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Home > Category Index for Science Quotations > Category Index M > Category: Marble

Marble Quotes (21 quotes)

And from my pillow, looking forth by light
Of moon or favouring stars, I could behold
The antechapel where the statue stood
Of Newton with his prism and silent face,
The marble index of a mind for ever
Voyaging through strange seas of Thought, alone.
'Residence at Cambridge', The Prelude, or, Growth of a Poet's Mind: An Autobiographical Poem (1850), Book 3, 57-58.
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Consider the eighth category, which deals with stones. Wilkins divides them into the following classifications: ordinary (flint, gravel, slate); intermediate (marble, amber, coral); precious (pearl, opal); transparent (amethyst, sapphire); and insoluble (coal, clay, and arsenic). The ninth category is almost as alarming as the eighth. It reveals that metals can be imperfect (vermilion, quicksilver); artificial (bronze, brass); recremental (filings, rust); and natural (gold, tin, copper). The whale appears in the sixteenth category: it is a viviparous, oblong fish. These ambiguities, redundances, and deficiencies recall those attributed by Dr. Franz Kuhn to a certain Chinese encyclopedia entitled Celestial Emporium of Benevolent Knowledge. On those remote pages it is written that animals are divided into (a) those that belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) suckling pigs, (e) mermaids, (f) fabulous ones, (g) stray dogs, (h) those that are included in this classification, (i) those that tremble as if they were mad, (j) innumerable ones, (k) those drawn with a very fine camel's hair brush, (l) others, (m) those that have just broken a flower vase, (n) those that resemble flies from a distance.
Other Inquisitions 1937-1952 (1964), trans. Ruth L. C. Simms, 103.
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Cuvier … brings the void to life again, without uttering abracadabras, he excavates a fragment of gypsum, spies a footprint and shouts: “Look!” And suddenly the marbles are teeming with creatures, the dead come to life again, the world turns!
From 'La Peau de Chagrin' (1831). As translated as by Helen Constantine The Wild Ass’s Skin (2012), 19.
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He plucks the pearls that stud the deep Admiring Beauty’s lap to fill;
He breaks the stubborn Marble’s sleep,
Rocks disappear before his skill:
With thoughts that swell his glowing soul
He bids the ore illume the page,
And, proudly scorning Time’s control,
Commences with an unborn age.
Written for the Mechanics Celebration (1824). In 'Art—An Ode', as quoted and cited in Alpheus Cary, An Address Delivered Before the Massachusetts Charitable Mechanic Association (October 7th, 1824) (1824), 49.
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He plucks the pearls that stud the deep Admiring Beauty’s lap to fill;
He breaks the stubborn Marble’s sleep,
Rocks disappear before his skill:
With thoughts that swell his glowing soul
He bids the ore illume the page,
And, proudly scorning Time’s control,
Commences with an unborn age.
Written for the Mechanics Celebration (1824). In 'Art—An Ode', as quoted and cited in Alpheus Cary, An Address Delivered Before the Massachusetts Charitable Mechanic Association (October 7th, 1824) (1824), 49.
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I am convinced, by repeated observation, that marbles, lime-stones, chalks, marls, clays, sand, and almost all terrestrial substances, wherever situated, are full of shells and other spoils of the ocean.
'Second Discours: Histoire & Théorie de la Terre', Histoire Naturelle, Générale et Particulière, Avec la Description du Cabinet du Roi (1749), Vol. I, 76-77; Natural History, General and Particular (1785), Vol. I, trans. W. Smellie, 13.
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In the vestibule of the Manchester Town Hall are placed two life-sized marble statues facing each other. One of these is that of John Dalton … the other that of James Prescott Joule. … Thus honour is done to Manchester’s two greatest sons—to Dalton, the founder of modern Chemistry and of the Atomic Theory, and the laws of chemical-combining proportions; to Joule, the founder of modern Physics and the discoverer of the Law of Conservation of Energy. The one gave to the world the final and satisfactory proof … that in every kind of chemical change no loss of matter occurs; the other proved that in all the varied modes of physical change, no loss of energy takes place.
In John Dalton and the Rise of Modern Chemistry (1895), 7.
