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Home > Category Index for Science Quotations > Category Index A > Category: Artist

Artist Quotes (19 quotes)

Jobs: I look at myself as an artist if anything. Sort of a trapeze artist.
Levy: With or without a net?
Jobs: Without.
Expressing the driving force behind his passion. Interview with Rolling Stone writer, Steven Levy (late Nov 1983). As quoted in Nick Bilton, 'The 30-Year-Old Macintosh and a Lost Conversation With Steve Jobs' (24 Jan 2014), on New York Times blog web page. Levy appended a transcript of the interview to an updated Kindle version of his book, Insanely Great: The Life and Times of Macintosh, the Computer that Changed Everything.
Science quotes on:  |  Autobiography (48)  |  Net (3)

A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral. The extermination of the passenger pigeon meant that mankind was just so much poorer; exactly as in the case of the destruction of the cathedral at Rheims. And to lose the chance to see frigate-birds soaring in circles above the storm, or a file of pelicans winging their way homeward across the crimson afterglow of the sunset, or a myriad terns flashing in the bright light of midday as they hover in a shifting maze above the beach—why, the loss is like the loss of a gallery of the masterpieces of the artists of old time.
In A Book-Lover's Holidays in the Open (1916), 316-317.
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All great scientists have, in a certain sense, been great artists; the man with no imagination may collect facts, but he cannot make great discoveries.
The Grammar of Science (1892), 37.
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Any artist or novelist would understand—some of us do not produce their best when directed. We expect the artist, the novelist and the composer to lead solitary lives, often working at home. While a few of these creative individuals exist in institutions or universities, the idea of a majority of established novelists or painters working at the “National Institute for Painting and Fine Art” or a university “Department of Creative Composition” seems mildly amusing. By contrast, alarm greets the idea of a creative scientist working at home. A lone scientist is as unusual as a solitary termite and regarded as irresponsible or worse.
Homage to Gala: The Life of an Independent Scholar (2000), 2.
Science quotes on:  |  Autobiography (48)  |  Creativity (45)  |  Individual (59)  |  Institution (15)  |  Novelist (3)  |  Solitary (5)  |  Termite (4)  |  University (29)

Anyone who can leave the Yucatán with indifference has never been an artist and will never be a scholar.
Quoted (without source) in Nick Rider, Yucatan & Mayan Mexico (2005), 200.
Science quotes on:  |  Indifference (7)  |  Scholar (19)

Architecture is of all the arts the one nearest to a science, for every architectural design is at its inception dominated by scientific considerations. The inexorable laws of gravitation and of statics must be obeyed by even the most imaginative artist in building.
In 'The Message of Greek Architecture', The Chautauquan (Apr 1906), 43, 110.
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How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
'Prometheus.' The Roving Mind (1983), Chap 25.
Science quotes on:  |  Art (80)  |  Emotion (28)  |  Imagination (130)  |  Interconnection (4)  |  Intuition (26)  |  Rational (18)  |  Reason (173)  |  Science (875)  |  Solution (109)  |  Step By Step (7)

In assessing Audubon, whose firm grip on the popular imagination has scarcely lessened since 1826, we must as historians of science seriously ask who would remember him if he had not been an artist of great imagination and flair. ... The chances seem to be very poor that had he not been an artist, he would be an unlikely candidate for a dictionary of scientific biography, if remembered to science at all.
In Charles Coulston Gillespie (ed.), Dictionary of Scientific Biography (1972), Vol. 1, 331.
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Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that the danger does lie in logic, not in imagination.
Orthodoxy (1908, 2007), 15.
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No nation can be really great unless it is great in peace, in industry, integrity, honesty. Skilled intelligence in civic affairs and industrial enterprises alike; the special ability of the artist, the man of letters, the man of science, and the man of business; the rigid determination to wrong no man, and to stand for righteousness—all these are necessary in a great nation.
Address (2 Jun 1897) at U.S. Naval War College, Newport, Rhode Island. In 'Washington's Forgotten Maxim', United States Naval Institute Proceedings (1897), 23, 450.
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Not since the Lord himself showed his stuff to Ezekiel in the valley of dry bones had anyone shown such grace and skill in the reconstruction of animals from disarticulated skeletons. Charles R. Knight, the most celebrated of artists in the reanimation of fossils, painted all the canonical figures of dinosaurs that fire our fear and imagination to this day.
In Wonderful Life: the Burgess Shale and the Nature of History (1990), 23. First sentence of chapter one.
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The artist does not illustrate science; ... [but] he frequently responds to the same interests that a scientist does, and expresses by a visual synthesis what the scientist converts into analytical formulae or experimental demonstrations.
'The Arts', in Charles Austin Beard, Whither Mankind: a Panorama of Modern Civilization (1928, 1971), 296.
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The books of the great scientists are gathering dust on the shelves of learned libraries. ... While the artist's communication is linked forever with its original form, that of the scientist is modified, amplified, fused with the ideas and results of others and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with the world than his work.
From Nobel Lecture (10 Dec 1969), 'A Physicist's Renewed Look at Biology – Twenty Years Later.' in Nobel Lectures, Physiology or Medicine 1963-1970 (1972), 409.
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The great men of science are supreme artists.
Science quotes on:  |  Men Of Science (90)

