Tawny Quotes (3 quotes)
Quelquefois, par exemple, je me figure que je suis suspendu en l’air, et que j’y demeure sans mouvement, pendant que la Terre tourne sous moi en vingt-quatre heures. Je vois passer sous mes yeux tous ces visages différents, les uns blancs, les autres noirs, les autres basanés, les autres olivâtres. D’abord ce sont des chapeaux et puis des turbans, et puis des têtes chevelues, et puis des têtes rasées; tantôt des villes à clochers, tantôt des villes à longues aiguilles qui ont des croissants, tantôt des villes à tours de porcelaine, tantôt de grands pays qui n’ont que des cabanes; ici de vastes mers, là des déserts épouvantables; enfin, toute cette variété infinie qui est sur la surface de la Terre.
Sometimes, for instance, I imagine that I am suspended in the air, and remain there motionless, while the earth turns under me in four-and-twenty hours. I see pass beneath me all these different countenances, some white, others black, others tawny, others olive-colored. At first they wear hats, and then turbans, then heads with long hair, then heads shaven; sometimes towns with steeples, sometimes towns with long spires, which have crescents, sometimes towns with porcelain towers, sometimes extensive countries that have only huts; here wide seas; there frightful deserts; in short, all this infinite variety on the surface of the earth.
Sometimes, for instance, I imagine that I am suspended in the air, and remain there motionless, while the earth turns under me in four-and-twenty hours. I see pass beneath me all these different countenances, some white, others black, others tawny, others olive-colored. At first they wear hats, and then turbans, then heads with long hair, then heads shaven; sometimes towns with steeples, sometimes towns with long spires, which have crescents, sometimes towns with porcelain towers, sometimes extensive countries that have only huts; here wide seas; there frightful deserts; in short, all this infinite variety on the surface of the earth.
In 'Premier Soir', Entretiens Sur La Pluralité Des Mondes (1686, 1863), 43. French and translation in Craufurd Tait Ramage, Beautiful Thoughts from French and Italian Authors (1866), 117-118.
Jupiter is the largest of all the solar system’s planets, more than ten times bigger and three hundred times as massive as Earth. Jupiter is so immense it could swallow all the other planets easily. Its Great Red Spot, a storm that has raged for centuries, is itself wider than Earth. And the Spot is merely one feature visible among the innumerable vortexes and streams of Jupiter’s frenetically racing cloud tops. Yet Jupiter is composed mainly of the lightest elements, hydrogen and helium, more like a star than a planet. All that size and mass, yet Jupiter spins on its axis in less than ten hours, so fast that the planet is clearly not spherical: Its poles are noticeably flattened. Jupiter looks like a big, colorfully striped beach ball that’s squashed down as if some invisible child were sitting on it. Spinning that fast, Jupiter’s deep, deep atmosphere is swirled into bands and ribbons of multihued clouds: pale yellow, saffron orange, white, tawny yellow-brown, dark brown, bluish, pink and red. Titanic winds push the clouds across the face of Jupiter at hundreds of kilometers per hour.
— Ben Bova
Jupiter
Modern war, even from the consideration of physical welfare, is not creative. Soldiers and civilians alike are supposed to put on mental khaki. … War means the death of that fertile war which consists of the free, restless conflict of ideas. The war which matters is that of the scientist with nature; of the farmer with the tawny desert; of … philosopher against … mob stupidity. Such war is creative. … Inventions that further life and joy; freedom; new knowledge, whether Luther Burbank’s about the breeding of fruits or Einstein's about relativity; great cathedrals and Beethoven's music: these modern mechanical war can destroy but never produce. At its most inventive height, war creates the Maxim gun, the submarine, disseminable germs of disease, life-blasting gases. Spiritually and intellectually, modern war is not creative.
From ‘The Stagnation of War’, in Allen D. Hole (ed.) The Messenger of Peace (Nov 1924), 49, No. 11, 162-163.