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Kids who aren’t even allowed to have hazardous toys, … Hazardous toys…! Whatever happened to natural selection? Survival of the fittest? The kid who swallows too many marbles doesn’t grow up to have kids of his own. Simple stuff. Nature knows best!
In Napalm and Silly Putty (2001), 56.
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Man’s history has been graven on the rock of Egypt, stamped on the brick of Assyria, enshrined in the marble of the Parthenon—it rises before us a majestic presence in the piled up arches of the Coliseum—it lurks an unsuspected treasure amid the oblivious dust of archives and monasteries—it is embodied in all the looms of religions, of races, of families.
In Lecture to the Oxford meeting of the Archaeological Institute (18 Jun 1850), printed in 'On the Study of Achaeology', Archaeological Journal (1851), 8, 1.
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Meanwhile I flatter myself with so much success, that: students... will not be so easily mistaken in the subjects of the mineral kingdom, as has happened with me and others in following former systems; and I also hope to obtain some protectors against those who are so possessed with the figuromania, and so addicted to the surface of things, that they are shocked at the boldness of calling a marble a limestone, and of placing the Porphyry amongst the Saxa.
An Essay Towards a System of Mineralogy (1770), trans. G. Von Engestrom, xxi.
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Not marble graven with public records, whereby breath and life return to goodly heroes after death.
Horace
In Ode 8, 'In Praise of Poesy', Horace, The Odes and Epodes (1921), 315.
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Nursing is an art: and if it is to be made an art, it requires an exclusive devotion as hard a preparation as any painter’s or sculptor’s work; for what is the having to do with dead canvas or dead marble, compared with having to do with the living body, the temple of God’s spirit? It is one of the Fine Arts: I had almost said, the finest of Fine Arts.
First published as a eulogy to an unnamed nurse in 'Una and the Lion', Good Words (1 Jun 1868), 360-366. Reprinted in Una and the Lion (1871), 6.
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She has the sort of body you go to see in marble. She has golden hair. Quickly, deftly, she reaches with both hands behind her back and unclasps her top. Setting it on her lap, she swivels ninety degrees to face the towboat square. Shoulders back, cheeks high, she holds her pose without retreat. In her ample presentation there is defiance of gravity. There is no angle of repose. She is a siren and these are her songs.
…...
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So says the most ancient book of the Earth; thus it is written on its leaves of marble, lime, sand, slate, and clay: ... that our Earth has fashioned itself, from its chaos of substances and powers, through the animating warmth of the creative spirit, to a peculiar and original whole, by a series of preparatory revolutions, till at last the crown of its creation, the exquisite and tender creature man, was enabled to appear.
Outlines of a Philosophy of the History of Man (1803). Translated from 1784 Original, Vol. I, Book 10, 465-6.
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The architect does not demand things which cannot be found or made ready without great expense. For example: it is not everywhere that there is plenty of pitsand, rubble, fir, clear fir, and marble… Where there is no pitsand, we must use the kinds washed up by rivers or by the sea… and other problems we must solve in similar ways.
Vitruvius
In De Architectura, Book 1, Chap 2, Sec. 8. As translated in Morris Hicky Morgan (trans.), Vitruvius: The Ten Books on Architecture (1914), 16.
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The Earth reminded us of a Christmas tree ornament hanging in the blackness of space. As we got farther and farther away it diminished in size. Finally it shrank to the size of a marble, the most beautiful marble you can imagine. That beautiful, warm, living object looked so fragile, so delicate, that if you touched it with a finger it would crumble and fall apart. Seeing this has to change a man, has to make a man appreciate the creation of God and the love of God.
…...
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The great doctors all got their education off dirt pavements and poverty—not marble floors and foundations.
Martin H. Fischer, Howard Fabing (ed.) and Ray Marr (ed.), Fischerisms (1944).
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The whole Terrestrial Globe was taken all to Pieces and dissolved at the Deluge, the Particles of Stone, Marble, and all other solid Fossils being dissevered, taken up into the Water, and there sustained with Sea-Shells and other Animal and Vegetable Bodyes: and that the present Earth consists, and was formed out of that promiscuous Mass of Sand, Earth, Shells, and the rest, falling down again, and subsiding from the Water.
In An Essay Towards a Natural History of the Earth (3rd ed., 1723), Preface.
