[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. … On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller’s works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the Heavens, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic written by the finger of God upon the strata of the Earth!

A small cabin stands in the Glacier Peak Wilderness, about a hundred yards off a trail that crosses the Cascade Range. In midsummer, the cabin looked strange in the forest. It was only twelve feet square, but it rose fully two stories and then had a high and steeply peaked roof. From the ridge of the roof, moreover, a ten-foot pole stuck straight up. Tied to the top of the pole was a shovel. To hikers shedding their backpacks at the door of the cabin on a cold summer evening—as the five of us did—it was somewhat unnerving to look up and think of people walking around in snow perhaps thirty-five feet above, hunting for that shovel, then digging their way down to the threshold.

As for the skies, I quit using the flying machines in 1929 after the pilot of one of them, blinded by snow, handed the chart to me and asked me to find the Cleveland airport.

Here is the distinct trail of a fox stretching [a] quarter of a mile across the pond…. The pond his journal, and last night’s snow made a tabula rasa for him. I know which way a mind wended this morning, what horizon it faced, by the setting of these tracks; whether it moved slowly or rapidly, by the greater or less intervals and distinctness, for the swiftest step leaves yet a lasting trace.

His “Mathematical Games” column in Scientific American is one of the few bridges over C.P. Snow’s famous “gulf of mutual incomprehension’' that lies between technical and literary cultures.

I am above the forest region, amongst grand rocks & such a torrent as you see in Salvator Rosa's paintings vegetation all a scrub of rhodods. with Pines below me as thick & bad to get through as our Fuegian Fagi on the hill tops, & except the towering peaks of P. S. [perpetual snow] that, here shoot up on all hands there is little difference in the mt scenery—here however the blaze of Rhod. flowers and various colored jungle proclaims a differently constituted region in a naturalists eye & twenty species here, to one there, always are asking me the vexed question, where do we come from?

I am ashamed to say that C. P. Snow's “two cultures” debate smoulders away. It is an embarrassing and sterile debate, but at least it introduced us to Medawar's essays. Afterwards, not even the most bigoted aesthete doubted that a scientist could be every inch as cultivated and intellectually endowed as a student of the humanities.

I have not yet lost a feeling of wonder, and of delight, that this delicate motion should reside in all the things around us, revealing itself only to him who looks for it. I remember, in the winter of our first experiments, just seven years ago, looking on snow with new eyes. There the snow lay around my doorstep—great heaps of protons quietly precessing in the earth’s magnetic field. To see the world for a moment as something rich and strange is the private reward of many a discovery.

I think that I shall never see
A poem as lovely as a tree.
A tree whose hungry mouth is prest
Against the earth’s sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.

In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, snow on snow, Snow on snow, In the bleak midwinter, Long ago.

It is difficult to conceive a grander mass of vegetation:—the straight shafts of the timber-trees shooting aloft, some naked and clean, with grey, pale, or brown bark; others literally clothed for yards with a continuous garment of epiphytes, one mass of blossoms, especially the white Orchids Caelogynes, which bloom in a profuse manner, whitening their trunks like snow. More bulky trunks were masses of interlacing climbers, Araliaceae, Leguminosae, Vines, and Menispermeae, Hydrangea, and Peppers, enclosing a hollow, once filled by the now strangled supporting tree, which has long ago decayed away. From the sides and summit of these, supple branches hung forth, either leafy or naked; the latter resembling cables flung from one tree to another, swinging in the breeze, their rocking motion increased by the weight of great bunches of ferns or Orchids, which were perched aloft in the loops. Perpetual moisture nourishes this dripping forest: and pendulous mosses and lichens are met with in profusion.

Just a rock, a dome of snow, the deep blue sky, and a hunk of orange-painted metal from which a shredded American flag cracked in the wind. Nothing more. Except two tiny figures walking together those last few feet to the top of the Earth.

Mary had a little lamb, whose fleece was white as snow!

Mr. Hobbes told me that the cause of his Lordship’s [Francis Bacon s] death was trying an experiment: viz., as he was taking the air in a coach with Dr. Witherborne, a Scotchman, physician to the King, towards Highgate, snow lay on the ground, and it came into my Lord’s thoughts, why flesh might not be preserved in snow as in salt. They were resolved they would try the experiment presently. They alighted out of the coach and went into a poor woman s house at the bottom of Highgate Hill and bought a hen and made the woman exenterate it, and then stuffed the body with snow, and my Lord did help to do it himself The snow so chilled him that he immediately fell so extremely ill that he could not return to his lodgings.

