Ask why God made the GEM so small,
And why so huge the granite?
Because God meant, mankind should set
That higher value on it.

Half a century ago Oswald (1910) distinguished classicists and romanticists among the scientific investigators: the former being inclined to design schemes and to use consistently the deductions from working hypotheses; the latter being more fit for intuitive discoveries of functional relations between phenomena and therefore more able to open up new fields of study. Examples of both character types are Werner and Hutton. Werner was a real classicist. At the end of the eighteenth century he postulated the theory of “neptunism,” according to which all rocks including granites, were deposited in primeval seas. It was an artificial scheme, but, as a classification system, it worked quite satisfactorily at the time. Hutton, his contemporary and opponent, was more a romanticist. His concept of “plutonism” supposed continually recurrent circuits of matter, which like gigantic paddle wheels raise material from various depths of the earth and carry it off again. This is a very flexible system which opens the mind to accept the possible occurrence in the course of time of a great variety of interrelated plutonic and tectonic processes.

It may be that it is only by the grace of granitization that we have continents to live on.

Lately we have been getting facts pointing to the “oceanic” nature of the floor of so-called inland seas. Through geological investigations it has been definitely established that in its deepest places, for instance, the Caribbean Sea and the Gulf of Mexico, the Earth's crust is devoid of granite stratum. The same may be said quite confidently about the Mediterranean and the Black Sea. Could the interpretation of these data be that inland seas were the primary stage of the formation of oceanic basins?

The book of Nature is the book of Fate. She turns the gigantic pages,—leaf after leaf,—never re-turning one. One leaf she lays down, a floor of granite; then a thousand ages, and a bed of slate; a thousand ages, and a measure of coal; a thousand ages, and a layer of marl and mud: vegetable forms appear; her first misshapen animals, zoophyte, trilobium, fish; then, saurians,—rude forms, in which she has only blocked her future statue, concealing under these unwieldy monsters the fine type of her coming king. The face of the planet cools and dries, the races meliorate, and man is born. But when a race has lived its term, it comes no more again.

The ruins of Machu Picchu are perched on top of a steep ridge in the most inaccessible corner of the most inaccessible section of the central Andes. No part of the highlands of Peru has been better defended by natural bulwarks—a stupendous canyon whose rim is more than a mile above the river, whose rock is granite, and whose precipices are frequently a thousand feet sheer.

There was no more grass, no flowers, not even any moss: dusty granite blocks covered the ice and an occasional grinding groan reminded us that we were on a slow-moving glacier.

We rest in the immense and complete order of the earth. And then it may well happen that what we have been seeing as beautiful repose changes into motions; lines seem to rise and fall, surfaces wave and swing. Folding, which long ago buckled horizontal strata into huge subterranean waves of stone (folds) is revived. The rounded crests of folds rise and fall rhythmically. Giant smoking volcanoes stand in a row like the pipes of a cosmic organ through which the earth’s mighty breath blows its roaring music. Granite domes in the deserts, the broadly arched shields of the Rocky Mountains become the chimes waiting only for the earthquake’s stroke to awaken the mighty symphony that drowns out all human tones and resounds throughout the world.