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Thinking is merely the comparing of ideas, discerning relations of likeness and of difference between ideas, and drawing inferences. It is seizing general truths on the basis of clearly apprehended particulars. It is but generalizing and particularizing. Who will deny that a child can deal profitably with sequences of ideas like: How many marbles are 2 marbles and 3 marbles? 2 pencils and 3 pencils? 2 balls and 3 balls? 2 children and 3 children? 2 inches and 3 inches? 2 feet and 3 feet? 2 and 3? Who has not seen the countenance of some little learner light up at the end of such a series of questions with the exclamation, “Why it’s always that way. Isn’t it?” This is the glow of pleasure that the generalizing step always affords him who takes the step himself. This is the genuine life-giving joy which comes from feeling that one can successfully take this step. The reality of such a discovery is as great, and the lasting effect upon the mind of him that makes it is as sure as was that by which the great Newton hit upon the generalization of the law of gravitation. It is through these thrills of discovery that love to learn and intellectual pleasure are begotten and fostered. Good arithmetic teaching abounds in such opportunities.
In Arithmetic in Public Education (1909), 13. As quoted and cited in Robert Édouard Moritz, Memorabilia Mathematica; Or, The Philomath’s Quotation-book (1914), 68.
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This Academy [at Lagado] is not an entire single Building, but a Continuation of several Houses on both Sides of a Street; which growing waste, was purchased and applied to that Use.
I was received very kindly by the Warden, and went for many Days to the Academy. Every Room hath in it ' one or more Projectors; and I believe I could not be in fewer than five Hundred Rooms.
The first Man I saw was of a meagre Aspect, with sooty Hands and Face, his Hair and Beard long, ragged and singed in several Places. His Clothes, Shirt, and Skin were all of the same Colour. He had been Eight Years upon a Project for extracting Sun-Beams out of Cucumbers, which were to be put into Vials hermetically sealed, and let out to warm the Air in raw inclement Summers. He told me, he did not doubt in Eight Years more, that he should be able to supply the Governor's Gardens with Sunshine at a reasonable Rate; but he complained that his Stock was low, and interested me to give him something as an Encouragement to Ingenuity, especially since this had been a very dear Season for Cucumbers. I made him a small Present, for my Lord had furnished me with Money on purpose, because he knew their Practice of begging from all who go to see them.
I saw another at work to calcine Ice into Gunpowder; who likewise shewed me a Treatise he had written concerning the Malleability of Fire, which he intended to publish.
There was a most ingenious Architect who had contrived a new Method for building Houses, by beginning at the Roof, and working downwards to the Foundation; which he justified to me by the life Practice of those two prudent Insects the Bee and the Spider.
In another Apartment I was highly pleased with a Projector, who had found a device of plowing the Ground with Hogs, to save the Charges of Plows, Cattle, and Labour. The Method is this: In an Acre of Ground you bury at six Inches Distance, and eight deep, a quantity of Acorns, Dates, Chestnuts, and other Masts or Vegetables whereof these Animals are fondest; then you drive six Hundred or more of them into the Field, where in a few Days they will root up the whole Ground in search of their Food, and make it fit for sowing, at the same time manuring it with their Dung. It is true, upon Experiment they found the Charge and Trouble very great, and they had little or no Crop. However, it is not doubted that this Invention may be capable of great Improvement.
I had hitherto seen only one Side of the Academy, the other being appropriated to the Advancers of speculative Learning.
Some were condensing Air into a dry tangible Substance, by extracting the Nitre, and letting the acqueous or fluid Particles percolate: Others softening Marble for Pillows and Pin-cushions. Another was, by a certain Composition of Gums, Minerals, and Vegetables outwardly applied, to prevent the Growth of Wool upon two young lambs; and he hoped in a reasonable Time to propagate the Breed of naked Sheep all over the Kingdom.
Gulliver's Travels (1726, Penguin ed. 1967), Part III, Chap. 5, 223.
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Without the hard little bits of marble which are called 'facts' or 'data' one cannot compose a mosaic; what matters, however, are not so much the individual bits, but the successive patterns into which you arrange them, then break them up and rearrange them.
In The Act of Creation (1964), 235.
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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- 90 -
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- 40 -
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