Emotions are among the toughest things in the world to manufacture out of whole cloth; it is easier to manufacture seven facts than one emotion.
In Life on the Mississippi (1883), 199
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Flowers are restful to look at. They have neither emotions nor conflicts.
Unverified despite trying. Please contact webmaster if you can identify a primary source.
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From time immemorial, the infinite has stirred men's emotions more than any other question. Hardly any other idea has stimulated the mind so fruitfully. Yet, no other concept needs clarification more than it does.
In address (4 Jun 1925), at a congress of the Westphalian Mathematical Society in Munster, in honor of Karl Weierstrass. First published in Mathematische Annalen (1926), 95, 161-190. Translated by Erna Putnam and Gerald J. Massey as 'On the Infinite', collected in Paul Benacerraf (ed.) Philosophy of Mathematics: Selected Readings (1983), 185. Compare another translation elsewhere on this page, beginning, “The Infinite!…”.
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HEART, n. An automatic, muscular blood- pump. Figuratively, this useful organ is said to be the seat of emotions and sentiments—a very pretty fancy which, however, is nothing but a survival of a once universal belief. It is now known that the sentiments and emotions reside in the stomach, being evolved from food by chemical action of the gastric fluid. The exact process by which a beefsteak becomes a feeling—tender or not, according to the age of the animal from which it was cut; the successive stages of elaboration through which a caviar sandwich is transmuted to a quaint fancy and reappears as a pungent epigram; the marvelous functional methods of converting a hard-boiled egg into religious contrition, or a cream-puff into a sigh of sensibility—these things have been patiently ascertained by M. Pasteur, and by him expounded with convincing lucidity. 
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  133-134.
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Histology is an exotic meal, but can be as repulsive as a dose of medicine for students who are obliged to study it, and little loved by doctors who have finished their study of it all too hastily. Taken compulsorily in large doses it is impossible to digest, but after repeated tastings in small draughts it becomes completely agreeable and even addictive. Whoever possesses a refined sensitivity for artistic manifestations will appreciate that, in the science of histology, there exists an inherent focus of aesthetic emotions.
Opening remarks of paper, 'Art and Artifice in the Science of Histology' (1933), reprinted in Histopathology (1993), 22, 515-525. Quoted in Ross, Pawlina and Barnash, Atlas of Descriptive Histology (2009).
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How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
'Prometheus.' The Roving Mind (1983), Chap 25.
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However, all scientific statements and laws have one characteristic in common: they are “true or false” (adequate or inadequate). Roughly speaking, our reaction to them is “yes” or “no.” The scientific way of thinking has a further characteristic. The concepts which it uses to build up its coherent systems are not expressing emotions. For the scientist, there is only “being,” but no wishing, no valuing, no good, no evil; no goal. As long as we remain within the realm of science proper, we can never meet with a sentence of the type: “Thou shalt not lie.” There is something like a Puritan's restraint in the scientist who seeks truth: he keeps away from everything voluntaristic or emotional.
Essays in Physics (1950), 68.
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I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success... Such emotions make a man forget food, sleep, friends, love, everything.
Quoted by Cleveland Moffitt, 'A Talk With Tesla', Atlanta Constitution (7 Jun 1896)
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I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.
In Art (1913), 169.
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If entropy must constantly and continuously increase, then the universe is remorselessly running down, thus setting a limit (a long one, to be sure) on the existence of humanity. To some human beings, this ultimate end poses itself almost as a threat to their personal immortality, or as a denial of the omnipotence of God. There is, therefore, a strong emotional urge to deny that entropy must increase.
In Asimov on Physics (1976), 141. Also in Isaac Asimov’s Book of Science and Nature Quotations (1988), 279.
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If, again with the light of science, we trace forward into the future the condition of our globe, we are compelled to admit that it cannot always remain in its present condition; that in time, the store of potential energy which now exists in the sun and in the bodies of celestial space which may fall into it will be dissipated in radiant heat, and consequently the earth, from being the theatre of life, intelligence, of moral emotions, must become a barren waste.
Address (Jul 1874) at the grave of Joseph Priestley, in Joseph Henry and Arthur P. Molella, et al. (eds.), A Scientist in American Life: Essays and Lectures of Joseph Henry (1980), 120.
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In Science the paramount appeal is to the Intellect—its purpose being instruction; in Art, the paramount appeal is to the Emotions—its purpose being pleasure.
In The Principles of Success in Literature (1901), 63.
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In this world [of art] the emotions of life find no place.
In Art (1913), 27.
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It is impossible not to feel stirred at the thought of the emotions of man at certain historic moments of adventure and discovery—Columbus when he first saw the Western shore, Pizarro when he stared at the Pacific Ocean, Franklin when the electric spark came from the string of his kite, Galileo when he first turned his telescope to the heavens. Such moments are also granted to students in the abstract regions of thought, and high among them must be placed the morning when Descartes lay in bed and invented the method of co-ordinate geometry.
