Fade Quotes (12 quotes)
Among all highly civilized peoples the golden age of art has always been closely coincident with the golden age of the pure sciences, particularly with mathematics, the most ancient among them.
This coincidence must not be looked upon as accidental, but as natural, due to an inner necessity. Just as art can thrive only when the artist, relieved of the anxieties of existence, can listen to the inspirations of his spirit and follow in their lead, so mathematics, the most ideal of the sciences, will yield its choicest blossoms only when life’s dismal phantom dissolves and fades away, when the striving after naked truth alone predominates, conditions which prevail only in nations while in the prime of their development.
This coincidence must not be looked upon as accidental, but as natural, due to an inner necessity. Just as art can thrive only when the artist, relieved of the anxieties of existence, can listen to the inspirations of his spirit and follow in their lead, so mathematics, the most ideal of the sciences, will yield its choicest blossoms only when life’s dismal phantom dissolves and fades away, when the striving after naked truth alone predominates, conditions which prevail only in nations while in the prime of their development.
From Die Entwickelung der Mathematik im Zusammenhange mit der Ausbreitung der Kultur (1893), 4. As translated in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-Book (1914), 191-192. From the original German, “Bei allen Kulturvölkern ist die Blüthezeit der Kunst auch immer zeitlich eng verbunden mit einer Blüthezeit der reinen Wissenschaften, insbesondere der ältesten unter ihnen, der Mathematik.
Dieses Zusammentreffen dürfte auch nicht ein zufälliges, sondern ein natürliches, ein Ergebniss innerer Notwendigkeit sein. Wie die Kunst nur gedeihen kann, wenn der Künstler, unbekümmert um die Bedrängnisse des Daseins, den Eingebungen seines Geistes lauschen und ihnen folgen kann, so kann die idealste Wissenschaft, die Mathematik, erst dann ihre schönsten Blüthen treiben, wenn des Erdenlebens schweres Traumbild sinkt und sinkt und sinkt, wenn das Streben nach der nackten Wahrheit allein bestimmend ist, was nur bei Nationen in der Vollkraft ihrer Entwickelung vorkommt.”
Dieses Zusammentreffen dürfte auch nicht ein zufälliges, sondern ein natürliches, ein Ergebniss innerer Notwendigkeit sein. Wie die Kunst nur gedeihen kann, wenn der Künstler, unbekümmert um die Bedrängnisse des Daseins, den Eingebungen seines Geistes lauschen und ihnen folgen kann, so kann die idealste Wissenschaft, die Mathematik, erst dann ihre schönsten Blüthen treiben, wenn des Erdenlebens schweres Traumbild sinkt und sinkt und sinkt, wenn das Streben nach der nackten Wahrheit allein bestimmend ist, was nur bei Nationen in der Vollkraft ihrer Entwickelung vorkommt.”
Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against a bastion and citadel of the stars.
Cosmos
From our home on the Earth, we look out into the distances and strive to imagine the sort of world into which we were born. Today, we have reached far into space. Our immediate neighborhood we know rather intimately. But with increasing distance our knowledge fades … The search will continue. The urge is older than history. It is not satisfied and will not be suppressed.
In 'From Our Home On The Earth', The Land (1946), 5, 145. As cited on the webpage of the Edwin Powell Hubble Papers.
In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia.
Declaring a preference for contact with nature rather than with technology. In 'The Wisdom of Wilderness', Life (22 Dec 1967), 63, No. 25, 10.
Mathematics has the completely false reputation of yielding infallible conclusions. Its infallibility is nothing but identity. Two times two is not four, but it is just two times two, and that is what we call four for short. But four is nothing new at all. And thus it goes on and on in its conclusions, except that in the higher formulas the identity fades out of sight.
As quoted in Richard von Mises, 'Mathematical Postulates and Human Understanding', collected in J.R. Newman (ed.) The World of Mathematics (1956), Vol. 3, 1754.
Myriad small ponds and streams would reflect the full glare of the sun for one or two seconds, then fade away as a new set of water surfaces came into the reflecting position. The effect was as if the land were covered with sparkling jewels.
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Phrenology is the only major pseudoscience I know about that once flourished around the world and has since faded away.
In Kendrick Frazier, 'A Mind at Play: An Interview with Martin Gardner', Skeptical Inquirer (Mar/Apr 1998), 37.
Religion is something left over from the infancy of our intelligence, it will fade away as we adopt read on and science as our guidelines.
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The explorations of space end on a note of uncertainty. And necessarily so. … We know our immediate neighborhood rather intimately. With increasing distance our knowledge fades, and fades rapidly. Eventually, we reach the dim boundary—the utmost limits of our telescopes. There, we measure shadows, and we search among ghostly errors of measurement for landmarks that are scarcely more substantial. The search will continue. Not until the empirical resources are exhausted, need we pass on to the dreamy realms of speculation.
From conclusion of The Silliman Memorial Lectures Series delivered at Yale University (Fall 1935). Collected in The Realm of the Nebulae: The Silliman Memorial Lectures Series (1936), 201-202.
The threads that archaeology has put in Sir Arthur Evans’ hands are of necessity tangled, faded and broken; yet his learning and intuition have enabled him to weave them into a coherent whole that is almost history.
From Bosanquet’s book review, 'The Realm of Minos', (of Sir Arthur Evans’, The Palace of Minos: A Comparative Account of the Successive Stages of the Early Cretan Civilization as Illustrated by the Discoveries at Knossos: Volume I), in Harold Cox, ed., The Edinburgh Review (Jul 1922), 236, No. 481, 70.
When the sun is covered by clouds, objects are less conspicuous, because there is little difference between the light and shade of the trees and the buildings being illuminated by the brightness of the atmosphere which surrounds the objects in such a way that the shadows are few, and these few fade away so that their outline is lost in haze.
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Why should we grope among the dry bones of the past, or put the living generation into masquerade out of its faded wardrobe? … There are new lands, new men, new thoughts.
From 'Introduction' in his first published book (at first, anonymously), Nature (1836), 5-6.