Dress Quotes (10 quotes)
Dressed very plainly, usually with a plain brown skirt of tweed. No cosmetics. Neat but not ostentatious. After all, business was business. She [Florence Sabin] would lecture twice a week. Very rapidly spoken, a little muddy—she was so enthusiastic in trying to correlate the scientific and medical aspect of anatomy (histology). She would tear up her notes after each lecture so that she would have to work it over the next year.
Described by an unnamed student in associate professor Sabin’s histology class at Johns Hopkins University (1909), as quoted, without citation, in Vincent T. Andriole, 'Florence Rena Sabin—Teacher, Scientist, Citizen', Journal of the History of Medicine and Allied Sciences (Jul 1959), 14, No. 3, (July 1959), 325.
I have lived myself to see the disciples of Hoffman, Boerhaave, Stalh, Cullen, Brown, succeed one another like the shifting figures of a magic lanthern, and their fancies, like the dresses of the annual doll-babies from Paris, becoming from their novelty, the vogue of the day, and yielding to the next novelty their ephemeral favor. The patient, treated on the fashionable theory, sometimes gets well in spite of the medicine.
In letter to Caspar Wistar (21 Jun 1807), collected in Thomas Jefferson Randolph (ed.), Memoir, Correspondence, And Miscellanies, From The Papers Of Thomas Jefferson (1829), Vol. 4, 93.
I have no dress except the one I wear every day. If you are going to be kind enough to give me one, please let it be practical and dark so that I can put it on afterwards to go to the laboratory.
[Referring to her wedding dress.]
[Referring to her wedding dress.]
In Eve Curie, Madame Curie: a biography by Eve Curie (1937, 2007), 136-37.
I must confess the language of symbols is to me
A Babylonish dialect
Which learned chemists much affect;
It is a party-coloured dress
Of patch'd and piebald languages:
'T is English cut on Greek and Latin,
Like fustian heretofore on satin.
A Babylonish dialect
Which learned chemists much affect;
It is a party-coloured dress
Of patch'd and piebald languages:
'T is English cut on Greek and Latin,
Like fustian heretofore on satin.
'Additional Observations on the Use of Chemical Symbols', Philosophical Magazine, Third series (1834), 4, 251. Cited in Timothy L. Alborn, 'Negotiating Notation: Chemical Symbols and British Society, 1831-1835', Annals of Science (1989), 46, 437.
It is said that the composing of the Lilavati was occasioned by the following circumstance. Lilavati was the name of the author’s daughter, concerning whom it appeared, from the qualities of the ascendant at her birth, that she was destined to pass her life unmarried, and to remain without children. The father ascertained a lucky hour for contracting her in marriage, that she might be firmly connected and have children. It is said that when that hour approached, he brought his daughter and his intended son near him. He left the hour cup on the vessel of water and kept in attendance a time-knowing astrologer, in order that when the cup should subside in the water, those two precious jewels should be united. But, as the intended arrangement was not according to destiny, it happened that the girl, from a curiosity natural to children, looked into the cup, to observe the water coming in at the hole, when by chance a pearl separated from her bridal dress, fell into the cup, and, rolling down to the hole, stopped the influx of water. So the astrologer waited in expectation of the promised hour. When the operation of the cup had thus been delayed beyond all moderate time, the father was in consternation, and examining, he found that a small pearl had stopped the course of the water, and that the long-expected hour was passed. In short, the father, thus disappointed, said to his unfortunate daughter, I will write a book of your name, which shall remain to the latest times—for a good name is a second life, and the ground-work of eternal existence.
In Preface to the Persian translation of the Lilavati by Faizi (1587), itself translated into English by Strachey and quoted in John Taylor (trans.) Lilawati, or, A Treatise on Arithmetic and Geometry by Bhascara Acharya (1816), Introduction, 3. [The Lilavati is the 12th century treatise on mathematics by Indian mathematician, Bhaskara Acharya, born 1114.]
Opportunity is missed by most people because it is dressed in overalls and looks like work.
Although widely seen attributed to Thomas Edison, but only since 1962. This is an adage that Thomas Edison may have heard in his time, but there is no known primary source confirming that he spoke these words. So “Anonymous” is the appropriate attribution. See the quoteinvestigator.com website for a more detailed discussion of the precursors of this quote.
Science offends the modesty of all real women. It makes them feel as though it were an attempt to peek under their skin—or, worse yet, under their dress and ornamentation!
Sämtliche Werke: Kritische Studienausgabe, vol. 5, p. 95, eds. Giorgio Colli and Mazzino Montinari, Berlin, de Gruyter (1980). Beyond Good and Evil, 'Fourth Part: Maxims and Interludes,' section 127 (1886).
Skin is what ya feel at home in.
And without it, furthermore,
Both your liver and abdomen
Would keep falling on the floor.
(And you’d be dressed in your intestine).
And without it, furthermore,
Both your liver and abdomen
Would keep falling on the floor.
(And you’d be dressed in your intestine).
From lyrics to song, 'Skin' on album Allan in Wonderland (Mar 1964). Songwriters Ephraim Lewis, Jon Quarmby.
We are dealing with the best-educated generation in history. But they’ve got a brain dressed up with nowhere to go.
…...
What is a butterfly? At best
He's but a caterpiller drest.
The gaudy Fop's his picture just.
He's but a caterpiller drest.
The gaudy Fop's his picture just.
In Poor Richard's Almanack (1740).