[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. … On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller’s works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the Heavens, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic written by the finger of God upon the strata of the Earth!

The earliest of my childhood recollections is being taken by my grandfather when he set out in the first warm days of early spring with a grubbing hoe (we called it a mattock) on his shoulder to seek the plants, the barks and roots from which the spring medicine for the household was prepared. If I could but remember all that went into that mysterious decoction and the exact method of preparation, and with judicious advertisement put the product upon the market, I would shortly be possessed of wealth which might be made to serve the useful purpose of increasing the salaries of all pathologists. … But, alas! I remember only that the basic ingredients were dogwood bark and sassafras root, and to these were added q.s. bloodroot, poke and yellow dock. That the medicine benefited my grandfather I have every reason to believe, for he was a hale, strong old man, firm in body and mind until the infection came against which even spring medicine was of no avail. That the medicine did me good I well know, for I can see before me even now the green on the south hillside of the old pasture, the sunlight in the strip of wood where the dogwood grew, the bright blossoms and the delicate pale green of the leaf of the sanguinaria, and the even lighter green of the tender buds of the sassafras in the hedgerow, and it is good to have such pictures deeply engraved in the memory.