Provoke Quotes (9 quotes)
All sensitive people agree that there is a peculiar emotion provoked by works of art.
As one recalls some of the monstrous situations under which human beings have lived and live their lives, one marvels at man’s meekness and complacency. It can only be explained by the quality of flesh to become calloused to situations that if faced suddenly would provoke blisters and revolt.
But most of us, however strict we may be, are apt to apply the epithet “beautiful” to objects that do not provoke that peculiar emotion produced by works of art.
But when science, passing beyond its own limits, assumes to take the place of theology, and sets up its own conception of the order of Nature as a sufficient account of its cause, it is invading a province of thought to which it has no claim, and not unreasonably provokes the hostility of its best friends.
On two occasions I have been asked [by members of Parliament], “Pray, Mr. Babbage, if you put into the machine wrong figures, will the right answers come out?” I am not able rightly to apprehend the kind of confusion of ideas that could provoke such a question.
The starting-point for all systems of æsthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we callworks of art.
The various systems of doctrine that have held dominion over man have been demonstrated to be true beyond all question by rationalists of such power—to name only a few—as Aquinas and Calvin and Hegel and Marx. Guided by these master hands the intellect has shown itself more deadly than cholera or bubonic plague and far more cruel. The incompatibility with one another of all the great systems of doctrine might surely be have expected to provoke some curiosity about their nature.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible—significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colours, these æsthetically moving forms, I call “Significant Form”; and “Significant Form” is the one quality common to all works of visual art.
[Janos] Bolyai when in garrison with cavalry officers, was provoked by thirteen of them and accepted all their challenges on condition that he be permitted after each duel to play a bit on his violin. He came out victor from his thirteen duels, leaving his thirteen adversaries on the square.