Mr. Hobbes told me that the cause of his Lordship's [Francis Bacon's] death was trying an Experiment: viz. as he was taking the aire in a Coach with Dr. Witherborne (a Scotchman, Physitian to the King) towards High-gate, snow lay on the ground, and it came into my Lord's thoughts, why flesh might not be preserved in snow, as in Salt. They were resolved they would try the Experiment presently. They alighted out of the Coach and went into a poore woman's house at the bottom of Highgate hill, and bought a Hen, and made the woman exenterate it, and then stuffed the body with Snow, and my Lord did help to doe it himselfe. The Snow so chilled him that he immediately fell so extremely ill, that he could not return to his Lodging.

No other part of science has contributed as much to the liberation of the human spirit as the Second Law of Thermodynamics. Yet, at the same time, few other parts of science are held to be so recondite. Mention of the Second Law raises visions of lumbering steam engines, intricate mathematics, and infinitely incomprehensible entropy. Not many would pass C.P. Snow’s test of general literacy, in which not knowing the Second Law is equivalent to not having read a work of Shakespeare.

Now, I must tell you of a strange experience which bore fruit in my later life. … We had a cold [snap] drier that ever observed before. People walking in the snow left a luminous trail behind them and a snowball thrown against an obstacle gave a flare of light like a loaf of sugar hit with a knife. [As I stroked] Mačak’s back, [it became] a sheet of light and my hand produced a shower of sparks. … My father … remarked, this is nothing but electricity, the same thing you see on the trees in a storm. My mother seemed alarmed. Stop playing with the cat, she said, he might start a fire. I was thinking abstractly. Is nature a cat? If so, who strokes its back? It can only be God, I concluded. …
I cannot exaggerate the effect of this marvelous sight on my childish imagination. Day after day I asked myself what is electricity and found no answer. Eighty years have gone by since and I still ask the same question, unable to answer it.

Once I dipt into the future far as human eye could see,
And I saw the Chief Forecaster, dead as any one can be-
Dead and damned and shut in Hades as a liar from his birth,
With a record of unreason seldom paralleled on earth.
While I looked he reared him solemnly, that incandescent youth,
From the coals that he’s preferred to the advantages of truth.
He cast his eyes about him and above him; then he wrote
On a slab of thin asbestos what I venture here to quote-
For I read it in the rose-light of the everlasting glow:
Cloudy; variable winds, with local showers; cooler; snow.

One of my inventions was a large thermometer made of an iron rod, … The expansion and contraction of this rod was multiplied by a series of levers … so that the slightest change in the length of the rod was instantly shown on a dial about three feet wide multiplied about thirty-two thousand times. The zero-point was gained by packing the rod in wet snow. The scale was so large that … the temperature read while we were ploughing in the field below the house.

The dog writhing in the gutter, its back broken by a passing car, knows what it is to be alive. So too with the aged elk of the far north woods, slowly dying in the bitter cold of winter. The asphalt upon which the dog lies knows no pain. The snow upon which the elk has collapsed knows not the cold. But living beings do. … Are you conscious? Then you can feel more pain. … Perhaps we even suffer more than the dumb animals.

The first drizzling shower is born...
[Then] the flood comes down,
Threatening with deluge this devoted town. ...
Now from all parts the swelling kennels flow,
And bear their trophies with them as they go:
Filth of all hues and odors seem to tell
What street they sailed from, by their sight and smell.
They, as each torrent drives with rapid force,
From Smithfield or St. Pulchre’s shape their course,
And in huge confluence joined at Snow Hill ridge,
Fall from the conduit prone to Holborn Bridge.
Sweepings from butchers’ stalls, dung, guts, and blood.
Drowned puppies, stinking sprats, all drenched in mud,
Dead cats, and turnip tops, come tumbling down the flood.

The Himalayas are the crowning achievement of the Indo-Australian plate. India in the Oligocene crashed head on into Tibet, hit so hard that it not only folded and buckled the plate boundaries but also plowed into the newly created Tibetan plateau and drove the Himalayas five and a half miles into the sky. The mountains are in some trouble. India has not stopped pushing them, and they are still going up. Their height and volume are already so great they are beginning to melt in their own self-generated radioactive heat. When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in a warm clear ocean that India, moving north, blanked out. Possibly as much as 20,000 feet below the sea floor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth.
If by some fiat, I had to restrict all this writing to one sentence; this is the one I would choose: the summit of Mount Everest is marine limestone.