Quoted in James Roy Newman, The World of Mathematics (2000), Vol. 1, 239.
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It is not the conscience which raises a blush, for a man may sincerely regret some slight fault committed in solitude, or he may suffer the deepest remorse for an undetected crime, but he will not blush... It is not the sense of guilt, but the thought that others think or know us to be guilty which crimsons the face.
The Expression of Emotions in Man and Animals
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It is therefore easy to see why the churches have always fought science and persecuted its devotees. On the other hand, I maintain that the cosmic religious feeling is the strongest and noblest motive for scientific research. Only those who realize the immense efforts and, above all, the devotion without which pioneer work in theoretical science cannot be achieved are able to grasp the strength of the emotion out of which alone such work, remote as it is from the immediate realities of life, can issue. What a deep conviction of the rationality of the universe and what a yearning to understand, were it but a feeble reflection of the mind revealed in this world, Kepler and Newton must have had to enable them to spend years of solitary labor in disentangling the principles of celestial mechanics! Those whose acquaintance with scientific research is derived chiefly from its practical results easily develop a completely false notion of the mentality of the men who, surrounded by a skeptical world, have shown the way to kindred spirits scattered wide through the world and through the centuries. Only one who has devoted his life to similar ends can have a vivid realization of what has inspired these men and given them the strength to remain true to their purpose in spite of countless failures. It is cosmic religious feeling that gives a man such strength. A contemporary has said, not unjustly, that in this materialistic age of ours the serious scientific workers are the only profoundly religious people.
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It is well-known that those who have charge of young infants, that it is difficult to feel sure when certain movements about their mouths are really expressive; that is when they really smile. Hence I carefully watched my own infants. One of them at the age of forty-five days, and being in a happy frame of mind, smiled... I observed the same thing on the following day: but on the third day the child was not quite well and there was no trace of a smile, and this renders it probable that the previous smiles were real.
The Expression of Emotions in Man and Animals
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It's tempting to go to the throat of the volcano to get the data, because if you do you're a hero ... It's a battle between your mind and your emotions. If your emotions win out, you can get yourself in a lot of trouble.
Quoted by Ron Russell in 'Column One: In pursuit of Deadly Volcanoes', Los Angeles Times (25 Jun 1991), an article about for three scientists that had died in a volcano eruption.
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Jealousy was plainly exhibited when I fondled a large doll, and when I weighed his infant sister, he being then 15? months old. Seeing how strong a feeling of jealousy is in dogs, it would probably be exhibited by infants at any earlier age than just specified if they were tried in a fitting manner
Mind
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May we not suspect that the vague but very real fears of children, which are quite independent of experience, are the inherited effects of real dangers and abject superstitions during ancient savage times?
Mind, 1877
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Modern music, headstrong, wayward, tragically confused as to what to say and how to say it, has mounted its horse, as the joke goes, and ridden off in all directions. If we require of an art that it be unified as a whole and expressed in a universal language known to all, if it must be a consistent symbolization of the era, then modern music is a disastrous failure. It has many voices, many symbolizations. It it known to one, unknown to another. But if an art may be as variable and polyvocal as the different individuals and emotional regions from which it comes in this heterogeneous modern world, then the diversity and contradiction of modern music may be acceptable.
In Art Is Action: A Discussion of Nine Arts in a Modern World (1939), 81.
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Most people assume that meditation is all about stopping thoughts, getting rid of emotions, somehow controlling the mind. But actually it’s … about stepping back, seeing the thought clearly, witnessing it coming and going.
Quoted in Kim Lim (ed.), 1,001 Pearls of Spiritual Wisdom: Words to Enrich, Inspire, and Guide Your Life (2014), 184
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My own emotional feeling is that life has a purpose—ultimately, I’d guess that purpose it has is the purpose that we’ve given it and not a purpose that come out of any cosmic design.
Alan Guth
As quoted in Michio Kaku, Parallel Worlds: A Journey Through Creation, Higher Dimensions, and the Future of the Cosmos (2006), 359.
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My whole life is devoted unreservedly to the service of my sex. The study and practice of medicine is in my thought but one means to a great end, for which my very soul yearns with intensest passionate emotion, of which I have dreamed day and night, from my earliest childhood, for which I would offer up my life with triumphant thanksgiving, if martyrdom could secure that glorious end:— the true ennoblement of woman, the full harmonious development of her unknown nature, and the consequent redemption of the whole human race.
From letter (12 Aug 1848) replying to Emily Collins, reproduced in Elizabeth Cady Stanton, ‎Susan Brownell Anthony and ‎Matilda Joslyn Gage, History of Woman Suffrage (1881), Vol. 1, 91. Blackwell was at the time a student at the medical college of Geneva, N.Y.
