In the year of our Lord’s incarnation 729, two comets appeared about the sun, to the great terror of the beholders. One of them went before the rising sun in the morning, the other followed him when he set at night, as it were presaging much destruction to the east and west; one was the forerunner of the day, and the other of the night, to signify that mortals were threatened with calamities at both times. They carried their flaming tails towards the north, as it were ready to set the world on fire. They appeared in January, and continued nearly a fortnight. At which time a dreadful plague of Saracens ravaged France with miserable slaughter; … the beginning and progress of Ceolwulf’s reign were so filled with commotions, that it cannot yet be known what is to be said concerning them, or what end they will have.

Newton advanced, with one gigantic stride, from the regions of twilight into the noon day of science. A Boyle and a Hooke, who would otherwise have been deservedly the boast of their century, served but as obscure forerunners of Newton's glories.

Now, it may be stretching an analogy to compare epidemics of cholera—caused by a known agent—with that epidemic of violent crime which is destroying our cities. It is unlikely that our social problems can be traced to a single, clearly defined cause in the sense that a bacterial disease is ‘caused’ by a microbe. But, I daresay, social science is about as advanced in the late twentieth century as bacteriological science was in the mid nineteenth century. Our forerunners knew something about cholera; they sensed that its spread was associated with misdirected sewage, filth, and the influx of alien poor into crowded, urban tenements. And we know something about street crime; nowhere has it been reported that a member of the New York Stock Exchange has robbed ... at the point of a gun. Indeed, I am naively confident that an enlightened social scientist of the next century will be able to point out that we had available to us at least some of the clues to the cause of urban crime.

The artist admires the work of his forerunners, but the scientist does more than admire, he makes actual use of it. The artist may find an inspiration in it, but the scientist tries to incorporate it entirely in his own work.