Fiction Quotes (22 quotes)
A theory is a supposition which we hope to be true, a hypothesis is a supposition which we expect to be useful; fictions belong to the realm of art; if made to intrude elsewhere, they become either make-believes or mistakes.
Because science flourishes, must poesy decline? The complaint serves but to betray the weakness of the class who urge it. True, in an age like the present,—considerably more scientific than poetical,—science substitutes for the smaller poetry of fiction, the great poetry of truth.
Fiction is, indeed, an indispensable supplement to logic, or even a part of it; whether we are working inductively or deductively, both ways hang closely together with fiction: and axioms, though they seek to be primary verities, are more akin to fiction. If we had realized the nature of axioms, the doctrine of Einstein, which sweeps away axioms so familiar to us that they seem obvious truths, and substitutes others which seem absurd because they are unfamiliar, might not have been so bewildering.
Fiction tends to become “fact” simply by serial passage via the printed page.
Google can aggregate all web and paper-based information, and they can build fantastic search engines, but that will not directly lead to truth or wisdom. For that we will continue to need education, training in critical thought, and good editors who can help us winnow the fact from the fiction.
One of the commonest dietary superstitions of the day is a belief in instinct as a guide to dietary excellence ... with a corollary that the diets of primitive people are superior to diets approved by science ... [and even] that light might be thrown on the problems of human nutrition by study of what chimpanzees eat in their native forests. ... Such notions are derivative of the eighteenth-century fiction of the happy and noble savage.
One should not wrongly reify “cause” and “effect,” as the natural scientists do (and whoever, like them, now “naturalizes” in his thinking), according to the prevailing mechanical doltishness which makes the cause press and push until it “effects” its end; one should use “cause” and “effect” only as pure concepts, that is to say, as conventional fictions for the purpose of designation and communication—not for explanation.
Our imagination is stretched to the utmost, not as in fiction, to imagine things which are not really there, but just to comprehend those things which are there.
Science fiction writers, I am sorry to say, really do not know anything. We can’t talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.
Scientific practice is above all a story-telling practice. ... Biology is inherently historical, and its form of discourse is inherently narrative. ... Biology as a way of knowing the world is kin to Romantic literature, with its discourse about organic form and function. Biology is the fiction appropriate to objects called organisms; biology fashions the facts “discovered” about organic beings.
The aim of science is to discover and illuminate truth. And that, I take it, is the aim of literature, whether biography or history or fiction. It seems to me, then, that there can be no separate literature of science.
The design of a book is the pattern of reality controlled and shaped by the mind of the writer. This is completely understood about poetry or fiction, but it is too seldom realized about books of fact. And yet the impulse which drives a man to poetry will send a man into the tide pools and force him to report what he finds there. Why is an expedition to Tibet undertaken, or a sea bottom dredged? Why do men, sitting at the microscope, examine the calcareous plates of a sea cucumber and give the new species a name, and write about it possessively? It would be good to know the impulse truly, not to be confused by the “services to science” platitudes or the other little mazes into which we entice our minds so that they will not know what we are doing.
The history of chemistry is properly divided into the mythologic, the obscure, and the certain. The first period exhibits it from its infancy, deformed by fictions, until the destruction of the library of Alexandria by the Arabs. —The second, though freed in some measure from these absurdities, yet is still clothed in numberless enigmas and allegorical expressions.— The third period commences at the middle of the seventeenth century, with the first establishment of societies and academies of science; of which the wise associates, in many places uniting their efforts, determined to pursue the study of Natural Philosophy by observation and experiments, and candidly to publish their attempts in a general account of their transactions.
The instinct to command others, in its primitive essence, is a carnivorous, altogether bestial and savage instinct. Under the influence of the mental development of man, it takes on a somewhat more ideal form and becomes somewhat ennobled, presenting itself as the instrument of reason and the devoted servant of that abstraction, or political fiction, which is called the public good. But in its essence it remains just as baneful, and it becomes even more so when, with the application of science, it extends its scope and intensifies the power of its action. If there is a devil in history, it is this power principle.
The Mathematics are usually considered as being the very antipodes of Poesy. Yet Mathesis and Poesy are of the closest kindred, for they are both works of imagination. Poetry is a creation, a making, a fiction; and the Mathematics have been called, by an admirer of them, the sublimest and the most stupendous of fictions. It is true, they are not only μάθησις learning, but ποίησις, a creation.
The neurotic ... is nailed to the cross of his fiction.
The task allotted to me is to state what is fact and what is fancy in our researches into immunity. We have reached the stage when we marshal our facts and court-martial our fictions.
Truth is the most powerful thing in the world, since even fiction itself must be governed by it, and can only please by its resemblance.
What fiction could match - in drama or suspense - man’s first walk on the Moon?
When Faraday filled space with quivering lines of force, he was bringing mathematics into electricity. When Maxwell stated his famous laws about the electromagnetic field it was mathematics. The relativity theory of Einstein which makes gravity a fiction, and reduces the mechanics of the universe to geometry, is mathematical research.
[Among the books he chooses, a statesman] ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse.
~~[Unverified]~~ [Louis Pasteur’s] … theory of germs is a ridiculous fiction. How do you think that these germs in the air can be numerous enough to develop into all these organic infusions? If that were true, they would be numerous enough to form a thick fog, as dense as iron.