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Natural knowledge has not forgone emotion. It has simply taken for itself new ground of emotion, under impulsion from and in sacrifice to that one of its 'values', Truth.
Man on His Nature (1940), 404.
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Now any dogma, based primarily on faith and emotionalism, is a dangerous weapon to use on others, since it is almost impossible to guarantee that the weapon will never be turned on the user.
In The Foundation Trilogy (1951), 155.
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One strength of the communist system of the East is that it has some of the character of a religion and inspires the emotions of a religion.
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Our contemporary culture, primed by population growth and driven by technology, has created problems of environmental degradation that directly affect all of our senses: noise, odors and toxins which bring physical pain and suffering, and ugliness, barrenness, and homogeneity of experience which bring emotional and psychological suffering and emptiness. In short, we are jeopardizing our human qualities by pursuing technology as an end rather than a means. Too often we have failed to ask two necessary questions: First, what human purpose will a given technology or development serve? Second, what human and environmental effects will it have?
Report of the Subcommittee on Air and Water Pollution (7 Aug 1969). 'Environmental Quality: Summary and Discussion of Major Provisions', U.S. Environmental Protection Agency, Legal Compilation, (Jan 1973), Water, Vol. 3, 1365. EPA website.
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Our natural way of thinking about these coarser emotions is that the mental perception of some fact excites the mental affection called the emotion, and that this latter state of mind gives rise to the bodily expression. My theory, on the contrary, is that the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur IS the emotion. Common-sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run; we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect, that the one mental state is not immediately induced by the other, that the bodily manifestations must first be interposed between, and that the more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth. We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we should not actually feel afraid or angry.
The Principles or Psychology (1890), Vol. 2, 449-50.
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The advantage of the emotions is that they lead us astray, and the advantage of science is that it is not emotional.
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The degree of one’s emotions varies inversely with one’s knowledge of the facts—the less you know the hotter you get.
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The elements of human nature are the learning rules, emotional reinforcers, and hormonal feedback loops that guide the development of social behaviour into certain channels as opposed to others. Human nature is not just the array of outcomes attained in existing societies. It is also the potential array that might be achieved through conscious design by future societies. By looking over the realized social systems of hundreds of animal species and deriving the principles by which these systems have evolved, we can be certain that all human choices represent only a tiny subset of those theoretically possible. Human nature is, moreover, a hodgepodge of special genetic adaptations to an environment largely vanished, the world of the Ice­Age hunter-gatherer.
In On Human Nature (1978), 196.
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The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery–even if mixed with fear–that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms–it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
The World As I See It (2006), 7.
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The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true science. He who knows it not, and can no longer wonder, no longer feel amazement, is as good as dead. We all had this priceless talent when we were young. But as time goes by, many of us lose it. The true scientist never loses the faculty of amazement. It is the essence of his being.
Newsweek (31 Mar 1958).
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The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science.
Quoted in Kim Lim (ed.), 1,001 Pearls of Spiritual Wisdom: Words to Enrich, Inspire, and Guide Your Life (2014), 16
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The forms of art are inexhaustible; but all lead by the same road of aesthetic emotion to the same world of aesthetic ecstasy.
In Art (1913), 37.
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The most beautiful emotion we can experience is the mystical. It is the power of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead. To know that what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms — this knowledge, this feeling, is at the center of true religiousness. In this sense, and in this sense only, I belong to the rank of devoutly religious men.
As quoted in Philip Frank, Einstein: His Life and Times (1947), chap. 12, sec. 5 - “Einstein’s Attitude Toward Religion.”
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The starting-point for all systems of æsthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we callworks of art.
In Art (1913), 8.
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The teens are emotionally unstable and pathic. It is a natural impulse to experience hot and perfervid psychic states, and it is characterized by emotionalism. We see here the instability and fluctuations now so characteristic. The emotions develop by contrast and reaction into the opposite.
Hall, GS (1904b). Adolescence: Its psychology and its relations to physiology, anthropology, sociology, sex, crime, religion and education (1904), Vol. 2, 74-75.
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The young blush much more freely than the old but not during infancy, which is remarkable, as we know that infants at a very early age redden from passion.
Expression of the Emotions in Man and Animals
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There are few enough people with sufficient independence to see the weaknesses and follies of their contemporaries and remain themselves untouched by them. And these isolated few usually soon lose their zeal for putting things to rights when they have come face to face with human obduracy. Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted–and educated–us all.
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There are few humanities that could surpass in discipline, in beauty, in emotional and aesthetic satisfaction, those humanities which are called mathematics, and the natural sciences.
'Scientist and Citizen', Speech to the Empire Club of Canada (29 Jan 1948), The Empire Club of Canada Speeches (29 Jan 1948), 209-221.