The landed classes neglected technical education, taking refuge in classical studies; as late as 1930, for example, long after Ernest Rutherford at Cambridge had discovered the atomic nucleus and begun transmuting elements, the physics laboratory at Oxford had not been wired for electricity. Intellectuals neglect technical education to this day.

The last few meters up to the summit no longer seem so hard. On reaching the top, I sit down and let my legs dangle into space. I don’t have to climb anymore. I pull my camera from my rucksack and, in my down mittens, fumble a long time with the batteries before I have it working properly. Then I film Peter. Now, after the hours of torment, which indeed I didn’t recognize as torment, now, when the monotonous motion of plodding upwards is at an end, and I have nothing more to do than breathe, a great peace floods my whole being. I breathe like someone who has run the race of his life and knows that he may now rest forever. I keep looking all around, because the first time I didn’t see anything of the panorama I had expected from Everest, neither indeed did I notice how the wind was continually chasing snow across the summit. In my state of spiritual abstraction, I no longer belong to myself and to my eyesight. I am nothing more than a single, narrow, gasping lung, floating over the mists and the summits.

The path towards sustainable energy sources will be long and sometimes difficult. But America cannot resist this transition, we must lead it. We cannot cede to other nations the technology that will power new jobs and new industries, we must claim its promise. That’s how we will maintain our economic vitality and our national treasure—our forests and waterways, our crop lands and snow-capped peaks. That is how we will preserve our planet, commanded to our care by God. That’s what will lend meaning to the creed our fathers once declared.

The pursuit of science has often been compared to the scaling of mountains, high and not so high. But who amongst us can hope, even in imagination, to scale the Everest and reach its summit when the sky is blue and the air is still, and in the stillness of the air survey the entire Himalayan range in the dazzling white of the snow stretching to infinity? None of us can hope for a comparable vision of nature and of the universe around us. But there is nothing mean or lowly in standing in the valley below and awaiting the sun to rise over Kinchinjunga.

The stories of Whitney’s love for experimenting are legion. At one time he received a letter asking if insects could live in a vacuum. Whitney took the letter to one of the members of his staff and asked the man if he cared to run an experiment on the subject. The man replied that there was no point in it, since it was well established that life could not exist without a supply of oxygen. Whitney, who was an inveterate student of wild life, replied that on his farm he had seen turtles bury themselves in mud each fall, and, although the mud was covered with ice and snow for months, emerge again in the spring. The man exclaimed, “Oh, you mean hibernation!” Whitney answered, “I don’t know what I mean, but I want to know if bugs can live in a vacuum.”
He proceeded down the hall and broached the subject to another member of the staff. Faced with the same lack of enthusiasm for pursuing the matter further, Whitney tried another illustration. “I’ve been told that you can freeze a goldfish solidly in a cake of ice, where he certainly can’t get much oxygen, and can keep him there for a month or two. But if you thaw him out carefully he seems none the worse for his experience.” The second scientist replied, “Oh, you mean suspended animation.” Whitney once again explained that his interest was not in the terms but in finding an answer to the question.
Finally Whitney returned to his own laboratory and set to work. He placed a fly and a cockroach in a bell jar and removed the air. The two insects promptly keeled over. After approximately two hours, however, when he gradually admitted air again, the cockroach waved its feelers and staggered to its feet. Before long, both the cockroach and the fly were back in action.

The wintry clouds drop spangles on the mountains. If the thing occurred once in a century historians would chronicle and poets would sing of the event; but Nature, prodigal of beauty, rains down her hexagonal ice-stars year by year, forming layers yards in thickness. The summer sun thaws and partially consolidates the mass. Each winter's fall is covered by that of the ensuing one, and thus the snow layer of each year has to sustain an annually augmented weight. It is more and more compacted by the pressure, and ends by being converted into the ice of a true glacier, which stretches its frozen tongue far down beyond the limits of perpetual snow. The glaciers move, and through valleys they move like rivers.

Then I first inspired the nitrous oxide, I felt a highly pleasurable sensation of warmth over my whole frame, resembling that which I remember once to have experienced after returning from a walk in the snow into a warm room. The only motion which I felt inclined to make, was that of laughing at those who were looking at me.

