Projection Quotes (5 quotes)
However far the calculating reason of the mathematician may seem separated from the bold flight of the artist’s phantasy, it must be remembered that these expressions are but momentary images snatched arbitrarily from among the activities of both. In the projection of new theories the mathematician needs as bold and creative a phantasy as the productive artist, and in the execution of the details of a composition the artist too must calculate dispassionately the means which are necessary for the successful consummation of the parts. Common to both is the creation, the generation, of forms out of mind.
From Die Entwickelung der Mathematik im Zusammenhange mit der Ausbreitung der Kultur (1893), 4. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-Book (1914), 185. From the original German, “Wie weit auch der rechnende Verstand des Mathematikers von dem kühnen Fluge der Phantasie des Künstlers getrennt zu sein scheint, so bezeichnen diese Ausdrücke doch blosse Augenblicksbilder, die willkürlich aus der Thätigkeit Beider herausgerissen sind. Bei dem Entwurfe neuer Theorieen bedarf der Mathematiker einer ebenso kühnen und schöpferischen Phantasie wie der schaffende Künstler, und bei der Ausführung der Einzelheiten eines Werkes muss auch der Künstler kühl alle Mittel berechnen, welche zum Gelingen der Theile erforderlich sind. Gemeinsam ist Beiden die Hervorbringung, die Erzeugung der Gebilde aus dem Geiste.”
I should rejoice to see … Euclid honourably shelved or buried “deeper than did ever plummet sound” out of the schoolboys’ reach; morphology introduced into the elements of algebra; projection, correlation, and motion accepted as aids to geometry; the mind of the student quickened and elevated and his faith awakened by early initiation into the ruling ideas of polarity, continuity, infinity, and familiarization with the doctrines of the imaginary and inconceivable.
From Presidential Address (1869) to the British Association, Exeter, Section A, collected in Collected Mathematical Papers of Lames Joseph Sylvester (1908), Vol. 2, 657. Also in George Edward Martin, The Foundations of Geometry and the Non-Euclidean Plane (1982), 93. [Note: “plummet sound” refers to ocean depth measurement (sound) from a ship using a line dropped with a weight (plummet). —Webmaster]
If it were possible for a metaphysician to be a golfer, he might perhaps occasionally notice that his ball, instead of moving forward in a vertical plane (like the generality of projectiles, such as brickbats and cricket balls), skewed away gradually to the right. If he did notice it, his methods would naturally lead him to content himself with his caddies’s remark-“ye heeled that yin,” or “Ye jist sliced it.” … But a scientific man is not to be put off with such flimsy verbiage as that. He must know more. What is “Heeling”, what is “slicing”, and why would either operation (if it could be thoroughly carried out) send a ball as if to cover point, thence to long slip, and finally behind back-stop? These, as Falstaff said, are “questions to be asked.”
In 'The Unwritten Chapter on Golf, Nature (1887), 36, 502.
The various particles have to be taken literally as projections of a higher-dimensional reality which cannot be accounted for in terms of any force of interaction between them.
Wholeness and the Implicate Order? (1981), 186.
There is the immense sea of energy ... a multidimensional implicate order, ... the entire universe of matter as we generally observe it is to be treated as a comparatively small pattern of excitation. This excitation pattern is relatively autonomous and gives rise to approximately recurrent, stable separable projections into a three-dimensional explicate order of manifestation, which is more or less equivalent to that of space as we commonly experience it.
Wholeness and the Implicate Order? (1981), 192.