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There is a great deal of emotional satisfaction in the elegant demonstration, in the elegant ordering of facts into theories, and in the still more satisfactory, still more emotionally exciting discovery that the theory is not quite right and has to be worked over again, very much as any other work of art—a painting, a sculpture has to be worked over in the interests of aesthetic perfection. So there is no scientist who is not to some extent worthy of being described as artist or poet.
'Scientist and Citizen', Speech to the Empire Club of Canada (29 Jan 1948), The Empire Club of Canada Speeches (29 Jan 1948), 209-221.
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There is another approach to the extraterrestrial hypothesis of UFO origins. This assessment depends on a large number of factors about which we know little, and a few about which we know literally nothing. I want to make some crude numerical estimate of the probability that we are frequently visited by extraterrestrial beings.
Now, there is a range of hypotheses that can be examined in such a way. Let me give a simple example: Consider the Santa Claus hypothesis, which maintains that, in a period of eight hours or so on December 24-25 of each year, an outsized elf visits one hundred million homes in the United States. This is an interesting and widely discussed hypothesis. Some strong emotions ride on it, and it is argued that at least it does no harm.
We can do some calculations. Suppose that the elf in question spends one second per house. This isn't quite the usual picture—“Ho, Ho, Ho,” and so on—but imagine that he is terribly efficient and very speedy; that would explain why nobody ever sees him very much-only one second per house, after all. With a hundred million houses he has to spend three years just filling stockings. I have assumed he spends no time at all in going from house to house. Even with relativistic reindeer, the time spent in a hundred million houses is three years and not eight hours. This is an example of hypothesis-testing independent of reindeer propulsion mechanisms or debates on the origins of elves. We examine the hypothesis itself, making very straightforward assumptions, and derive a result inconsistent with the hypothesis by many orders of magnitude. We would then suggest that the hypothesis is untenable.
We can make a similar examination, but with greater uncertainty, of the extraterrestrial hypothesis that holds that a wide range of UFOs viewed on the planet Earth are space vehicles from planets of other stars.
The Cosmic Connection: An Extraterrestrial Perspective (1973), 200.
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This sense of the unfathomable beautiful ocean of existence drew me into science. I am awed by the universe, puzzled by it and sometimes angry at a natural order that brings such pain and suffering, Yet an emotion or feeling I have toward the cosmos seems to be reciprocated by neither benevolence nor hostility but just by silence. The universe appears to be a perfectly neutral screen unto which I can project any passion or attitude, and it supports them all.
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To be creative, scientists need libraries and laboratories and the company of other scientists; certainly a quiet and untroubled life is a help. A scientist's work is in no way deepened or made more cogent by privation, anxiety, distress, or emotional harassment. To be sure, the private lives of scientists may be strangely and even comically mixed up, but not in ways that have any special bearing on the nature and quality of their work. If a scientist were to cut off an ear, no one would interpret such an action as evidence of an unhappy torment of creativity; nor will a scientist be excused any bizarrerie, however extravagant, on the grounds that he is a scientist, however brilliant.
In Advice to a Young Scientist (1979), 40.
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To make “beauty” the objects of the æsthetic emotion, we must give to the word an over-strict and unfamiliar definition.
In Art (1913), 14.
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True science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion.
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What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible—significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colours, these æsthetically moving forms, I call “Significant Form”; and “Significant Form” is the one quality common to all works of visual art.
In Art (1913), 8.
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When the intensity of emotional conviction subsides, a man who is in the habit of reasoning will search for logical grounds in favor of the belief which he finds in himself.
In Mysticism and Logic (2004), 15.
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Why does man regret, even though he may endeavour to banish any such regret, that he has followed the one natural impulse, rather than the other; and why does he further feel that he ought to regret his conduct? Man in this respect differs profoundly from the lower animals.
Descent of Man
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Would not [an] uncluttered mind also see the attempts to reconcile science and religion by disparaging the reduction of the complex to the simple as attempts guided by muddle-headed sentiment and intellectually dishonest emotion?
Essay collected in John Cornwell (ed.), 'The Limitless Power of Science', Nature's Imagination: The Frontiers of Scientific Vision (1995), 123.
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[Certain students] suppose that because science has penetrated the structure of the atom it can solve all the problems of the universe. ... They are known in every ... college as the most insufferable, cocksure know-it-alls. If you want to talk to them about poetry, they are likely to reply that the "emotive response" to poetry is only a conditioned reflex .... If they go on to be professional scientists, their sharp corners are rubbed down, but they undergo no fundamental change. They most decidedly are not set apart from the others by their intellectual integrity and faith, and their patient humility in front of the facts of nature.... They are uneducated, in the fullest sense of the word, and they certainly are no advertisement for the claims of science teachers.
In Science is a Sacred Cow (1950), 18-19.
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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- 90 -
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