Animated Quotes (5 quotes)

Is not Cuvier the great poet of our era? Byron has given admirable expression to certain moral conflicts, but our immortal naturalist has reconstructed past worlds from a few bleached bones; has rebuilt cities, like Cadmus, with monsters teeth; has animated forests with all the secrets of zoology gleaned from a piece of coal; has discovered a giant population from the footprints of a mammoth.

The attainment of knowledge is the high and exclusive attribute of man, among the numberless myriads of animated beings, inhabitants of the terrestrial globe. On him alone is bestowed, by the bounty of the Creator of the universe, the power and the capacity of acquiring knowledge. Knowledge is the attribute of his nature which at once enables him to improve his condition upon earth, and to prepare him for the enjoyment of a happier existence hereafter.

The dance is four-dimensional art in that it moves concretely in both space and time. For the onlooker, it is an art largely of visual space combined with time. But for the dancer, and this is more important, the dance is more a muscular than a visual space rhythm, a muscular time, a muscular movement and balance. Dancing is not animated sculpture, it is kinesthetic.

Two extreme views have always been held as to the use of mathematics. To some, mathematics is only measuring and calculating instruments, and their interest ceases as soon as discussions arise which cannot benefit those who use the instruments for the purposes of application in mechanics, astronomy, physics, statistics, and other sciences. At the other extreme we have those who are animated exclusively by the love of pure science. To them pure mathematics, with the theory of numbers at the head, is the only real and genuine science, and the applications have only an interest in so far as they contain or suggest problems in pure mathematics.

Of the two greatest mathematicians of modern tunes, Newton and Gauss, the former can be considered as a representative of the first, the latter of the second class; neither of them was exclusively so, and Newtons inventions in the science of pure mathematics were probably equal to Gausss work in applied mathematics. Newtons reluctance to publish the method of fluxions invented and used by him may perhaps be attributed to the fact that he was not satisfied with the logical foundations of the Calculus; and Gauss is known to have abandoned his electro-dynamic speculations, as he could not find a satisfying physical basis.

Newtons greatest work, the

The country of Newton is still pre-eminent for its culture of mathematical physics, that of Gauss for the most abstract work in mathematics.

Of the two greatest mathematicians of modern tunes, Newton and Gauss, the former can be considered as a representative of the first, the latter of the second class; neither of them was exclusively so, and Newtons inventions in the science of pure mathematics were probably equal to Gausss work in applied mathematics. Newtons reluctance to publish the method of fluxions invented and used by him may perhaps be attributed to the fact that he was not satisfied with the logical foundations of the Calculus; and Gauss is known to have abandoned his electro-dynamic speculations, as he could not find a satisfying physical basis.

Newtons greatest work, the

*Principia*, laid the foundation of mathematical physics; Gausss greatest work, the*Disquisitiones Arithmeticae*, that of higher arithmetic as distinguished from algebra. Both works, written in the synthetic style of the ancients, are difficult, if not deterrent, in their form, neither of them leading the reader by easy steps to the results. It took twenty or more years before either of these works received due recognition; neither found favour at once before that great tribunal of mathematical thought, the Paris Academy of Sciences.The country of Newton is still pre-eminent for its culture of mathematical physics, that of Gauss for the most abstract work in mathematics.

We may consequently regard it as certain that, neither by natural agencies of inanimate matter, nor by the operations arbitrarily effected by animated Creatures, can there be any change produced in the amount of mechanical energy in the Universe.