Aesthetics Quotes (12 quotes)
Esthetic Quotes, Esthetics Quotes, Esthetical Quotes, Esthetically Quotes
Esthetic Quotes, Esthetics Quotes, Esthetical Quotes, Esthetically Quotes
After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity, and form. The greatest scientists are always artists as well.
Remark (1923) as recalled in Archibald Henderson, Durham Morning Herald (21 Aug 1955) in Einstein Archive 33-257. Quoted in Alice Calaprice, The Quotable Einstein (1996), 171.
I am of the decided opinion, that mathematical instruction must have for its first aim a deep penetration and complete command of abstract mathematical theory together with a clear insight into the structure of the system, and doubt not that the instruction which accomplishes this is valuable and interesting even if it neglects practical applications. If the instruction sharpens the understanding, if it arouses the scientific interest, whether mathematical or philosophical, if finally it calls into life an esthetic feeling for the beauty of a scientific edifice, the instruction will take on an ethical value as well, provided that with the interest it awakens also the impulse toward scientific activity. I contend, therefore, that even without reference to its applications mathematics in the high schools has a value equal to that of the other subjects of instruction.
In 'Ueber das Lehrziel im mathemalischen Unterricht der höheren Realanstalten', Jahresbericht der Deutschen Mathematiker Vereinigung, 2, 192. (The Annual Report of the German Mathematical Association. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-Book (1914), 73.
I have long aspired to make our company a noble prototype of industry, penetrating in science, reliable in engineering, creative in aesthetics and wholesomely prosperous in economics.
In Alan R. Earls and Nasrin Rohani, Polaroid (2005), 7.
In particular, and most importantly, this is the reason why the scientific worldview contains of itself no ethical values, no esthetical values, not a word about our own ultimate scope or destination, and no God, if you please. Whence came I and whither go I?
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In the conception of a machine or the product of a machine there is a point where one may leave off for parsimonious reasons, without having reached aesthetic perfection; at this point perhaps every mechanical factor is accounted for, and the sense of incompleteness is due to the failure to recognize the claims of the human agent. Aesthetics carries with it the implications of alternatives between a number of mechanical solutions of equal validity; and unless this awareness is present at every stage of the process … it is not likely to come out with any success in the final stage of design.
From 'The Esthetic Assimilation of the Machine', Technics and Civilization (1934), 349.
It is, so to speak, a scientific tact, which must guide mathematicians in their investigations, and guard them from spending their forces on scientifically worthless problems and abstruse realms, a tact which is closely related to esthetic tact and which is the only thing in our science which cannot be taught or acquired, and is yet the indispensable endowment of every mathematician.
In Die Entwickelung der Mathematik in den letzten Jahrhunderten (1869), 28. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 92. From the original German, “Es ist, so zu sagen, ein wissenschaftlicher Tact, welcher die Mathematiker bei ihren Untersuchungen leiten, und sie davor bewahren muss, ihre Kräfte auf wissenschaftlich werthlose Probleme und abstruse Gebiete zu wenden, ein Tact, der dem ästhetischen nahe verwandt, das einzige ist, was in unserer Wissenschaft nicht gelehrt und gelernt werden kann, aber eine unentbehrliche Mitgift eines Mathematikers sein sollte.”
Mathematics as an expression of the human mind reflects the active will, the contemplative reason, and the desire for aesthetic perfection. Its basic elements are logic and intuition, analysis and construction, generality and individuality. Though different traditions may emphasize different aspects, it is only the interplay of these antithetic forces and the struggle for their synthesis that constitute the life, usefulness, and supreme value of mathematical science.
As co-author with Herbert Robbins, in What Is Mathematics?: An Elementary Approach to Ideas and Methods (1941, 1996), x.
The creative scientist studies nature with the rapt gaze of the lover, and is guided as often by aesthetics as by rational considerations in guessing how nature works.
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The moon, which is a favorite of the poets and portrayed by the Buddhists as representing the esthetic qualities of peace, serenity and beauty, is now being conquered by man’s ever expanding knowledge of science and technology. What was a mere conceptional imagination is today a concrete reality. The American landing on the moon symbolizes the very acme of scientific achievement. It is indeed a phenomenal feat of far-reaching consequences for the world of science.
In 'Reactions to Man’s Landing on the Moon Show Broad Variations in Opinions', The New York Times (21 Jul 1969), 6.
The sciences do not try to explain, they hardly even try to interpret, they mainly make models. By a model is meant a mathematical construct which, with the addition of certain verbal interpretations, describes observed phenomena. The justification of such a mathematical construct is solely and precisely that it is expected to work—that is, correctly to describe phenomena from a reasonably wide area. Furthermore, it must satisfy certain esthetic criteria—that is, in relation to how much it describes, it must be rather simple.
From 'Method in the Physical Sciences', in John von Neumann and L. Leary (ed.), The Unity of Knowledge (1955), 158. Reprinted in John Von Neumann, F. Bródy (ed.) and Tibor Vámos (ed.), The Neumann Compendium (2000), 628.
The starting-point for all systems of æsthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we call works of art.
In Art (1913), 8.
To me, science is an expression of the human spirit, which reaches every sphere of human culture. It gives an aim and meaning to existence as well as a knowledge, understanding, love, and admiration for the world. It gives a deeper meaning to morality and another dimension to esthetics.
From a letter to his long-time associate, Jerrold Zacharias. Quoted in A tribute to I. I. Rabi, Department of Physics, Columbia University, June 1970. In John S. Rigden, in Rabi, Scientist and Citizen (2000), xxi.
In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion.
(1987) -- 
