Miniature Quotes (7 quotes)
All frescoes are as high finished as miniatures or enamels, and they are known to be unchangeable; but oil, being a body itself, will drink or absorb very little colour, and changing yellow, and at length brown, destroys every colour it is mixed with, especially every delicate colour. It turns every permanent white to a yellow and brown putty, and has compelled the use of that destroyer of colour, white lead, which, when its protecting oil is evaporated, will become lead again. This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil. Oil was not used except by blundering ignorance till after Vandyke’s time ; but the art of fresco painting being lost, oil became a fetter to genius and a dungeon to art.
In 'Opinions', The Poems: With Specimens of the Prose Writings of William Blake (1885), 276-277.
For a stone, when it is examined, will be found a mountain in miniature. The fineness of Nature’s work is so great, that, into a single block, a foot or two in diameter, she can compress as many changes of form and structure, on a small scale, as she needs for her mountains on a large one; and, taking moss for forests, and grains of crystal for crags, the surface of a stone, in by far the plurality of instances, is more interesting than the surface of an ordinary hill; more fantastic in form and incomparably richer in colour—the last quality being, in fact, so noble in most stones of good birth (that is to say, fallen from the crystalline mountain ranges).
Modern Painters, 4, Containing part 5 of Mountain Beauty (1860), 311.
Leaving aside genetic surgery applied humans, I foresee that the coming century will place in our hands two other forms of biological technology which are less dangerous but still revolutionary enough to transform the conditions of our existence. I count these new technologies as powerful allies in the attack on Bernal's three enemies. I give them the names “biological engineering” and “self-reproducing machinery.” Biological engineering means the artificial synthesis of living organisms designed to fulfil human purposes. Self-reproducing machinery means the imitation of the function and reproduction of a living organism with non-living materials, a computer-program imitating the function of DNA and a miniature factory imitating the functions of protein molecules. After we have attained a complete understanding of the principles of organization and development of a simple multicellular organism, both of these avenues of technological exploitation should be open to us.
From 3rd J.D. Bernal Lecture, Birkbeck College London (16 May 1972), The World, the Flesh and the Devil (1972), 6. Collected in The Scientist as Rebel (2006), 292. (The World, the Flesh & the Devil: An Enquiry into the Future of the Three Enemies of the Rational Soul is the title of a book by J. D Bernal, a scientist who pioneered X-ray crystallography.)
Man is the summit, the crown of nature's development, and must comprehend everything that has preceded him, even as the fruit includes within itself all the earlier developed parts of the plant. In a word, Man must represent the whole world in miniature.
In Lorenz Oken, trans. by Alfred Tulk, Elements of Physiophilosophy (1847), 2.
My price is five dollars for a miniature on ivory, and I have engaged three or four at that price. My price for profiles is one dollar, and everybody is willing to engage me at that price.
Explaining how as an artist he would create income to pay his debts while at college.
Explaining how as an artist he would create income to pay his debts while at college.
Letter to his parents (25 Jun 1810). Samuel F.B. Morse: His Letters and Journals (1914), vol. 1, 20.
Now, at Suiattle Pass, Brower was still talking about butterflies. He said he had raised them from time to time and had often watched them emerge from the chrysalis—first a crack in the case, then a feeler, and in an hour a butterfly. He said he had felt that he wanted to help, to speed them through the long and awkward procedure; and he had once tried. The butterflies came out with extended abdomens, and their wings were balled together like miniature clenched fists. Nothing happened. They sat there until they died. ‘I have never gotten over that,’ he said. ‘That kind of information is all over in the country, but it’s not in town.”
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Philosophers say, that Man is a Microcosm, or little World, resembling in Miniature every Part of the Great: And, in my Opinion, the Body Natural may be compared to the Body Politic: and if this be so, how can the Epicureans Opinion be true, that the Universe was formed by a fortuitous Concourse of Atoms; which I will no more believe, than that the accidental Jumbling of the Letters of the Alphabet, could fall by Chance into a most ingenious and learned Treatise of Philosophy. Risum teneatis Amici, Hor.
In 'A Tritical Essay Upon the Faculties of the Mind' (6 Aug 1707), collected in various volumes and editions, for example, The Works of J.S, D.D, D.S.P.D.: Volume 1: Miscellanies in Prose (1739), 173. An earlier, undated, fourth volume of Miscellanies gives the 6 Aug 1707 date the essay was written. The final Latin phrase can be translated as, “Can you help laughing, friends?” attributed to Horace. In Jonathan Swift and Temple Scott (ed.), The Prose Works of Jonathan Swift: A Tale of a Tub: the Battle of the Books, and Other Early Works (1897, reprint 1907), Vol. 1, 291, the editor footnotes that “this essay is a parody on the pseudo-philosophical essays of the time, in which all sense was lost in the maze of inconsequential quotations.” Indeed, the rest of the essay is, by design, a jumble of disjointed thoughts and makes next to no sense.