[Pechblende] einer eigenthümlichen, selbstständigen metallischen Substanz bestehe. Es fallen folglich auch deren bisherige Benennungen, als: Ресhblende Eisenpecherz, hinweg, welche nun durch einen neuen ausschliessend bezeichnenden Namen zu ersetzen sind. Ich habe dazu den Namen: Uranerz (Uranium) erwählt; zu einigem Andenken, dass die chemische Ausfindung dieses neuen Metallkörpers in die Epoche der astronomischen. Entdeckung des Planeten Uranus gefallen sei.
[Pitchblende] consists of a peculiar, distinct, metallic substance. Therefore its former denominations, pitch-blende, pitch-iron-ore, &c. are no longer applicable, and must be supplied by another more appropriate name.—I have chosen that of uranite, (Uranium), as a kind of memorial, that the chemical discovery of this new metal happened in the period of the astronomical discovery of the new planet Uranus.

Question: Explain how to determine the time of vibration of a given tuning-fork, and state what apparatus you would require for the purpose.
Answer: For this determination I should require an accurate watch beating seconds, and a sensitive ear. I mount the fork on a suitable stand, and then, as the second hand of my watch passes the figure 60 on the dial, I draw the bow neatly across one of its prongs. I wait. I listen intently. The throbbing air particles are receiving the pulsations; the beating prongs are giving up their original force; and slowly yet surely the sound dies away. Still I can hear it, but faintly and with close attention; and now only by pressing the bones of my head against its prongs. Finally the last trace disappears. I look at the time and leave the room, having determined the time of vibration of the common “pitch” fork. This process deteriorates the fork considerably, hence a different operation must be performed on a fork which is only lent.

A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.

Again, it [the Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine. Supposing for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.

Florey was not an easy personality. His drive and ambition were manifest from the day he arrived ... He could be ruthless and selfish; on the other hand, he could show kindliness, a warm humanity and, at times, sentiment and a sense of humour. He displayed utter integrity and he was scathing of humbug and pretence. His attitude was always—&ldqo;You must take me as you find me” But to cope with him at times, you had to do battle, raise your voice as high as his and never let him shout you down. You had to raise your pitch to his but if you insisted on your right he was always, in the end, very fair. I must say that at times, he went out of his way to cut people down to size with some very destructive criticism. But I must also say in the years I knew him he did not once utter a word of praise about himself.

Fractals are patterns which occur on many levels. This concept can be applied to any musical parameter. I make melodic fractals, where the pitches of a theme I dream up are used to determine a melodic shape on several levels, in space and time. I make rhythmic fractals, where a set of durations associated with a motive get stretched and compressed and maybe layered on top of each other. I make loudness fractals, where the characteristic loudness of a sound, its envelope shape, is found on several time scales. I even make fractals with the form of a piece, its instrumentation, density, range, and so on. Here I’ve separated the parameters of music, but in a real piece, all of these things are combined, so you might call it a fractal of fractals.

I have soared also above my pitch, attempting an Eagles flight with the wings of a Wrenne.

I shall never forget my first encounter with gorillas. Sound preceded sight. Odor preceded sound in the form of an overwhelming, musky-barnyard, humanlike scent. The air was suddenly rent by a high-pitched series of screams followed by the rhythmic rondo of sharp pok-pok chestbeats from a great silverbacked male obscured behind what seemed an impenetrable wall of vegetation.

I wept when I saw the color of the sea—how can a mere color make one cry? Or moonlight, or the luminescence of the sea in a pitch black night? … But if there is one thing which is more worthy of our admiration than natural beauty, it is the art of men who have conquered this never-ending sea so Fully in a struggle that has been going since the time of the Phoenicians.

In crossing a heath, suppose I pitched my foot against a stone, and were asked how the stone came to be there, I might possibly answer, that, for any thing I knew to the contrary, it had lain there for ever: nor would it perhaps be very easy to shew the absurdity of this answer. But suppose I had found a watch upon the ground, and it should be enquired how the watch happened to be in that place, I should hardly think of the answer which I had before given, that, for any thing I knew, the watch might have always been there.

In reality, I have sometimes thought that we do not go on sufficiently slowly in the removal of diseases, and that it would he better if we proceeded with less haste, and if more were often left, to Nature than is the practice now-a-days. It is a great mistake to suppose that Nature always stands in need of the assistance of Art. If that were the case, site would have made less provision for the safety of mankind than the preservation of the species demands; seeing that there is not the least proportion between the host of existing diseases and the powers possessed by man for their removal, even in those ages wherein the healing art was at the highest pitch, and most extensively cultivated.

Men have brought their powers of subduing the forces of nature to such a pitch that by using them they could now very easily exterminate one another to the last man.

My father, and the father of my father, pitched their tents here before me. … For twelve hundred years have the true believers—and, praise be to God! all true wisdom is with them alone—been settled in this country, and not one of them ever heard of a palace underground. Neither did they who went before them. But lo! here comes a Frank from many days’ journey off, and he walks up to the very place, and he takes a stick … and makes a line here, and makes a line there. Here, says he, is the palace; there, says he, is the gate; and he shows us what has been all our lives beneath our feet, without our having known anything about it. Wonderful! Wonderful! Is it by books, is it by magic, is it by your prophets, that you have learnt wisdom?

The centipede was happy quite, until a toad in fun
Said, 'Pray which leg goes after which?'
That work'd her mind to such a pitch,
She lay distracted in a ditch, considering how to run.

The dimmed outlines of phenomenal things all merge into one another unless we put on the focusing-glass of theory, and screw it up sometimes to one pitch of definition and sometimes to another, so as to see down into different depths through the great millstone of the world.

We believe the substance we have extracted from pitch-blende contains a metal not yet observed, related to bismuth by its analytical properties. If the existence of this new metal is confirmed we propose to call it polonium, from the name of the original country of one of us.

What, then, shall we say about the receipts of alchemy, and about the diversity of its vessels and instruments? These are furnaces, glasses, jars, waters, oils, limes, sulphurs, salts, saltpeters, alums, vitriols, chrysocollae, copper greens, atraments, auripigments, fel vitri, ceruse, red earth, thucia, wax, lutum sapientiae, pounded glass, verdigris, soot, crocus of Mars, soap, crystal, arsenic, antimony, minium, elixir, lazarium, gold leaf salt niter, sal ammoniac, calamine stone, magnesia, bolus armenus, and many other things. Then, again, concerning herbs, roots, seeds, woods, stones, animals, worms, bone dust, snail shells, other shells, and pitch. These and the like, whereof there are some very farfetched in alchemy, are mere incumbrances of work; since even if Sol and Luna [gold and silver] could be made by them they rather hinder and delay than further one’s purpose.