There are three elements of mountaineering—difficulty, danger, and exposure. Difficulty is the technical aspect of it. Danger, it is best to avoid, but some people like to increase danger to a point where their success is dependent only on luck. And exposure, which is what truly defines Alpinism, is what you face in wild nature. It’s the weather, the cold, the oxygen, the storms, the avalanches and rock falls, rain and snow. It’s the exposure that determines how you will move, it tells you that one wrong step means death. Exposure means no help is coming from outside, it’s you and the mountain.

There once was a guy named Pruitt / Who said to the climate “Oh, screw it.” / The people said NO! / We will not give up SNOW. / The science is real and you knew it.

To the east was our giant neighbor Makalu, unexplored and unclimbed, and even on top of Everest the mountaineering instinct was sufficient strong to cause me to spend some moments conjecturing as to whether a route up that mountain might not exist. Far away across the clouds the great bulk of Kangchenjunga loomed on the horizon. To the west, Cho Oyu, our old adversary from 1952, dominated the scene and we could see the great unexplored ranges of Nepal stretching off into the distance. The most important photograph, I felt, was a shot down the north ridge, showing the North Col and the old route that had been made famous by the struggles of those great climbers of the 1920s and 1930s. I had little hope of the results being particularly successful, as I had a lot of difficulty in holding the camera steady in my clumsy gloves, but I felt that they would at least serve as a record. After some ten minutes of this, I realized that I was becoming rather clumsy-fingered and slow-moving, so I quickly replaced my oxygen set and experience once more the stimulating effect of even a few liters of oxygen. Meanwhile, Tenzing had made a little hole in the snow and in it he placed small articles of food – a bar of chocolate, a packet of biscuits and a handful of lollies. Small offerings, indeed, but at least a token gifts to the gods that all devoted Buddhists believe have their home on this lofty summit. While we were together on the South Col two days before, Hunt had given me a small crucifix that he had asked me to take to the top. I, too, made a hole in the snow and placed the crucifix beside Tenzing’s gifts.

We [Frisch and Lise Meitner] walked up and down in the snow, I on skis and she on foot (she said and proved that she could get along just as fast that way), and gradually the idea took shape that this was no chipping or cracking of the nucleus but rather a process to be explained by Bohr’s idea that the nucleus was like a liquid drop; such a drop might elongate and divide itself.

We [may] answer the question: “Why is snow white?” by saying, “For the same reason that soap-suds or whipped eggs are white”—in other words, instead of giving the reason for a fact, we give another example of the same fact. This offering a similar instance, instead of a reason, has often been criticised as one of the forms of logical depravity in men. But manifestly it is not a perverse act of thought, but only an incomplete one. Furnishing parallel cases is the necessary first step towards abstracting the reason imbedded in them all.

We just lay on our bellies in the snow, gasping and immobile until at last we felt a bit of power coming back into our limbs.

We sleep, and at length awake to the still reality of a winter morning. The snow lies warm as cotton or down upon the window-sill; the broadened sash and frosted panes admit a dim and private light, which enhances the snug cheer within. The stillness of the morning is impressive... From the eaves and fences hang stalactites of snow, and in the yard stand stalagmites covering some concealed core. The trees and shrubs rear white arms to the sky on every side; and where were walls and fences we see fantastic forms stretching in the frolic gambols across the dusky landscape, as if nature had strewn her fresh designs over the fields by night as models for man’s art.

We were flying over America and suddenly I saw snow, the first snow we ever saw from orbit. I have never visited America, but I imagined that the arrival of autumn and winter is the same there as in other places, and the process of getting ready for them is the same. And then it struck me that we are all children of our Earth.

What is it to see, in an Eagle glide
Which fills a human heart with so much pride?
Is it that it soars effortless above the Earth
That steals us from our own limits & dearth?
Trapped in our seas of befuddling sludge
We try and try but cannot budge.
And then to see a mortal; with such ease take wing
Up in a breeze that makes our failing spirits sing?
Do we, vicarious birds, search in it our childishness -
When we too were young & yearned in heart to fly?
Taking flights of fancy through adolescent nights
Listening little, heeding less, knowing not why?
From its highest perch in the forest of snow
Majestic - the Eagle soars alone.
Riding thermals, lording clouds
Till dropping silent from the sky as a stone
But we, so quick and ready to fold
Give up our wings at the whiff of age
Losing years, cursing time, wasting spirit
Living out entire lives in futile rage!

When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in the warm clear ocean that India, moving north, blanked out. Possibly as much as twenty thousand feet below the seafloor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat I had to restrict all this writing to one sentence, this is the one I would choose: The summit of Mt. Everest is marine limestone.