The lives of scientists, considered as Lives, almost always make dull reading. For one thing, the careers of the famous and the merely ordinary fall into much the same pattern, give or take an honorary degree or two, or (in European countries) an honorific order. It could be hardly otherwise. Academics can only seldom lead lives that are spacious or exciting in a worldly sense. They need laboratories or libraries and the company of other academics. Their work is in no way made deeper or more cogent by privation, distress or worldly buffetings. Their private lives may be unhappy, strangely mixed up or comic, but not in ways that tell us anything special about the nature or direction of their work. Academics lie outside the devastation area of the literary convention according to which the lives of artists and men of letters are intrinsically interesting, a source of cultural insight in themselves. If a scientist were to cut his ear off, no one would take it as evidence of a heightened sensibility; if a historian were to fail (as Ruskin did) to consummate his marriage, we should not suppose that our understanding of historical scholarship had somehow been enriched.
'J.B.S: A Johnsonian Scientist', New York Review of Books (10 Oct 1968), reprinted in Pluto's Republic (1982), and inThe Strange Case of the Spotted Mice and Other Classic Essays on Science (1996), 86.
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The new painters do not propose, any more than did their predecessors, to be geometers. But it may be said that geometry is to the plastic arts what grammar is to the art of the writer. Today, scholars no longer limit themselves to the three dimensions of Euclid. The painters have been lead quite naturally, one might say by intuition, to preoccupy themselves with the new possibilities of spatial measurement which, in the language of the modern studios, are designated by the term fourth dimension.
The Cubist Painters: Aesthetic Meditations (1913) translated by Lionel Abel (1970), 13. Quoted in Michele Emmer, The Visual Mind II (2005), 352.
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The significance of a fact is relative to [the general body of scientific] knowledge. To say that a fact is significant in science, is to say that it helps to establish or refute some general law; for science, though it starts from observation of the particular, is not concerned essentially with the particular, but with the general. A fact, in science, is not a mere fact, but an instance. In this the scientist differs from the artist, who, if he deigns to notice facts at all, is likely to notice them in all their particularity.
In The Scientific Outlook (1931, 2009), 38.
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There is an influence which is getting strong and stronger day by day, which shows itself more and more in all departments of human activity, and influence most fruitful and beneficial—the influence of the artist. It was a happy day for the mass of humanity when the artist felt the desire of becoming a physician, an electrician, an engineer or mechanician or—whatnot—a mathematician or a financier; for it was he who wrought all these wonders and grandeur we are witnessing. It was he who abolished that small, pedantic, narrow-grooved school teaching which made of an aspiring student a galley-slave, and he who allowed freedom in the choice of subject of study according to one's pleasure and inclination, and so facilitated development.
'Roentgen Rays or Streams', Electrical Review (12 Aug 1896). Reprinted in The Nikola Tesla Treasury (2007), 307. By Nikola Tesla
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[An artist] will sooner and with more certainty, establish the character of skeletons, than the most learned anatomist, whose eye has not been accustomed to seize on every peculiarity.
Asserting his (incorrect) belief that the fossil teeth of the mastodon revealed it was a carnivorous animal.]
In An Historical Disquisition on the Mammoth, or, Great American Incognitum, an Extinct, Immense, Carnivorous Animal, whose Fossil Remains Have Been Found in North America (1903), 38-39, which was published for his London exhibit of a mastodon skeleton. As cited in Michele L. Aldrich article on Peale, in Charles Coulston Gillespie, Dictionary of Scientific Biography (1978), Vol. 15-16, 472.
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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Sophie Germain
Gertrude Elion
Ernest Rutherford
James Chadwick
Marcel Proust
William Harvey
Johann Goethe
John Keynes
Carl Gauss
Paul Feyerabend
- 90 -
Antoine Lavoisier
Lise Meitner
Charles Babbage
Ibn Khaldun
Ralph Emerson
Robert Bunsen
Frederick Banting
Andre Ampere
Winston Churchill
- 80 -
John Locke
Bronislaw Malinowski
Thomas Huxley
Alessandro Volta
Erwin Schrodinger
Wilhelm Roentgen
Louis Pasteur
Bertrand Russell
Jean Lamarck
- 70 -
Samuel Morse
John Wheeler
Nicolaus Copernicus
Robert Fulton
Pierre Laplace
Humphry Davy
Thomas Edison
Lord Kelvin
Theodore Roosevelt
Carolus Linnaeus
- 60 -
Francis Galton
Linus Pauling
Immanuel Kant
Martin Fischer
Robert Boyle
Karl Popper
Paul Dirac
James Watson
William Shakespeare
- 50 -
Stephen Hawking
Niels Bohr
Nikola Tesla
Rachel Carson
Max Planck
Henry Adams
Richard Dawkins
Werner Heisenberg
Alfred Wegener
John Dalton
- 40 -
Pierre Fermat
Edward Wilson
Johannes Kepler
Gustave Eiffel
Giordano Bruno
JJ Thomson
Thomas Kuhn
Leonardo DaVinci
David Hume
- 30 -
Andreas Vesalius
Rudolf Virchow
Richard Feynman
James Hutton
Alexander Fleming
Emile Durkheim
Benjamin Franklin
Robert Oppenheimer
Robert Hooke
Charles Kettering
- 20 -
Carl Sagan
James Maxwell
Marie Curie
Rene Descartes
Francis Crick
Michael Faraday
Srinivasa Ramanujan
Francis Bacon
Galileo Galilei
- 10 -
John Watson
Rosalind Franklin
Michio Kaku
Isaac Asimov
Charles Darwin
Sigmund Freud
Albert Einstein
Florence Nightingale
Isaac Newton