Pigment Quotes (9 quotes)
[The octopus has] an amazing skin, because there are up to 20 million of these chromatophore pigment cells and to control 20 million of anything is going to take a lot of processing power. ... These animals have extraordinarily large, complicated brains to make all this work. ... And what does this mean about the universe and other intelligent life? The building blocks are potentially there and complexity will arise. Evolution is the force that's pushing that. I would expect, personally, a lot of diversity and a lot of complicated structures. It may not look like us, but my personal view is that there is intelligent life out there.
An eye critically nice will discern in every colour a tendency to some other colour, according as it is influenced by light, shade, depth or diluteness; nor is this the case only in the inherent colours of pigments, &c. but it is so also in the transient colours of the prism, &c. Hence blue in its depth inclines to purple; deep-yellow to orange, &c.; nor is it practicable to realize these colours to the satisfaction of the critical eye,-since perfect colours, like perfect geometrical figures, are pure ideals. My examples of colours are therefore quite as adequate to their office of illustrating and distinguishing, as the figure of an angle inclining to the acute or obtuse, instead of a perfect right angle, or middle form, would be in illustrating the conception of an angle in general.
If we assume that there is only one enzyme present to act as an oxidizing agent, we must assume for it as many different degrees of activity as are required to explain the occurrence of the various colors known to mendelize (three in mice, yellow, brown, and black). If we assume that a different enzyme or group of enzymes is responsible for the production of each pigment we must suppose that in mice at least three such enzymes or groups of enzymes exist. To determine which of these conditions occurs in mice is not a problem for the biologist, but for the chemist. The biologist must confine his attention to determining the number of distinct agencies at work in pigment formation irrespective of their chemical nature. These agencies, because of their physiological behavior, the biologist chooses to call 'factors,' and attempts to learn what he can about their functions in the evolution of color varieties.
It is a substance called Chlorophyll, the most wonderful substance in our world. A world without chlorophyll would be a world without the higher forms of life, and in such a world no life, save perhaps that of the lowest bacteria, could possibly endure. In fact, without this remarkable pigment the living world as at present constituted could not exist.
Lately, however, on abandoning the brindled and grey mosquitos and commencing similar work on a new, brown species, of which I have as yet obtained very few individuals, I succeeded in finding in two of them certain remarkable and suspicious cells containing pigment identical in appearance to that of the parasite of malaria. As these cells appear to me to be very worthy of attention … I think it would be advisable to place on record a brief description both of the cells and of the mosquitos.
MUMMY, n. An ancient Egyptian, formerly in universal use among modern civilized nations as medicine, and now engaged in supplying art with an excellent pigment. He is handy, too, in museums in gratifying the vulgar curiosity that serves to distinguish man from the lower animals.
The mutton in the study gathered over it a thick blanket of Penicillium. On the 13th [December 1875] it had assumed a light brown colour as if by a faint admixture of clay; but the infusion became transparent. The ‘clay’ here was the slime of dead or dormant Bacteria, the cause of their quiescence being the blanket of Penicillium. I found no active life in this tube, while all the others swarmed with Bacteria. In every case where the mould was thick and coherent the Bacteria died, or became dormant, and fell to the bottom of the sediment … The Bacteria which manufacture a green pigment appear to be uniformly victorious in their fight with the Penicillium.
This very important property of rods, and indeed also of each kind of cone, this limitation of output to a single dimension of change, may be called the Principle of Univariance and stated thus: “The output of a receptor depends upon its quantum catch, but not upon what quanta are caught.” … Young's theory of colour vision may now be stated in terms of cone pigments. “There are three classes of cone each containing a different visual pigment. The output of each cone is univariant, depending simply upon the quantum catch of its pigment. Our sensation of colour depends upon the ratios of these three cone outputs.”
Years ago I used to worry about the degree to which I specialized. Vision is limited enough, yet I was not really working on vision, for I hardly made contact with visual sensations, except as signals, nor with the nervous pathways, nor the structure of the eye, except the retina. Actually my studies involved only the rods and cones of the retina, and in them only the visual pigments. A sadly limited peripheral business, fit for escapists. But it is as though this were a very narrow window through which at a distance, one can only see a crack of light. As one comes closer the view grows wider and wider, until finally looking through the same narrow window one is looking at the universe. It is like the pupil of the eye, an opening only two to three millimetres across in daylight, but yielding a wide angle of view, and manoeuvrable enough to be turned in all directions. I think this is always the way it goes in science, because science is all one. It hardly matters where one enters, provided one can come closer, and then one does not see less and less, but more and more, because one is not dealing with an opaque object, but with a window.